The reforms of Mikhail Gorbachev have brought tumultuous change to political, social and economic life in the Soviet Union. But how have these changes affected Soviet press and television reporting? Glasnost, Perestroika and the Soviet Media examines the changing role of Soviet journalism from its theoretical origins in the writings of Marx and Lenin to the new freedoms of the Gorbachev era. The book includes detailed analysis of contemporary Soviet media output, as well as interviews with Soviet journalists.

"In Gorbachev's Glasnost: The Soviet Media in the First Phase of Perestroika, author Joseph Gibbs traces the development of glasnost as both concept and policy, from the Leninist idea of "criticism and self-criticism" to Gorbachev's attempt to modernize and reinterpret that doctrine to fit his own political goals and aspirations."--BOOK JACKET.

Countless studies have assessed the dramatic reforms of Mikhail Gorbachev, but their analysis of the impact on European communism has focused overwhelmingly on the Soviet Union and Eastern bloc nations. This ambitious collection takes a much broader view, reconstructing and evaluating the historical trajectories of glasnost and perestroika on both sides of the Iron Curtain. Moving beyond domestic politics and foreign relations narrowly defined, the research gathered here constitutes a transnational survey of these reforms’ collective impact, showing how they were variably received and implemented, and how they shaped the prospects for “proletarian internationalism” in diverse political contexts.

Thirty-three articles translated from Russian newspapers and magazines published in 1987 and 1988; twenty articles translated by the editor.

The Ukrainian vote for independence in December 1991 effectively ended the existence of the Soviet Union, and propelled one of Europe's submerged nations on to the world stage. The main theme of the book is the transition in Ukraine from the policies of 'Perestroika' and 'Glasnost' to the ultimate break with Moscow.

Examines the meaning of Glasnost and Perestroika in the context of current Soviet history and describes the social and economic changes that have taken place within the Soviet Union and in the newly-independent countries of Eastern Europe.

As the Soviet Union dissolved, so did the visions of past and future that informed Soviet culture. With Dystopia left behind and Utopia forsaken, where do the writers, artists, and critics who once inhabited them stand? In an "advancing present," answers editor Thomas Lahusen. Just what that present might be--in literature and film, criticism and theory, philosophy and psychoanalysis, and in the politics that somehow speaks to all of these--is the subject of this collection of essays. Leading scholars from the former Soviet Union and the West gather here to consider the fate of the people and institutions that constituted Soviet culture. Whether the speculative glance goes back (to czarist Russia or Soviet Freudianism, to the history of aesthetics or the sociology of cinema in the 1930s) or forward (to the "market Stalinism" one writer predicts or the "open text of history" another advocates), a sense of immediacy, or history-in-the-making animates this volume. Will social and cultural institutions now develop organically, the authors ask, or is the society faced with the prospect of even more radical reforms? Does the present rupture mark the real moment of Russia's encounter with modernity? The options explored by literary historians, film scholars, novelists, and political scientists make this book a heady tour of cultural possibilities. An expanded version of a special issue of South Atlantic Quarterly (Spring 1991), with seven new essays, Late Soviet Culture will stimulate scholar and general reader alike. Contributors. Katerina Clark, Paul Debreczeny, Evgeny Dobrenko, Mikhail Epstein, Renata Galtseva, Helena Goscilo, Michael Holquist, Boris Kagarlitsky, Mikhail Kuraev, Thomas Lahusen, Valery Leibin, Sidney Monas, Valery Podoroga, Donald Raleigh, Irina Rodnyanskaya, Maya Turovskaya

Alexander Yakovlev, a major architect of perestroika and a leading sponsor of glasnost, was a senior Soviet official who worked at the highest echelon of government side by side with Mikhail Gorbachev. In this powerful book, Yakovlev acknowledges the decay of his country and reveals his painful intellectual and political odyssey as he progressed from stalwart Party ideologist and propagandist to disillusioned critic of Marxism and Communism. Yakovlev vividly describes the ways that Marxism has proven to be not only wrong but ruinous to Russia, as it demolished civil society and ruthlessly replaced it with immorality and state-supported atheism. He discusses the pervasive, historical roots of the Russian authoritarian consciousness that helps explain why Russian society was so susceptible to the totalitarian implications of Marxism. He describes the triumvirate structure of power in the USSR before and during perestroika, the political reforms that were initiated, the ways that Soviet attitudes toward glasnost and perestroika evolved in both the reformist and conservative wings of the Party, and the reasons for the seemingly final swift collapse of the old ruling structures--the crushing defeat of the Party--in August 1991. Assessing the situation in Russia now that Marx's teachings and the Communist Party have been rejected, Yakovlev warns that if the economic situation worsens further, Russian society will be prepared to sacrifice democracy for even modest economic growth. He urges the restructuring of Soviet society on a new basis of democracy, morality, common sense, and economic efficiency. The book includes as appendixes five speeches given by Yakovlev in the West between November 1991 and January 1992 that provide further insight into his thinking after the collapse of the Communist Party.

The story of the spectacular unravelling of journalism as a profession in Russia in the last thirty years.

Interviews "from politicians and a poet to journalists, scholars, and an actor."