Gold Thunder is the autobiography of music legend Tony Newton. It chronicles his life from the early years as kid musician, beating the competition to become a Motown bassist during the explosion of American music in the 1960’s Detroit. Newton’s story is the story of a musician’s quest for excellence, and we follow him through a career as a “first call” bass player and recording artist in Detroit and in Los Angeles and worldwide touring artist up through the present day. It is also the story of a musician’s challenges and sacrifices to follow his destiny. Gold Thunder Follows Newton’s career as a bass player with Motown and Blues stars, including John Lee Hooker, Smokey Robinson and the Miracles, Stevie Wonder, The Temptations, Four Tops, Marvin Gaye, Diana Ross and the Supremes, Martha and the Vandellas and others. From being a cocky kid trying to fight his way into the music business in Detroit, Newton goes on to become a musician-artist in various music groups, including The Eighth Day, Tony Williams Lifetime, G-Force with Gary Moore, TNT Xtreme, and the Thunderfunkfusion project. Quotes from industry leaders and critics: “When I arrived at Motown in 1963, Tony Newton was already there as the bass player for the Smokey and the Miracles. He was even there before Earl Van Dyke or Uriel Jones. Tony and I were two of the first musicians (now still living) to tour Europe with Motown acts. He was and still is one of the best bass players that ever did it. Later, when I became a touring artist, Tony joined me as the bass player. I was very familiar with his skills, but during a sound check, Tony sat at the piano and performed a sensational original classical composition. I was totally surprised at his versatility. When I recall the production of the documentary, Standing in the Shadows of Motown, I say here and now, based on the facts, Tony Newton is a Funk Brother.” …Jack Ashford, Legendary Motown Funk Brother and Grammy Winner “Tony Newton, super genius, will go down in history as one of the most vital path-forgers of our era” …Music critic Randali of Mean Street Magazine “Like Allan Holdsworth, he not only plays long beautiful lines, but at the same time he plays very rhythmically. Some bass players are busy playing the bass as if it's another guitar. That's fine with me, except that it wasn't what I wanted for the band” …Tony Williams “Once in a while, not very often, a songwriter will come up with what we call a ‘classic.’ That’s what Tony Newton has managed to do on Tony Williams album "Believe It." Newton’s songs "Snake Oil" and "Red Alert" are both classics. I just played a week’s gig at the Iridium club in New York. Guess what the only song we played that wasn’t my own? Snake Oil of course!” …Robby Krieger, The Doors “Architect of Fusion Brings The Edge To Extreme Music Minds! Legendary Musician-composer’s new Thunderfunkfusion project promises inspiring music frontiers for exploring music lovers.” …Quantum Media Music

The Bastard Instrument chronicles the history of the electric bass and the musicians who played it, from the instrument’s invention through its widespread acceptance at the end of the 1960s. Although their contributions have often gone unsung, electric bassists helped shape the sound of a wide range of genres, including jazz, rhythm & blues, rock, country, soul, funk, and more. Their innovations are preserved in performances from artists as diverse as Lionel Hampton, Liberace, Elvis Presley, Patsy Cline, the Supremes, the Beatles, James Brown, Bob Dylan, Aretha Franklin, Jefferson Airplane, and Sly and the Family Stone, all of whom are discussed in this volume. At long last, The Bastard Instrument gives these early electric bassists credit for the significance of their accomplishments and demonstrates how they fundamentally altered the trajectory of popular music.

After my mother died and learned that she could communicate through mediums, she began guiding me from the Other Side and quickly made up for forty-three years of lost time. With her newfound ability to comfort, nurture, guide, and teach from the Other Side, she pulled in other helpers along the way. Accordingly, my life keeps changing dramatically as I'm healed at a quickened pace emotionally, physically, and spiritually from grief, domestic violence, racism, and other traumas. You will be introduced to different counseling and therapy methods. Perhaps you also struggled with contradictions with your upbring in an orthodox religion between how reality is in the world now with your new life experiences. Come along on my healing journey that is full of unexpected and pleasant surprises. Learn as I learn. This is a true story: my memoir of healing, forgiveness, renewed faith, and the awe of continued miracles.During the COVID-19 pandemic crises and before, many people-or someone they knew-suffered losses of family, friends, employment, health, perhaps homes, routine, sense of security, and their previous lifestyle. Many social problems such as hidden poverty, inequality and domestic violence were exposed and worsened home environments for families. Perhaps you've also lost a sense of self and purpose for living along the way. Yet you also learned and gained new ways of coping and connection. How do you integrate these new experiences? If you've had shifts in how you see the world, and the old ways of living no longer make sense, what do you do with the new you? Perhaps you had people dear to you that died, or almost died but were saved by doctors, or spontaneously woke up healed from a near-death experience? If that is you or someone you know, this book may help with seeing what's possible in seemingly impossible situations.

The updated edition of a highly-regarded work in educational studies.

Based on the author's highly successful songwriting workshops and seminars.

For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical material Important dates Career highlights Analysis of the composer’s musical style Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.

A personal introspective by the influential pop songwriter and performer traces his Liverpool upbringing, artistic influences, creative pursuit of original punk sounds, and emergence in the MTV world.

Using primary and secondary sources, Wilma Henrickson assembles a collection of documents related to decisive moments in the history of Detroit and the region, spanning the time from before statehood to the present. These were turning points for the region—life for the residents took a new direction, definitely closing off some options while accepting others. Some were brought about by accident; others were made by conscious decision. The consequences of some decisions were immediate, others appeared only after the accumulation of years. Among Henrickson's recurring themes are the destruction of the environment and its natural beauty, the lure of wealth, urban expansion and sprawl and civil rights. Selections include Lewis Cass' position paper on "Indian Removal," Jorge de Castellanos' article of "Black Slavery in Early Detroit," and excerpts from the writings of historian and mapmaker Silas farmer.

In 1947, with two young children to support, Margaret Durrell took the advice of her maiden aunt and started a boarding house in Bournemouth. But any hopes of a conventional clientele were dashed as the establishment was colonized by a host of eccentrics, comprising, among others, a painter of nudes, a battered wife, a chauvinist bricklayer, and a Maltese transsexual.

Veteran music journalist Rick Clark conducted hundreds of revealing interviews with some of the biggest names in the industry to create this extraordinary title. Tony Visconti, Danny Elfman, Eddy Offord, Trevor Rabin and Roy Thomas Baker are just a few of the contributors who share their special studio practices, tips, and anecdotes. A truly thorough look at the recording world, this in-depth reference guide covers everything from recording strings and horn sections to using creative production techniques on the latest musical styles. Candid interviews with expert tips will enlighten you with the knowledge that has led the featured producers, engineers and composers to huge industry successes and millions of record sales. This useful and entertaining information is organized by subject matter rather than by the celebrity so you can gain various expert advice on the topic you want to know about, and not about the personality you are learning from. All of this combined into one reasonably priced package makes for a truly definitive guide for any producers and engineers of audio productions who want the advice, opinions, tricks and techniques used by the leading experts in the field. This completely updated edition features many new interviews, fresh content from some of the previous interviews, and a new section on live sound reinforcement.