When Masako is diagnosed with a rare and aggressive form of uterine cancer, her dispersed family is brought back to their Kentucky hometown to care for her. Hiro, the older daughter and a New York City transplant, struggles to make peace with the demons she inherited; the younger daughter, Sophie, negotiates her faith in the face of her mother’s illness and her own broken dreams; their father, James, is a recovering alcoholic seeking forgiveness and redemption; and a friend, John, worries about the legacy he’ll be able to leave his only son. Forced together in a time of need, five estranged people come face to face with their own mortality.

The 2018 winner of the Yale Drama Series competition is a riveting exploration of family and death Set in Kentucky, this compelling drama centers around a Japanese-American family reunited as their matriarch undergoes cancer treatment. The father, James, is a recovering alcoholic seeking redemption, and the two daughters are struggling to overcome their differences—Sophie is an ardent born-again Christian, while Hiro lives a single’s life in New York City. John, an old high school classmate of Hiro’s who is now a single dad, worries about leaving a legacy for his son. Wry and bittersweet, God Said This vividly captures the complexities of a familial reconciliation in the throes of crisis and looks deeply at the meaning of family—Japanese, Southern, and otherwise. This is the first Yale Drama Series winner chosen by Pulitzer prize–winning playwright Ayad Akhtar, who describes the play as conveying “a deeply felt sense of the universal—of the perfection of our parents’ flawed love for each other and for us; for the ways in which the approach of death can order the meaning of a human life.”

When she was just a child, Heather’s life was altered by an accident that all but destroyed her internal organs. The doctors gave her no chance—but with God’s grace, she proved them wrong. When they said she would never walk, she defied them again. And though they insisted she could never have children, she did. When others said no—God said yes. More than a story of suffering and survival, Heather’s life is a testament to the power of faith. From the first decisive moments after the accident, Heather and her mother were able to give their fear and panic to God, and trust Him to act as a source of strength in their lives. With her husband DeWayne and her daughter Mackenzie—the two greatest miracles in her life—Heather has found great joy, and many reasons to give praise. This is her amazing and inspiring true story.

"Bible stories for kids about Old Testament heroes"--

God’s number one message to the world: “You’ve got me all wrong.” Inspired by his nine-book Conversations with God series, many people have asked Neale Donald Walsch to find a way to deliver the most essential pieces of God’s message to us in a more succinct way. This concise text details and expands just what we need to know about life and how to live it. Bringing his many conversations over the years into sharper focus than ever before, Walsch in What God Said encourages readers to cast aside religious and cultural trappings. To experience life as fallible—and human—beings, open-minded, open-hearted, and all-embracing, and to build on, broaden, and enrich our Ancient Story. But to move forward on this ever-expanding and encompassing spiritual voyage means not only understanding what Walsch considers the most important insights of his Conversations with God, but also applying them in the most practical ways. And so Walsch has included solid suggestions on how to apply each of the 25 Core Messages in daily life. Should humanity begin carrying these messages forward, starting today, we can change the world.

Has God said? Has God actually spoken, declared himself and his purposes to us? Historically the Christian faith has affirmed God's redemptive, revelatory speaking as historical, contentful, redemptive, centrally in Jesus Christ and, under Christ and by the Spirit, in the text of Holy Scripture. But in the past three centuries developments in Western culture have created a crisis in relation to historical, divine authority. The modern reintroduction of destructive dualisms, cosmological and epistemological, via Descartes, Newton, Spinoza, and Kant have injured not only the physical sciences (e.g., positivism) but Christian theology as well. The resulting ""eclipse of God"" has permeated Western culture. In terms of the Christian understanding of revelation, it has meant the separation of God from historical action, the rejection of God's actual self-declaration, and especially in textual form, Holy Scripture. After critical analysis of these dualistic developments, this book presents the problematic effects in both Protestant (Schleiermacher, Bultmann, Tillich) and Roman Catholic (Rahner, Dulles) theology. The thought and influence of Karl Barth on the nature of Scripture is examined and distinguished from most ""Barthian approaches."" The effects of dualistic ""Barthian"" thought on contemporary evangelical views of Scripture (Pinnock, Fackre, Bloesch) are also critically analyzed and responses made (Helm, Wolterstorff, Packer). The final chapter is a christocentric, multileveled reformulation of the classical Scripture Principle, via Einstein, Torrance, and Calvin, that reaffirms the church's historical ""identity thesis,"" that Holy Scripture is the written Word of God, a crucial aspect of God's larger redemptive-revelatory purpose in Christ. ""John Morrison's Has God Said? rightly identifies the central issue in an Evangelical doctrine of Scripture. It's all about the meaning of 'is, ' as in 'the Bible is the Word of God.' Carefully distinguishing Barth's own position from 'Barthian' pretenders, Morrison analyzes various contemporary options, Evangelical and non-Evangelical, and then offers his own constructive proposal. Morrison's new position builds on Barth's (not Barthian!) Christocentric insights even as it reclaims the Scripture principle in a manner that even Calvin could applaud."" Kevin Vanhoozer Trinity Evangelical Divinity School ""For those who want to think deeply about what it means to say that the Bible is the word of God, John Morrison brings wide-ranging resources and careful reflection. Reading this book is a challenging but rewarding task."" Millard Erickson Baylor University ""Bravo to John Morrison for addressing a weighty issue in philosophical theology that is seldom even proposed, let alone faced squarely in recent academic discussions. Far from avoiding the general trend in recent critical thought, Morrison is to be commended for his affirmation that Scripture is an intricate component of God's redemptive self-revelation to a needy world. This volume places front and center God's work through Jesus Christ and in the very text of Scripture. I highly recommend this rigorous intellectual investigation and subsequent call to reaffirm Scripture as a crucial element in the revelation of God's loving actions to a needy creation."" Gary R. Habermas, Liberty University John Douglas Morrison is Professor of Theology and Philosophy at Liberty University and Liberty Theological Seminary. His first book, Knowledge of the Self-Revealing God in the Thought of Thomas Forsyth Torrance, has received much recognition both in Europe and North America. In addition, he has written numerous articles on the church fathers, Calvin, Kierkegaard, Barth, and various developments in Roman Catholic thought.

