En personlig skildring af 1900-tallets Irland med vægten på den katolske kirkes betydning for den historiske og samfundsmæssige udvikling

Seamus Heaney & the End of Catholic Ireland takes off from the poet’s growing awareness in the new millennium of “something far more important in my mental formation than cultural nationalism or the British presence or any of that stuff—namely, my early religious education.” It then pursues an examination of the full trajectory of Heaney’s religious beliefs as represented in his poetry, prose, and interviews, with a briefer account of the interactive religious histories of the Irish and international contexts in which he lived. Thus, in the 1940s and 50s, Heaney was inducted into the narrow, punitive, but also enabling Catholicism of the era. In the early 1960s he was witness to the lively religious debates from the Anglican Bishop of Woolwich’s Honest to God to the seismic disruptions of Vatican II. When the conflict in Northern Ireland between Catholics and Protestants broke out, Heaney was forced to dig deep for an imaginative understanding of its religious roots. From the 1980s on, Heaney more and more proclaimed his own religious loss while also recognizing the institution’s residual value in an Irish society of rising prosperity, weariness with the atrocities of a partly religion-inspired IRA, and beset by the scandals of sex abuse among the clergy. Kieran Quinlan sees Heaney as an exemplar of this period of major change in Ireland as he engaged the religious issue not only in major writers such as James Joyce, W. B. Yeats, T. S. Eliot, Wallace Stevens, Philip Larkin, and Czeslaw Miłosz, but also in a diverse array of less familiar commentators lay and clerical, creative and academic, believers and unbelievers, Irish and international. Breaking new ground by expanding the scope of Heaney’s religious preoccupations and writing in an accessible, reflective, and sometimes provocative manner, Quinlan’s study places Heaney in his universe, and that universe in turn in its wider intellectual setting.

Goodbye, Good Men uncovers how radical liberalism has infiltrated the Catholic Church, overthrowing traditional beliefs, standards, and disciplines.

Transforming Post-Catholic Ireland is the first major book to explore the dynamic religious landscape of contemporary Ireland, north and south, and to analyse the island's religious transition. It confirms that the Catholic Church's long-standing 'monopoly' has well and truly disintegrated, replaced by a mixed, post-Catholic religious 'market' featuring new and growing expressions of Protestantism, as well as other religions. It describes how people of faith are developing 'extra-institutional' expressions of religion, keeping their faith alive outside or in addition to the institutional Catholic Church. Drawing on island-wide surveys of clergy and laypeople, as well as more than 100 interviews, Gladys Ganiel describes how people of faith are engaging with key issues such as increased diversity, reconciliation to overcome the island's sectarian past, and ecumenism. Ganiel argues that extra-institutional religion is especially well-suited to address these and other issues due to its freedom and flexibility when compared to traditional religious institutions. She explains how those who practice extra-institutional religion have experienced personal transformation, and analyses the extent that they have contributed to wider religious, social, and political change. On an island where religion has caused much pain, from clerical sexual abuse scandals, to sectarian violence, to a frosty reception for some immigrants, those who practice their faith outside traditional religious institutions may hold the key to transforming post-Catholic Ireland into a more reconciled society.

A whole series of astonishing invitations from the Crown to Irish leaders and vice-versa have taken place since the Queen's historic visit in 2011. This book will tell you the origins of how this came about. In this fascinating study of the complex relationship between Ireland and the British Monarchy, well-known writer and journalist Mary Kenny has found a fresh perspective in the relationship between Britain and Ireland. The relationships between royalty - past and present - are examined and illustrated in an absorbing, beautifully written account. Based on unique access to the Royal Archives in Windsor and other historical materials, the book reveals some previously unappreciated aspects of the 'Crown and Shamrock', including Edward VII's exceptionally benign attitudes to Catholics, George V's obsessive worries about civil war between North and South, and how Ireland was constitutionally altered (and morally riven) by the Abdication Crisis of 1936. It also traces the parallel rise of "Ireland's Alternative Monarchy" - the Pope - and the ceremonial role of the Catholic church which all but replaced the ritual of discarded royalty.

We do not die alone - that's the remarkable conclusion of We'll Meet Again, an extraordinary new book by Colm Keane examining deathbed visions. The book recounts how dead parents, children, brothers, sisters and close friends are among those who return to meet us as we die. Well-known religious figures appear less frequently, while beautiful landscapes are observed by those who are passing away. Featuring a riveting collection of 70 real-life stories from all corners of Ireland, north and south, We'll Meet Again also hears from those left behind who describe after death visitations and other strange occurrences. The latest scientific evidence is examined. We'll Meet Again, written by award-winning journalist Colm Keane, is the first Irish book on this intriguing phenomenon and one of the most challenging studies ever compiled on this fascinating theme.

This book traces the steady decline in Irish Catholicism from the visit of Pope John Paul II in 1979 up to the Cloyne report into clerical sex abuse in that diocese in 2011. The young people awaiting the Pope’s address in Galway were entertained by two of Ireland’s most charismatic clerics, Bishop Eamon Casey and Fr Michael Cleary, both of whom were subsequently revealed to have been engaged in romantic liaisons at the time. The decades that followed the Pope’s visit were characterised by the increasing secularisation of Irish society. Boasting an impressive array of contributors from various backgrounds and expertise, the essays in the book attempt to trace the exact reasons for the progressive dismantling of the cultural legacy of Catholicism and the consequences this has had on Irish society.

Ireland is suffering from a crisis of authority. Catholic Church scandals, political corruption, and economic collapse have shaken the Irish people’s faith in their institutions and thrown the nation’s struggle for independence into question. While Declan Kiberd explores how political failures and economic globalization have eroded Irish sovereignty, he also sees a way out of this crisis. After Ireland surveys thirty works by modern writers that speak to worrisome trends in Irish life and yet also imagine a renewed, more plural and open nation. After Dublin burned in 1916, Samuel Beckett feared “the birth of a nation might also seal its doom.” In Waiting for Godot and a range of powerful works by other writers, Kiberd traces the development of an early warning system in Irish literature that portended social, cultural, and political decline. Edna O’Brien, Frank O’Connor, Seamus Heaney, and Michael Hartnett lamented the loss of the Irish language, Gaelic tradition, and rural life. Nuala Ní Dhomhnaill and Eavan Boland grappled with institutional corruption and the end of traditional Catholicism. These themes, though bleak, led to audacious experimentation, exemplified in the plays of Brian Friel and Tom Murphy and the novels of John Banville. Their achievements embody the defiance and resourcefulness of Ireland’s founding spirit—and a strange kind of hope. After Ireland places these writers and others at the center of Ireland’s ongoing fight for independence. In their diagnoses of Ireland’s troubles, Irish artists preserve and extend a humane culture, planting the seeds of a sound moral economy.