After decades of the Gulf war, the world & refugees welcomed '1995, UNHCR initiated Program' - yet they never knew what was coming to them. An exposition of the Refugee crises becomes a cataclysmic threat to the world when wonder-woman Maria discovers the coming Holocaust. Unaware of the consequences, cyberpunk Sundar shares the classified file with his girlfriend Julia... not knowing her real identity. Survivor of the New York Church Bombing, CIA Chief Wendell prepares his techie assistant Bobby for a Europe-America Joint Op. Insistent Interrogation of the mysterious 'Hijab Woman' could be the biggest breakthrough towards revealing an upcoming series of attacks in different parts of the world but Captain Vikram always feels too much compassion for her. In the chaos, there is someone who is always a step ahead of the Berlin team and is deciding the pitiful fate of the 9,500 helpless innocent.The world's biggest attack after 9/11 was near & the team that united to prevent it... was losing the war at every moment. The War of Vengeance... Inspired by true events

An island in the Mediterranean, a traveler's dream destination, and a nightmare for those involved in a deep-rooted crime. Philine, interpreter, single mother, and bankrupt, is forced to sell her one asset, her beloved cottage on Ibiza, when she runs into even more problems: her best friend has disappeared, a fire breaks out-and, on top of all, she is confronted with Adam, a man she, for good reason, never wanted to see again. He'd flown in from Texas to bury his sister, who supposedly committed suicide on the island, though he suspects she was murdered. When a connection between her death, Phil's disappeared friend, and more fatalities are revealed, the two ex-lovers reluctantly collaborate. "Verena Mahlow's Island of Dead Gods combines a meticulously constructed international thriller with her extensive personal exploration of Ibiza, long a magnet for bohemians, speculators and sybarites of all nationalities. Mahlow's intelligently devised, twisting plot includes much local color-cuisine, ancient sites, modern ambience-and diverse characters, an arcane coterie of goddess-worshipping proto-feminists and men treating themselves to easy, sleazy sex. Mahlow deftly moves these players toward an unexpected, explosive climax." Barbara Bamberger Scott, A Woman's Write

The Whitbread Prize–winning author of Oranges Are Not the Only Fruit delivers a novel that “transports us to something like the future of our own planet” (The Washington Post Book World). On the airwaves, all the talk is of the new blue planet—pristine and habitable, like our own was sixty-five million years ago, before we took it to the edge of destruction. Off the air, Billie Crusoe and the renegade Robo sapien Spike are falling in love. Along with Captain Handsome and Pink, they’re assigned to colonize the new blue planet. But when a technical maneuver intended to make it inhabitable backfires, Billie and Spike’s flight to the future becomes a surprising return to the distant past—“Everything is imprinted forever with what it once was.” What will happen when their story combines with the world’s story? Will they—and we—ever find a safe landing place? Playful, passionate, polemical, and frequently very funny, The Stone Gods will change forever the stories we tell about the earth, about love, and about stories themselves. “Scary, beautiful, witty and wistful by turns, dipping into the known past as it explores potential futures.” —The New York Times Book Review “[A book] that you don’t so much read as drink in, refuse to put down, cast inside of like a hunting dog, seeking against all odds the insight that will illuminate everything, a true answer to the fix we’re in.” —Los Angeles Times “A vivid, cautionary tale—or, more precisely, a keen lament for our irremediably incautious species.” —Ursula K. Le Guin, bestselling author of Changing Planes

Drawing on a wealth of sources, from Hesiod to Pausanias and from the Orphic Hymns to Proclus, Professor Kerényi provides a clear and scholarly exposition of all the most important Greek myths. After a brief introduction, the complex genealogies of the gods lead him from the begettings of the Titans, from Aphrodite under all her titles and aspects, to the reign of Zeus, to Apollo and Hermes, touching the affairs of Pan, nymphs, satyrs, cosmogonies and the birth of mankind, until he reaches the ineffable mysteries of Dionysos. The lively and highly readable narrative is complemented by an appendix of detailed references to all the original texts and a fine selection of illustrations taken from vase paintings. ‘...learned, admirably documented, exhaustive...’—TIMES LITERARY SUPPLEMENT ‘...it most emphatically must be the book that many have long been waiting for...’—STEPHEN SPENDER ‘Kerényi’s effort to reinterpret mythology...arises out of the conviction that an appreciation of the mythical world will help Western man to regain his lost sense of religious values....(His) theory of myth and his actual interpretations of mythical themes...help to point the way to...a new kind of humanism.’—A. Altman, Philosophy