In this fun and entertaining look at the world and how we came to be, authors Stan Jantz and Bruce Bickel will answer the basic questions about life: Where did I come from? And why am I here? Filled with humor, this creative book is illustraed wiith line drawings from somewhat-crazy-himself autho/illustrator Bill Ross (Hey, That's Not What The Bible Says!) and includes chapters such as: Why Begin at the Beginning? What's the Big Deal about God? Long, Long Ago in a Galaxy Far Away Earth Wind and Fire The Matrix What if God was One of Us? I Want to Live Forever If Creation is True Why Isn't It in School?

Why is marriage so difficult? Why isnt our sex life as good as I expected? How can our marriage survive parenting? How can we have an enduring marriage? He Said, She Said, God Said gives the biblical answers to these and other commonly asked questions about marriage. Dan and Gina Trippie give the husbands and wifes perspectives on the joys and struggles that married couples face. They leave themselves vulnerable but are amusingly candid as they share their personal story of marital restoration. If you are married or hope to be one day, this is an excellent, gospel-centered resource that will give hope for every marriage.

Scripture reveals a God who meets us where we are, not where we pretend to be. No More Faking Fine is your invitation to get honest with God through the life-giving language of lament. If you've ever been given empty clichés during challenging times, you know how painful it is to be misunderstood by well-meaning people. When life hurts, we often feel pressure--from others and ourselves--to keep it together, suck it up, or pray it away. But Scripture reveals a God who lovingly invites us to give honest voice to our emotions when life hits hard. For most of her life, Esther Fleece Allen believed she could bypass the painful emotions of her broken past by shutting them down altogether. She was known as an achiever and an overcomer on the fast track to success. But in silencing her pain, she robbed herself of the opportunity to be healed. Maybe you've done the same. Esther's journey into healing began when she discovered that God has given us a real-world way to deal with raw emotions and an alternative to the coping mechanisms that end up causing more pain. It's called lament--the gut-level, honest prayer that God never ignores, never silences, and never wastes. No More Faking Fine is your permission to lament, taking you on a journey down the unexpected pathway to true intimacy with God. Drawing from careful biblical study and hard-won insight, Esther reveals how to use God's own language to come closer to him as he leads us through our pain to the light on the other side, teaching you that: We are robbing ourselves of a divine mystery and a divine intimacy when we pretend to have it all together God does not expect us to be perfect; instead, he meets us where we are There is hope beyond your heartache, disappointment, and grief Like Esther, you'll soon find that when one person stops faking fine, it gives everyone else permission to do the same.

The 2018 winner of the Yale Drama Series competition is a riveting exploration of family and death Set in Kentucky, this compelling drama centers around a Japanese-American family reunited as their matriarch undergoes cancer treatment. The father, James, is a recovering alcoholic seeking redemption, and the two daughters are struggling to overcome their differences--Sophie is an ardent born-again Christian, while Hiro lives a single's life in New York City. John, an old high school classmate of Hiro's who is now a single dad, worries about leaving a legacy for his son. Wry and bittersweet, God Said This vividly captures the complexities of a familial reconciliation in the throes of crisis and looks deeply at the meaning of family--Japanese, Southern, and otherwise. This is the first Yale Drama Series winner chosen by Pulitzer prize-winning playwright Ayad Akhtar, who describes the play as conveying "a deeply felt sense of the universal--of the perfection of our parents' flawed love for each other and for us; for the ways in which the approach of death can order the meaning of a human life."