The keynote lectures in this collection are those by Dame Gillian Beer on Darwin and Romanticism, Richard Cronin on Wordsworth and the Periodical Press, Paul H. Fry on Wordsworth, Coleridge and the topos of Labour, Claire Lamont on the Romantic Cottage, and Nicholas Roe on Keats and the Elgin marbles (with five illustrations). In the conference papers, Jamie Baxendine writes on Intimations, James Castell on Peter Bell, Lexi Drayton on the Gypsy figure in Tintern Abbey and associated poems and painting, Mark Sandy on 'the circulation of grief', Chris Simons on Wordsworth and his patrons, Emily Stanback on medical taxonomy, Heidi Thomson on Sara Coleridge's editing of Biographia Literaria, and Saeko Yoshikawa on Sara Hutchinson (the younger)'s Journals of 1850.

Five keynote lectures and seven papers from the 41st Wordsworth Summer Conference. In this selection of twelve specially chosen Lectures and Papers from the Wordsworth Summer Conference, Heather Glen writes on 'We are Seven' in the context of population studies in the 1790s, Judith W. Page on Beatrix Potter and William Wordsworth, Anthony Harding on Wordswortyh, Coleridge and the Reading Public, Pamela Woof and Suzanne Stewart on Dorothy Wordsworth's writing, Peter Swaab on Sara Coleridge as a Wordsworth critic, Heidi Thomson on Wordworth and Auden, Judyta Frodyma on Bishop Lowth and 'Home at Grasmere', Stacey McDowell on Keats and Indolence, Catherine Redford on 'The Last Man' and Romantic Archaeology, Paul Whickman on Shelley's revisions of 'Laon and Cythna', and Jason Goldsmith on 'picturesque travel, or viewing landscape by painting it. The final essay includes twelve original landscapes, mostly in colour.

This collection of essays includes Stephen Gill on Wordsworth's 'revisitings', Ann Wroe on Shelley's famous pamphlet, 'The Necessity of Atheism', Mary Favret on the cultural practice of 'The General Fast and Humiliation' in war-time, Gregory Leadbetter on Wordsworth's 'Lucy Poems', Daniel Robinson on Wordsworth's sonnets and newspaper verse, Mark J Bruhn and Jacob Risinger on aspects of Wordsworths's thought, Jessica Fay on Wordsworth and hermitude, Matthew Rowney on Wordsworth's peripatetics, Madeleine Callaghan on Shelley's Idealism, Monika Class on Coleridge and the once reputable 'science' of Phrenology, Stacey McDowell on Keats's play 'Otho the Great', Felicity James on Mary Hays and the life-writing of religious Dissent, and Richard Gravil on John Thelwall's hitherto unknown analysis of the prosody of Wordsworth's 'Excursion'.

A selection of keynote lectures and conference papers from the prestigious 2010 Wordsworth Summer Conference. Contains 1. Simon Bainbridge, 'The Power of Hills': Romantic Mountaineering; 2. Peter Spratley, Wordsworth's Walking Aesthetic; 3. Gary Harrison, The Poetics of Acknowledgment: John Clare; 4. James Castell, The Society of Birds in Home at Grasmere; 5. Nahoko Miyamoto Alvey, 'Kubla Khan' and Orientalism: The Roads to and from Xanadu; 6. Saeko Yoshikawa, Wordsworth in the Guides; 7. Daniel Robinson, Mary Robinson and the Della Crusca Network; 8. Erica McAlpine, Keats's Might: Subjunctive Verbs in the Late Poems; 9. Fay Yao, 'Old Romance' and New Narrators: A Reading of Keats's 'Isabella' and 'The Eve of St Agnes'; 10. Anthony John Harding, The Fate of Reading in the Regency; 11. Ken Johnston, Wordsworth at Forty: Memoirs of a Lost Generation; 12. Richard Gravil, Is The Excursion a 'metrical Novel?'; 13. Seamus Perry, Wordsworth's Pluralism.

