Growing up parentless, Shi Yan, who was left with a large amount of inheritance money, bore a general disinterest in life. The only times he felt alive was when adrenaline coursed thorough his veins. He quickly found that extreme sports, bungyjumping, cave diving & skydiving, gave him the biggest kicks. The bigger the adrenaline kick, the closer he was to death, the more alive he felt. Waking up in a pile of dead bodies in an unknown land, after a diving adventure had ended disastrously, he quickly realizes the body he now possessed was not his own. Follow Shi Yan as he explores this new world where danger lurks around every corner, and death is only a breath away; a world in which Shi Yan could not feel any more alive.

His will is tough and he is unwilling to be normal. However, his pathway was destined to be that way, being born in a small sect¡¯s branch. However, one day, his left eye merges with the eye of an Ancient God in an accident. From that moment on, he turns from a fish into a dragon. He rises up like a star, walking the path of a legendary cultivator. From being a tiny, small ant at the bottom of the world, he rises step by step, into a place full of powerful sects, strong ancient clans and countless geniuses. This is an era of legends.

After transmigrating into a weak noble body, Marvin discovered that he was familiar with the world, this was the game he played in his previous life and... Damn! He only had six months before the Great Calamity! As a former top player, he would obviously fight to save the world... Yeah, no. Time to plan and prepare for the upcoming events, better to use that knowledge to get ahead rather than fight with gods. Follow Marvin's journey through this new world.

This anthology presents in two volumes a series of Latin texts (with English translation) produced in Britain during the period AD 450-1500. Excerpts are taken from Bede and other historians, from the letters of women written from their monasteries, from famous documents such as Domesday Book and Magna Carta, and from accounts and legal documents, all revealing the lives of individuals at home and on their travels across Britain and beyond. It offers an insight into Latin writings on many subjects, showing the important role of Latin in the multilingual society of medieval Britain, in which Latin was the primary language of written communication and record and also developed, particularly after the Norman Conquest, through mutual influence with English and French. The thorough introductions to each volume provide a broad overview of the linguistic and cultural background, while the individual texts are placed in their social, historical and linguistic context.

"A Pueblo book." Includes bibliographical references (p. 610-615) and index.

#1 NEW YORK TIMES BESTSELLER! This must-read fantasy from an author who is legend herself--Tamora Pierce--is one Bustle calls "the perfect book for die-hard Pierce fans and newcomers alike." Discover the origin story of one of the realm's most powerful mages in the first book in the Numair Chronicles. Arram Draper is on the path to becoming one of the realm's most powerful mages. The youngest student in his class at the Imperial University of Carthak, he has a Gift with unlimited potential for greatness--and for attracting trouble. At his side are his two best friends: Varice, a clever girl with an often-overlooked talent, and Ozorne, the "leftover prince" with secret ambitions. Together, these three friends forge a bond that will one day shape kingdoms. And as Ozorne gets closer to the throne and Varice gets closer to Arram's heart, Arram realizes that one day--soon--he will have to decide where his loyalties truly lie. In the Numair Chronicles, readers will be rewarded with the never-before-told story of how Numair Salmalín came to Tortall. Newcomers will discover a YA fantasy where a kingdom's future rests on the shoulders of a talented young man with a knack for making vicious enemies. BONUS! Don't miss Sarah J. Maas's interview with Tamora Pierce! "A beautiful, genuine exploration [of] friendship. . . . Unforgettable." --Hypable "Tamora Pierce is one of the queens of fantasy, and as a fan of the Immortals series most of all, I was happy to be reunited with the world of Tortall and literary crush Numair Salmalín." --The Mary Sue

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. The two-volume Broadview Anthology of British Literature, Concise Edition provides an attractive alternative to the full six-volume anthology. Though much more compact, the concise edition nevertheless provides instructors with substantial choice, offering both a strong selection of canonical authors and a sampling of lesser-known works. With an unparalleled number of illustrations and contextual materials, accessible and engaging introductions, and full explanatory annotations, the concise edition of this acclaimed Broadview anthology provides focused yet wide-ranging coverage for British literature survey courses. Among the works now included for the first time in the concise edition are Chaucer’s The Prioress’s Tale; the York Crucifixion play; more poems from Sidney’s Astrophil and Stella; an expanded section of writings by Elizabeth I, more poems by Lady Mary Wroth, and an expanded selection of work by Margaret Cavendish. The literatures of Ireland, Gaelic Scotland, and Wales are now much better represented, and a selection of work by Laboring Class Poets is now included. There are also new contextual materials—including a substantial section on “Transatlantic Currents.” In the case of several authors and texts (among them The Four Branches of the Mabinogi, Julian of Norwich, Sir Thomas Malory, and Phillis Wheatley), the new edition will incorporate substantial improvements that have been made in the new editions of the period volumes published in recent years. As before, the Concise edition includes a substantial website component, providing instructors with a great degree of flexibility. For the first time, a selection of Chaucer’s Canterbury Tales will be available online in facing-column format (with versions in modern English included opposite the original text).

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For the third edition of this volume a number of changes have been made. The Old English material has been substantially revised and expanded, including new translations by Roy Liuzza of “Deor,” “Wulf and Eadwacer,” and “The Battle of Brunanburh.” A selection from Adrienne Williams Boyarin’s new translation of “The Miracles of the Virgin” will be included, along with Sian Echard’s translation of selections from Y Gododdin. Matthieu Boyd’s translation of the first two branches of the Mabinogi is also new to this edition, together with several Early Irish lyrics. The “Love and Marriage” Contexts section has been expanded to include additional material by Christine de Pizan and excerpts from Holy Maidenhood, and the “Religious and Spiritual Life” Contexts section now includes excerpts from Wycliffite writings. The selection of material by Sir Thomas Malory has also been substantially revised and expanded. In addition, the online component of the anthology includes several new selections, including “The Gifts of Men,” “The Fortunes of Men,” “The Feast of Bricriu,” material by Robert Henryson, and a broader selection of medieval drama.

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. In the revised third edition of this volume, the term “Anglo-Saxon” has been removed from our editorial apparatus—a change made in response to recent scholarly work that has drawn attention to the term’s historical and current usage by white supremacists. We have also taken the opportunity to implement a small number of additional improvements. We have also taken the opportunity to implement a small number of additional improvements; the pagination, however, remains the same.

The past generation has been an extraordinarily active one in medieval drama scholarship; our appreciation of the range of medieval drama has been significantly broadened, and our understanding of certain medieval genres—most notably, biblical drama—has been fundamentally altered. The Broadview Anthology of British Literature has been widely praised for the degree to which it has taken this scholarship into account in its selection of and presentation of medieval plays. Now Broadview launches a new anthology that takes those plays as its base while expanding very substantially beyond them to represent the full range of drama in English (and, where strong connections exist, in French, Latin, Cornish, and Welsh as well) through to 1576. In all, over forty plays are included. Each work has been fully annotated and is prefaced by a substantial introduction. In many cases the language is to some extent modernized in order to make the plays more accessible to readers today.