This volume is the sequel to Karl Schefold's Myth and Legend in Early Greek Art, and the second in his ambitious project to trace the representation of the Greek myths in Greek art from the beginnings down to the Hellenistic period.

This is a book about Homer, myth and art. The Iliad and Odyssey so dominate our view of ancient Greece that our natural reaction on viewing certain works of early Greek art is to identify them as 'scenes from Homer'. However, Anthony Snodgrass argues that, so far from 'illustrating' the Homeric poems, these works very rarely show signs of acquaintance with the Iliad or Odyssey, seldom even choosing their subject-matter from them. When the subjects do overlap, the artists occasionally give positive signs of preferring a non-Homeric version of the episode. He then attempts to explain why this should be so: despite Homer's unique standing in antiquity, the artists inhabited an independent world, where their own inspirations and concerns dominated their production. It is only the traditional dominance of the literary study of antiquity which has hidden this from us.

Over 50 papers, first presented at the international congress ‘Greek Art in Motion’ (Lisbon, 2017) in honour of Sir John Boardman’s 90th Birthday, are collected here under the following headings: Sculpture, Architecture, Terracotta & Metal, Greek Pottery, Coins, Greek History & Archaeology, Greeks Overseas, Reception & Collecting, Art & Myth.

Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline

The Greek polis has been arousing interest as a subject for study for a long time, but recent approaches have shown that it is a subject on which there are still important questions to be asked and worthwhile things to be said. This book contains a selection of essays which embody the results of the latest research, yet are presented so as to be accessible to non-specialist readers. Beyond the historical development of the Greek polis, the authors ask questions about the civic institutions of ancient Greece as a whole, and their relationships to each other. Questions of power, or the significance of a written code of law are discussed as well as the nature of Greek overseas settlements. The Development of the Greek Polis presents up-to-date research and asks up-to-date questions on various aspects of an important topic. It will be essential reading for all students and teachers of early Greek history and of the institutions of the ancient world.

This collection offers a fresh look at the nature and development of the Greek gods in the period from Homer until Late Antiquity The Greek gods are still very much present in modern consciousness. Although Apollo and Dionysos, Artemis and Aphrodite, Zeus and Hermes are household names, it is much less clear what these divinities meant and stood for in ancient Greece. In fact, they have been very much neglected in modern scholarship. Bremmer and Erskine bring together a team of international scholars with the aim of remedying this situation and generating new approaches to the nature and development of the Greek gods in the period from Homer until Late Antiquity. The Gods of Ancient Greece looks at individual gods, but also asks to what extent cult, myth and literary genre determine the nature of a divinity and presents a synchronic and diachronic view of the gods as they functioned in Greek culture until the triumph of Christianity.

"Ancient Greece is one of the wellsprings of Western civilization. It transformed and has continued to refresh our architecture, drama, literature, art, philosophy, and politics. Life, Myth, and Art in Ancient Greece is a richly illustrated guide to this heritage and to its roots in the beliefs, rituals, and artistic achievements of an extraordinary culture." "This book covers themes that have long inspired the imagination, including myths of the gods and goddesses who intervened in-human affairs ; the voyages and conflicts of the heroes, from Herakles to Odysseus ; the many columned temples that studded the Greek empire from Athens to Sicily and Asia Minor ; the Dionysian rites of revelry and inebriation ; the Eleusinian mysteries, so secret that even today we can only speculate about what they involved ; major sites such as the Acropolis and the complex formed around the oracle at Delphi ; and the original Olympic games."

"An examination of the combined subjects of ancient Greek art and religion, dealing with festivals, performance, rites of passage, and the archaeology of death, to name a few examples, to explore the visual, material, and textual dimensions of ancient Greek religion"--

This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.

A concise introduction highlighting theoretical and methodological issues and describing the strategies ancient artists used in order to instruct and persuade.