This book presents a fundamental reassessment of Sara Coleridge. It examines her achievements as an author in the public sphere, and celebrates her interventions in what was a masculine genre of religious polemics. Sara Coleridge the religious author was the peer of such major figures as John Henry Newman and F. D. Maurice, and recognized as such by contemporaries. Her strategic negotiations with conventions of gender and authorship were subtle and successful. In this rediscovery of Sara Coleridge the author revises perspectives upon her literary relationship with Samuel Taylor Coleridge. Far from sacrificing her opportunities in service of her father’s memory, her rationale is to exploit his metaphysics in original religious writings that engage with urgent controversies of her own times. Sara Coleridge critiques the Oxford theology of Newman and his colleagues for authoritarian and elitist tendencies, and for creating a negative culture in religious discourse. In response, she experiments with methodologies of collaborative, dialogic exchange, in which form as much as content will promote liberal, inclusive and productive encounters. She develops this agenda in her major religious work, the unpublished Dialogues on Regeneration (1850–51), which this book examines in its penultimate chapter.

Contents include four keynote lectures - on Wordsworth and Coleridge by John Beer, on Byron by Angela Esterhammer and Kasahara Yorimichi, and on Harriet Martineau by Anthony John Harding - together with Judith Thompson's 'Bindman Lecture' on John Thelwall. In shorter papers, Monika Class writes on Coleridge and Kant; Laurent Folliot, Mandy Swann, Timothy Michael, Martina Domines Veliki, Patrick Vincent and Yu Xiao on Wordsworth; and Madeleine Callaghan on Shelley. A Feature of the book is five 'new' poems by the famous agitator John Thelwall, transcribed from the recently discovered Derby MS.

Ten walks through idyllic scenery reveal the countryside’s forgotten links to transatlantic slavery and colonialism—a work of accessible history that will transform our understanding of British landscapes and heritage. The green fields, rugged highlands, and rolling hills of England, Scotland, and Wales are commonly associated with adventure, romance, and seclusion as well as literary figures like Jane Austen and William Wordsworth. But in reality, many of these rural places—with their country houses, lakes, and shorelines—were profoundly changed by British colonial activity. Even hamlets and villages were affected by distant colonial events. Taking ten country walks, author Corinne Fowler explores the unique colonial dimensions of British agriculture, copper-mining, landownership, wool-making, coastal trade, and factory work in cotton mills. One route shows the links between English country houses and Indian colonization. Another explores banking history in Southern England and its link to slavery on Louisianan plantations. Other walks uncover the historical impact of sugar profits on the Scottish isles and 18th-century tobacco imports on an English coastal port. The history of these countryside locations—and the people who lived and worked in them—is closely bound up with colonial rule in far-away continents. Accompanying the author on her walks are a fascinating group of people—artists, musicians, and writers—with strong attachments to the landscapes featured in this book and family links to former British colonies like Barbados and Senegal. These companions illuminate the meaning of colonial history in local settings. Crucially, this is not just a history book but a compassionate reflection on the way we respond to sensitive, shared histories which link people across cultures, generations, and political divides.

Known as the daughter of Samuel Taylor Coleridge, Sara Coleridge's manuscripts, letters, and other writings reveal an original thinker in dialogue with major literary and cultural figures of nineteenth-century England. Here, her writings on beauty, education, and faith uncover aspects of Romantic and Victorian literature, philosophy, and theology.

This book comprises eleven essays by leading scholars of early nineteenth-century British literature and periodical culture. The collection addresses the many and varied links between politics and the emotions in Romantic periodicals, from the revolutionary decade of the 1790s, to the 1832 Reform Bill. In so doing, it deepens our understanding of the often conflicted relations between politics and feelings, and raises questions relevant to contemporary debates on affect studies and their relation to political criticism. The respective chapters explore both the politics of emotion and the emotional register of political discussion in radical, reformist and conservative periodicals. They are arranged chronologically, covering periodicals from Pigs’ Meat to Blackwood’s Edinburgh Magazine and the Spectator. Recurring themes include the contested place of emotion in radical political discourse; the role of the periodical in mediating action and performance; the changing affective frameworks of cultural politics (especially concerning gender and nation), and the shifting terrain of what constitutes appropriate emotion in public political discourse.