NEW YORK TIMES BESTSELLER • From the beloved author of the Vampire Chronicles, the first installation of her spellbinding Mayfair Chronicles—the inspiration for the hit television series! “Extraordinary . . . Anne Rice offers more than just a story; she creates myth.”—The Washington Post Book World Rowan Mayfair, a beautiful woman, a brilliant practitioner of neurosurgery—aware that she has special powers but unaware that she comes from an ancient line of witches—finds the drowned body of a man off the coast of California and brings him to life. He is Michael Curry, who was born in New Orleans and orphaned in childhood by fire on Christmas Eve, who pulled himself up from poverty, and who now, in his brief interval of death, has acquired a sensory power that mystifies and frightens him. As these two, fiercely drawn to each other, fall in love and—in passionate alliance—set out to solve the mystery of her past and his unwelcome gift, an intricate tale of evil unfolds. Moving through time from today’s New Orleans and San Francisco to long-ago Amsterdam and a château in the Louis XIV’s France, and from the coffee plantations of Port au Prince, where the great Mayfair fortune is made and the legacy of their dark power is almost destroyed, to Civil War New Orleans, The Witching Hour is a luminous, deeply enchanting novel. The magic of the Mayfairs continues: THE WITCHING HOUR • LASHER • TALTOS

NOW THE ACCLAIMED HBO SERIES GAME OF THRONES—THE MASTERPIECE THAT BECAME A CULTURAL PHENOMENON Winter is coming. Such is the stern motto of House Stark, the northernmost of the fiefdoms that owe allegiance to King Robert Baratheon in far-off King’s Landing. There Eddard Stark of Winterfell rules in Robert’s name. There his family dwells in peace and comfort: his proud wife, Catelyn; his sons Robb, Brandon, and Rickon; his daughters Sansa and Arya; and his bastard son, Jon Snow. Far to the north, behind the towering Wall, lie savage Wildings and worse—unnatural things relegated to myth during the centuries-long summer, but proving all too real and all too deadly in the turning of the season. Yet a more immediate threat lurks to the south, where Jon Arryn, the Hand of the King, has died under mysterious circumstances. Now Robert is riding north to Winterfell, bringing his queen, the lovely but cold Cersei, his son, the cruel, vainglorious Prince Joffrey, and the queen’s brothers Jaime and Tyrion of the powerful and wealthy House Lannister—the first a swordsman without equal, the second a dwarf whose stunted stature belies a brilliant mind. All are heading for Winterfell and a fateful encounter that will change the course of kingdoms. Meanwhile, across the Narrow Sea, Prince Viserys, heir of the fallen House Targaryen, which once ruled all of Westeros, schemes to reclaim the throne with an army of barbarian Dothraki—whose loyalty he will purchase in the only coin left to him: his beautiful yet innocent sister, Daenerys.

“Ralph Gibson’s Lustrum Press trilogy of the mid-1970s was immensely popular and influential. . . . Many of the pictures are amongst the most recognizable from the time . . . a surreal dreamscape, gently erotic, with a frisson of danger.” —from The Photobook: A History, Volume 1 by Martin Parr and Gerry Badger An iconic American fine art photographer renowned for his highly surrealist vision, Ralph Gibson is a master of the photography book, which he considers an art form in its own right. In 1970, he founded Lustrum Press, a publishing house dedicated to photography books, and inaugurated it with three volumes—The Somnambulist (1970), Deja-Vu (1973), and Days at Sea (1974)—that showcased his own work in an uncompromisingly radical and demanding way. These books came to be known as Gibson’s “Black Trilogy” and are now considered classics of the twentieth-century photobook genre. Making a clean break with the prior conventions of the photography book, “The Black Trilogy” created a new visual syntax—page layouts, the pairing of photographs face-to-face, graphic and thematic echoes—that provided a unique language for photographic communication. It soon became the model for a generation of young photographers, including Larry Clark, Danny Seymour, Mary Ellen Mark, Yves Guillot, and Arnaud Claass. “The Black Trilogy” volumes went out of print long ago and have become highly collectible. This reissue, with a new essay by the distinguished photographer and curator Gilles Mora, includes all three books in a single volume.

Diamond's on the trail of her husband's killer when a phone call orders her to stop looking or people will die-her friends, her colleagues, anyone close to her. Unable to think straight, she decides to disappear, protecting her team as well as her sanity while she tries to heal. With her expert training in security and special ops, Diamond soon loses herself in the English countryside, tending horses and biding her time. As Ashlyn Hale, she meets Luke, a handsome local who makes her realise just how lonely she is. Yet, even in England, the dark side of life dogs Diamond's trail when the unthinkable strikes. Forced out of hiding, she races against time to save those she cares about. But is it too little, too late? **WARNING** If you want sweetness and light and all things bright, Diamond's not the girl for you. She's got sass and snark and she's bitchy and dark, As she does what a girl's got to do.

