Juvenile arrest rates in the United States have declined over the past decade, yet the percentage of girls in trouble with the law increased. Girls now enter the juvenile legal system for violent offenses in addition to minor violations for which previous generations of young women have always been detained. In Girls in Trouble with the Law, sociologist Laurie Schaffner takes us inside female detention centers and explores the worlds of those who are incarcerated. Across the country, she finds t.

The book examines the history of female delinquency in Canada from the intitial years of the Juvenile Delinquents Act, passed in 1908, to the first major, sustained critiques of the Act's usefulness in in the 1960s. Three themes are explored. What underlying material structures, social conditions and class norms shaped the very definition of delinquency under the Juvenile Delinquents Act and how was that definition gendered? What were the prescribed legal and social cures for girls' wrongdoing, and how successful were they? Last, how did girls and their families understand and react to their designation as delinquent, and to their experiences in court, probation and training school. To understand girls' conflicts with the law, their delinquency is described within the daily, lived economic, and social circumstances of their lives and contemporary understandings of 'normal' and 'deviant' behaviour, and illustrated by quotations and examples drawn from records and interviews. The experiences of Native and immigrant girls are also examined.

Jamie and Elaine have been best friends forever, and now they're finally juniors in high school. Elaine has a steady boyfriend, and Jamie could have one?if she'd just open her eyes and see Paul. But Jamie has a bigger problem to worry about. Then Elaine gets "in trouble"?something they thought only happened to "other" girls. Are there any good choices for a girl in trouble? In Trouble is a novel born of author Ellen Levine's interviews with women who came of age in the late 1950s and early 1960s, including those who knew what it was like to be a teen facing a horrible choice. In the decades before Roe v. Wade, a young woman "in trouble" had very few options?and all of them meant shame, isolation, and maybe much worse. Jamie and Elaine's stories are just two among the thousands of stories of teenagers facing unplanned pregnancies.

“Heartfelt, filled with humanity,” this novel about an open adoption gone wrong reveals “the different forms of family bonds . . . [A] joy to read.” —Elizabeth Strout, Pulitzer Prize–winning author of Amy and Isabelle and Olive Kitteridge Sara is sixteen and pregnant. Her once-devoted boyfriend seems to have disappeared, so she decides her best and only option is an open adoption with George and Eva, a couple desperate for a child. After the birth it’s clear Sara has a bond with the child that Eva can’t seem to duplicate. When it seems that Sara cannot let go, Eva and George make a drastic decision, with devastating consequences for all of them. “Caroline Leavitt’s writing is so fluid, her characters so well realized, I found myself reading Girls In Trouble nearly until the sun came up. When I was finished I felt as though I had made a new friend, and had stayed up all night listening to her stories.” —Pam Houston, award-winning author of Cowboys are My Weakness “The characters in Girls in Trouble are blazingly knowable, and it is Leavitt’s sympathy that gives her novel both its page-turning momentum and its dignity.” —Washington Post “In this wrenching exploration of parent-child relationships, Leavitt captures the tensions and rhythms of family attachments. . . . Ripe for movie adaptation, this will appeal to fans of Jacqueline Mitchard’s novels.” —Booklist “An unflinching depiction of maternal need and the dynamics of adoption.” —Publishers Weekly “Utterly engrossing and richly satisfying.” —Margot Livesey, New York Times–bestselling author of The Boy in the Field

'A brilliant cultural history.' Irish Examiner Girls behave badly. If they're not obscenity-shouting, pint-swigging ladettes, they're narcissistic, living dolls floating around in a cloud of self-obsession, far too busy twerking to care. And this is news. In this witty and wonderful book, Carol Dyhouse shows that where there's a social scandal or a wave of moral outrage, you can bet a girl is to blame. Whether it be stories of 'brazen flappers' staying out and up all night in the 1920s, inappropriate places for Mars bars in the 1960s or Courtney Love's mere existence in the 1990s, bad girls have been a mass-media staple for more than a century. And yet, despite the continued obsession with their perceived faults and blatant disobedience, girls are infinitely better off today than they were a century ago. This is the story of the challenges and opportunities faced by young women growing up in the swirl of the twentieth century, and the pop-hysteria that continues to accompany their progress.

"A fiery thriller." —Kikrus "Breathless." —School Library Journal A queer YA reimagining of Thelma & Louise with the aesthetic of Riverdale, for fans of Mindy McGinnis and Rory Power. Love on the dark side of freedom When Trixie picks up her best friend Lux for their weekend getaway, they’re looking to forget the despair of being trapped in their dead-end rustbelt town. The girls are packing light: a supply of Diet Coke and an ‘89 Canon to help Lux frame the world in a sunnier light; half a pack of cigarettes that Trixie doesn’t really smoke, and a knife she’s hanging on to for a friend that she’s never used before. But a single night of violence derails their trip, and the girls go from ordinary high schoolers to wanted fugitives. Trying to stay ahead of the cops and a hellscape of media attention, Trixie and Lux grapple with an unforgiving landscape, rapidly diminishing supplies, and disastrous decisions at every turn. As they are transformed by the media into the face of a #MeToo movement they didn’t ask to lead, Trixie and Lux realize that they can only rely on each other, and that the love they find together is the one thing that truly makes them free. Julia Lynn Rubin takes readers on “a blistering, unapologetic thrill ride” (Emma Berquis) that will leave them haunted and reeling. Trouble Girls is a “a powerful, beautifully-written gut punch” (Sophie Gonzales).

'A brilliant cultural history.' Irish Examiner Girls behave badly. If they're not obscenity-shouting, pint-swigging ladettes, they're narcissistic, living dolls floating around in a cloud of self-obsession, far too busy twerking to care. And this is news. In this witty and wonderful book, Carol Dyhouse shows that where there's a social scandal or a wave of moral outrage, you can bet a girl is to blame. Whether it be stories of 'brazen flappers' staying out and up all night in the 1920s, inappropriate places for Mars bars in the 1960s or Courtney Love's mere existence in the 1990s, bad girls have been a mass-media staple for more than a century. And yet, despite the continued obsession with their perceived faults and blatant disobedience, girls are infinitely better off today than they were a century ago. This is the story of the challenges and opportunities faced by young women growing up in the swirl of the twentieth century, and the pop-hysteria that continues to accompany their progress.