Three goddesses, banished to earth by their dad, Zeus (yeah, that Zeus)...Era, on mortal boys: "Look at him. Even the gods back home aren't that cute." Polly, on Nova High gossip: "I'm simply not in the mood to chatter on about silly spiteful girlsor cute Johnny Jims or sauerkraut breath." Thalia, on earth: "I mean, we don't know what earth is like. Maybe it's all leprechaunsand roses. Maybe it's an adventure every day. Maybe it's space-age." Polly, Era, and Thalia are stuck on earth, and to get back to Olympus, they've got to prove they've learned their lesson. And they've got to get through high school in the meantime. Which would be hard enough without the horribly evil Furies threatening to destroy their chances of ever seeing home again....

Thalia persuades her sisters, Muses Era and Polly, to help her avoid an arranged marriage, but their plan goes awry and Zeus sends the girls to Earth--only instead of arriving in ancient Athens, Greece, they arrive in modern Athens, Georgia.

The muses were doing fine until he showed up....Dylan from Denver, on dinner with Thalia: "I'm not sure, but I feel this is fate. I feel a connection to you.Plus, you are totally adorable -- just have dinner with me." Thalia, on dinner with Dylan: "Stop stalking me." Thalia, Era, and Polly are giving life on earth another try. But it's hard for the Muse sisters to concentrate when Era's as flaky as always, and Polly is busy trying to prevent catastrophe. But the biggest problem of all comes disguised as a handsome, crazy football player who won't leave Thalia alone. The trouble is, she kind of likes him. But why does he seem so...familiar? Only the evil Furies know who "Dylan from Denver" really is, and there's no way they'll let him get his goddess....

A fresh retelling of the ancient texts about Ishtar, the world's first goddess. Illustrated with visual artifacts of the period. "A great masterpiece of universal literature."--Mircea Eliade

The nurturing Earth Goddess, the Great Mother worshipped at the dawn of civilization—historical fact or consoling fiction? While Goddess mythologies proliferate and the public devours books by artists, psychotherapists, and enthusiastic amateurs, it is remarkable that those in the field of prehistory have remained largely silent. Did Goddess worship really exist? What actually remains from the earliest cultures, and what can it tell us? What can we learn about the early stages of human religion from the study of prehistoric carvings, pictures, pottery, figurines, and temples? In Ancient Goddesses, historians and archaeologists write accessibly about this intriguing and controversial topic for the first time. Considering a number of significant early civilizations—Predynastic and Early Dynastic Egypt; “Old Europe;” Early North West Europe; “Celtic” civilization; the Prehistoric Aegean; Malta; the Ancient Near East; Old Testament Israel; Çatalhöyük; and Archaic Greece—these experts review the most recent evidence so that readers can make up their own minds. Contributors include Ruth Tringham and Margaret Conkey, University of California, Berkeley; Lynn Meskell, New College, Oxford; Fekri Hassan, University College, London; Karel van der Toorn, University of Amsterdam; Joan Westenholz, Bible Lands Museum, Jerusalem; Elizabeth Shee Twohig, University College, Cork; Caroline Malone, New Hall, Cambridge; Mary Voyatzis, University of Arizona; and Miranda Green, University of Wales College.

This is an ascension manual heralding the golden age of enlightenment, activating the divinely intended plan of heaven on earth and restoring each being’s intended birthrights as divinely powerful, loving, and peace-conscious cocreators of heaven on earth, magically and easily, just for being. Only love is real.

While attempting to adjust to living on Earth again as teenagers, the Muses Thalia, Era, and Polly meet Dylan from Denver, who seems totally smitten with Thalia, and who Thalia swears she knows from somewhere.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

Shadow is a man with a past. But now he wants nothing more than to live a quiet life with his wife and stay out of trouble. Until he learns that she's been killed in a terrible accident. Flying home for the funeral, as a violent storm rocks the plane, a strange man in the seat next to him introduces himself. The man calls himself Mr. Wednesday, and he knows more about Shadow than is possible. He warns Shadow that a far bigger storm is coming. And from that moment on, nothing will ever he the same...

Society darling Persephone Dimitriou wants nothing to do with her mother's ambitions. She's biding her time until she's able to leave the ultra-modern city of Olympus and start her doctorate degree. The one thing she never planned on? Her mother ambushing her with an engagement to Zeus--a man with more than a few dead wives in his past. Persephone will do anything to escape that fate...even flee the sparkling upper city and make a devil's bargain with a man she once believed was a myth. Hades has spent his life in the shadows, and he has no intention of stepping into the light. Not even for the woman who flees into his territory as if the very hounds of hell are on her heels. But when he finds that Persephone can offer a little slice of the revenge he's spent his entire life craving? It's all the excuse he needs to agree to help her--for a price. She'll be his for the summer, and then he'll see her safely out of Olympus and away from her mother and Zeus. Hades and Persephone's deal might seem simple enough, but they both quickly realize it's anything but. With every breathless night spent with Hades, Persephone wonders at her ability to leave him behind. And Hades? Now that he has a taste for Persephone, he's willing to go to war with Olympus itself to keep her...