Eight dead men. Eight grieving widows… After a series of particularly nasty home invasions, Blackwood Security is hired to catch the killers. With the company’s reputation at stake, everyone on the team is desperate to solve the mystery, unaware that there’s a traitor in their midst. Cade Duchamp’s eager to help, but a minor indiscretion with the wrong girl leaves him banished to undercover duty. He’s always liked motorbikes, but he doesn’t like being a biker. Uncomfortable leather, an itchy beard, a lack of soap—need he say more? Cade wants to be back at head office, hunting down the real bad guys. At least, he does until five-year-old Scarlet turns up. The daughter he never knew he had. Taylor Hancock likes to fade into the background. As an office cleaner, she can come to work, do her job, and avoid those dreaded social interactions. But nobody says no to Emmy Black, and as Scarlet’s new nanny, Taylor’s forced way out of her comfort zone into a world of shopping trips, parties, and playdates. The only problem? She’s the traitor. The Scarlet Affair is a standalone romantic suspense novel in the Blackwood Security series—no cliffhanger!

This book argues for a theory of mobile mapping, a situated and spatial approach towards researching how everyday digital mobile media practices are bound up in global systems of knowledge and power. Drawing from literature in media studies and geography -- and the work of Michel Foucault and Doreen Massey -- it examines how geographical and historical material, social, and cultural conditions are embedded in the way in which contemporary (digital) cartographies are read, deployed, and engaged. This is explored through seventeen walking interviews in Hong Kong and Sydney, as potent discourses like cartographic reason continue to transform and weave through the world in ways that haunt mobile mapping and bring old conflicts into new media. In doing so, Mobile Mapping offers an interdisciplinary rethinking about how multiple translations of spatial knowledges between rational digital epistemologies and tacit ways of understanding space and experience might be conceptualized and researched.

"Isabela Figueiredo's literary memoir Notebook of Colonial Memories was originally published in Portugal in 2009 as Caderno de Memórias Coloniais. It traces the author's growing up in the 1960s and 70s in Mozambique, which was then still a Portuguese colony, and her "return" at the age of thirteen to Portugal (a country she had never seen) following Mozambique's independence. It offers an uncommonly candid and unsparing perspective on the realities of late Portuguese colonialism in Africa and on the political climate surrounding the "repatriation" to Portugal of hundreds of thousands of former colonial settlers, mainly from Angola and Mozambique. The critical introduction by Anna Klobucka and Phillip Rothwell describes these historical circumstances and contextualizes Figueiredo's text for the English-language reader, as well as commenting on the writer's complex exercise of remembrance, reconstruction and fictionalization of her experience in both Mozambique and Portugal. Keywords: Portuguese colonialism, Mozambique, decolonization, postcolonialism, memoir" --

As people move through life, they continually shift affiliation from one position to another, dependent on the wider contexts of their interactions. Different forms of material culture may be employed as affiliations shift, and the connotations of any given set of artifacts may change. In this volume the authors explore these overlapping spheres of social affiliation. Social actors belong to multiple identity groups at any moment in their life. It is possible to deploy one or many potential labels in describing the identities of such an actor. Two main axes exist upon which we can plot experiences of social belonging – the synchronic and the diachronic. Identities can be understood as multiple during one moment (or the extended moment of brief interaction), over the span of a lifetime, or over a specific historical trajectory. From the Introduction The international contributions each illuminate how the various identifiers of race, ethnicity, sexuality, age, class, gender, personhood, health, and/or religion are part of both material expressions of social affiliations, and transient experiences of identity. The Archaeology of Plural and Changing Identities: Beyond Identification will be of great interest to archaeologists, anthropologists, historians, curators and other social scientists interested in the mutability of identification through material remains.

DIVAn ethnography in which the author’s fieldwork with transgendered and transsexual individuals in New York City demonstrates the creation and confusion of gender identity labels./div

Reviews of the first edition “Not only does the clarity of the authors’ writing make the book very accessible, but their argument is also illustrated throughout with a broad range of empirical material … undoubtedly a strong contribution to the study of both contemporary youth and ‘late-modern’ society.” Youth Justice “A very accessible, well-evidenced and important book … It succeeds in raising important questions in a new and powerful way.” Journal of Education and Work “the book will be very popular with students and with academics…..The clarity of the organization, expression and argument is particularly commendable. I have no doubt that Young People and Social Change will rightly find its way onto the recommended reading lists of many in the field.” Professor Robert MacDonald, University of Teesside A welcome update to one of the most influential and authoritative books on young people in modern societies. With a fuller theoretical explanation and drawing on a comprehensive range of studies from Europe, North America, Australia and Japan, the second edition of Young People and Social Change is a valuable contribution to the field. The authors examine modern theoretical interpretations of social change in relation to young people and provide an overview of their experiences in a number of key contexts such as education, employment, the family, leisure, health, crime and politics. Building on the success of the previous edition, the second edition offers an expanded theoretical approach and wider coverage of empirical data to take into account worldwide developments in the field. Drawing on a wealth of research evidence, the book highlights key differences between the experiences of young people in different countries in the developed world. Young People and Social Change offers a wide-ranging and up-to-date introductory text for students in sociology of youth, sociology of education, social stratification and related fields.