To Christians worldwide, the man Jesus of Nazareth is the centerpiece of history, the object of faith, hope, and worship. Even those who do not follow him admit the vast influence of his life. For anyone interested in knowing more about Jesus, study of the four biblical Gospels is essential. The second edition of Four Portraits, One Jesus has been updated throughout to meet the needs to today's students. It is a thorough yet accessible introduction to the four biblical Gospels and their subject, the life and person of Jesus. Like different artists rendering the same subject using different styles and points of view, the Gospels paint four highly distinctive portraits of the same remarkable Jesus. With clarity and insight, Mark Strauss illuminates these four books addressing the following important areas: First he addresses the nature, origin, methods for study, and historical, religious, and cultural backgrounds of the Gospels. He then moves on to closer study of each narrative and its contribution to our understanding of Jesus, investigating things such as plot, characters, and theme. Finally, he pulls it all together with a detailed examination of what the Gospels teach about Jesus' ministry, message, death, and resurrection, with excursions into the quest for the historical Jesus and the historical reliability of the Gospels. This textbook together with its workbook, video lectures, and laminated sheet gives students everything they need for a thorough and enriching study of Jesus and the Gospels.

Beautifully designed and featuring stunning photographs, this moving book will appeal to Christians of all denominations and colors who seek a deeper understanding of the meaning and the glories of their faith. This is a tribute to the people who awakened the author's personal faith.

John's Gospel is best known for its presentation of Jesus as the Word of God made flesh. But as the narrative unfolds, readers discover that the identity of Jesus is surprisingly complex. He is depicted as a teacher, a healer, a prophet, and Messiah. He is Jewish and Galilean, a human being who is Son of Man and Son of God. Portraits of Jesus in the Gospel of John considers each of these roles in detail, showing how each makes a distinctive contribution to the Gospel's rich mosaic of images for Jesus. John's multifaceted portrait of Jesus draws on a broad spectrum of early Christian traditions, and the contributors to this collection of essays explore the ways in which these traditions are both preserved and transformed in the Fourth Gospel. The writers draw us more deeply into the questions of the way in which traditions about Jesus developed in the early church and how the Gospel of John might contribute to our understanding of that dynamic process.

Many people realize that the cultural landscape of North America has shifted significantly. With such changes, new challenges for how churches live as a proclamation of the gospel have and continue to emerge. These challenges are related to the church's participation in the mission of God and particularly how local churches live faithfully to God while remaining relevant to such challenges. Because Scripture is revered as God's word, this matter also pertains to the way churches read Scripture, since the Bible does shape how churches embody the gospel. Gospel Portraits addresses the intersection of mission and hermeneutics for churches within their local contexts. Believing the gospel calls the church to follow Jesus and bear witness to the kingdom of God, this book proposes that churches should read the Bible as a Christ-centered and kingdom-oriented narrative. This reading of Scripture allows churches to reimagine how they might embody the gospel within their local contexts. Discerning what a contextual embodiment of the gospel involves, churches portray God's new creation in ways that are coherent with the biblical story and relevant to their local context. In doing so, churches live as Christ-formed and Spirit-led communities portraying the gospel.

This is an introductory guide to the ways Jesus is depicted in the New Testament. Both college students and the general reader will find here a variety of New Testament understandings of Jesus that are rooted in critical reading of the four gospels and Pauline letters. This new edition adds historical context to the portraits of Jesus as each document is somewhat shaped by historical factors. This work presumes neither religious faith nor lack of faith; its aim is to inform and to stimulate some fundamental questions as well as to give the readers portraits as synthetic balance to the vital work of analysis.

This groundbreaking approach to the study of the fourfold gospel offers a challenging alternative to prevailing assumptions about the creation of the gospels and their portraits of Jesus. How and why does it matter that we have these four gospels? Why were they placed alongside one another as four parallel yet diverse retellings of the same story? Francis Watson, widely regarded as one of the foremost New Testament scholars of our time, explains that the four gospels were chosen to give a portrait of Jesus. He explores the significance of the fourfold gospel's plural form for those who constructed it and for later Christian communities, showing that in its plurality it bears definitive witness to what God has done in Jesus Christ. Watson focuses on reading the gospels as a group rather than in isolation and explains that the fourfold gospel is greater than, and other than, the sum of its individual parts. Interweaving historical, exegetical, and theological perspectives, this book is accessibly written for students and pastors but is also of interest to professors and scholars.

In his Gospel, John presented Jesus as the Son of God by painting portraits, pictures, of him. The author of this volume displays twenty-nine of these portraits for us to look at and even study. The reader who observes these portraits carefully will come to know the Lord Jesus Christ in new and deeper ways. After each portrait is examined, there are applications for daily living and simple study questions drawn from the portrait. This book is all about Jesus the Living Word set forth in the Written Word and is intended for individual and group use.

John's Gospel is best known for its presentation of Jesus as the Word of God made flesh. But as the narrative unfolds, readers discover that the identity of Jesus is surprisingly complex. He is depicted as a teacher, a healer, a prophet, and Messiah. He is Jewish and Galilean, a human being who is Son of Man and Son of God. Portraits of Jesus in the Gospel of John considers each of these roles in detail, showing how each makes a distinctive contribution to the Gospel's rich mosaic of images for Jesus. John's multifaceted portrait of Jesus draws on a broad spectrum of early Christian traditions, and the contributors to this collection of essays explore the ways in which these traditions are both preserved and transformed in the Fourth Gospel. The writers draw us more deeply into the questions of the way in which traditions about Jesus developed in the early church and how the Gospel of John might contribute to our understanding of that dynamic process.

Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.