#1 New York Times Bestseller From the mind of basketball legend, Academy Award–winning, and New York Times–bestselling storyteller Kobe Bryant comes a new tale of finding your strength against all odds. Set in an alternate classical world dominated by sports and a magical power called grana, Epoca: The Tree of Ecrof is the story of two children: the lowly born Rovi and the crown princess Pretia who uncover and battle terrible evil and discover their inner strength along the way. Epoca: The Tree of Ecrof takes place at the most elite sports academy in the land, where the best child-athletes are sent to hone their skills. When Rovi and Pretia arrive, each harboring a secret about themselves, they begin to suspect that something evil is at play at the school. In the course of their first year, they must learn to master their grana in order to save the world from dark forces that are rising.

Fleeing King Manasseh's tyranny, Joshua leads the faithful remnant to their new home in Egypt. But as years pass, Joshua's desire for vengeance becomes an obsession. Blinded by hatred, he makes rash decisions, placing his loved ones in jeopardy. Amid Joshua's turmoil comes an unexpected awakening of love--a love that burns so intensely it draws him from the dark inner seclusion where he often retreats. But what will it take for him to grasp the great love his Heavenly Father has for him...and for the chosen people of Judah? (Chronicles of the King Book 5)

This book offers a novel interpretation of politics and identity in Ovid's epic poem of transformations, the Metamorphoses. Reexamining the emphatically fictional character of the poem, Playing Gods argues that Ovid uses the problem of fiction in the text to redefine the power of poetry in Augustan Rome. The book also provides the fullest account yet of how the poem relates to the range of cultural phenomena that defined and projected Augustan authority, including spectacle, theater, and the visual arts. Andrew Feldherr argues that a key to the political as well as literary power of the Metamorphoses is the way it manipulates its readers' awareness that its stories cannot possibly be true. By continually juxtaposing the imaginary and the real, Ovid shows how a poem made up of fictions can and cannot acquire the authority and presence of other discursive forms. One important way that the poem does this is through narratives that create a "double vision" by casting characters as both mythical figures and enduring presences in the physical landscapes of its readers. This narrative device creates the kind of tensions between identification and distance that Augustan Romans would have felt when experiencing imperial spectacle and other contemporary cultural forms. Full of original interpretations, Playing Gods constructs a model for political readings of fiction that will be useful not only to classicists but to literary theorists and cultural historians in other fields.

WINNER of the Amazon First Novel Award Finalist for the Kobo Emerging Writer Award Finalist for OCM Bocas Prize for Caribbean Literature Shortlisted for the Sunshine Coast Writers and Editors Society Awards How does memory become myth? How do lies become family lore? How do we escape the trauma of the past when the truth has been forgotten? Barbados, 1962. Lost soul Iapetus roams the island, scared and alone, driven mad after witnessing his father’s death at the hands of his mother and his older brother, Cronus. Just before Iapetus is lost forever, he has a son, but the baby is not enough to save him from himself—or his family’s secrets. Seventeen years later, Iapetus’s son, the stoic Atlas, lives in a loveless house, under the care of his uncle, Cronus, and in the shadow of his charismatic cousin Z. Knowing little about the tragic circumstances of his father’s life, Atlas must choose between his desire to flee the island and his loyalty to the uncle who raised him. Time passes. Atlas’s daughter, Calypso, is a beautiful and wilful teenager who is desperate to avoid being trapped in a life of drudgery at her uncle Z’s hotel. When she falls dangerously in love with a visiting real estate developer, she finds herself entangled in her uncle’s shady dealings, a pawn in the games of the powerful men around her. It is now 2019. Calypso’s son, Nautilus, is on a path of self-destruction as he grapples with his fatherless condition, his mixed-race identity and his complicated feelings of attraction towards his best friend, Daniel. Then one night, after making an impulsive decision, Nautilus finds himself exiled to Canada. The Island of Forgetting is an intimate saga spanning four generations of one family who run a beachfront hotel. Loosely inspired by Greek mythology, this is a novel about the echo of deep—and sometimes tragic—love and the ways a family’s past can haunt its future.