From the USA Today Bestselling author of The Magician's Lie "Macallister is becoming a leading voice in strong, female-driven historical fiction. Exciting, frightening, and unspeakably moving..."—Erika Robuck, bestselling author of Hemingways's Girl For the first daring female Pinkerton detective, respect is hard to come by, but danger and spies are everywhere. In the tumultuous years of the Civil War, the streets of Chicago offer a woman mostly danger and ruin—unless that woman is Kate Warne. As an undercover Pinkerton detective, Kate is able to infiltrate the seedy side of the city in disguises that her fellow spies just can't manage. She's a seductress, an exotic foreign medium, a rich train passenger—all depending on the day and the robber, thief, or murderer she's been assigned to nab. But is it only her detective work that makes her a daring spy and a clever liar? Or is the real disguise the good girl she always thought she was? As the Civil War marches closer, Kate takes on her most pressing job ever. The nation's future is at risk, and she's no longer sure where her disguise ends and the very real danger begins. With magnificent historical detail, Girl in Disguise brings the adventures of one turn-of-the-century woman to tense, page-turning life. Also by Greer Macallister: The Magician's Lie Woman 99

A girl disguises herself as a boy to train as a knight in this first book in Tamora Pierce’s Margaret A. Edwards Award–winning young adult series—now with a new look! From now on, I’m Alan of Trebond, the younger twin. I’ll be a knight. In a time when girls are forbidden to be warriors, Alanna of Trebond wants nothing more than to be a knight of the realm of Tortall. So she finds a way to switch places with her twin brother, Thom, and, disguised as a boy, begins her training as a page at the palace of King Roald. But the road to knighthood, as she discovers, is not an easy one. Alanna must master weapons, combat, and magic, as well as polite behavior, her temper, and even her own heart. So begin Alanna’s adventures—filled with swords and sorcery, adventure and intrigue, good and evil—that will lead to the fulfillment of her dreams and make her a legend in the land.

Someday I want to live in a place where I never hear “You’re Dusty’s sister?” ever again. Life is real enough for Dylan—especially as the ordinary younger sister of Dusty, former Miss Mississippi and the most perfect, popular girl in Tupelo. But when Dusty wins the hand of the handsome Scottish laird-to-be Ronan on the TRC television network’s crown jewel, Prince in Disguise, Dylan has to face a different kind of reality: reality TV. As the camera crew whisks them off to Scotland to film the lead-up to the wedding, camera-shy Dylan is front and center as Dusty’s maid of honor. The producers are full of surprises—including old family secrets, long-lost relatives, and a hostile future mother-in-law who thinks Dusty and Dylan’s family isn’t good enough for her only son. At least there’s Jamie, an adorably bookish groomsman who might just be the perfect antidote to all Dylan’s stress . . . if she just can keep TRC from turning her into the next reality show sensation.

Isabelle McAvoy, private art consultant in New York City. The first half of the book focuses on her past, having three daughters with three different men and following her through each of those relationships. When the narrative switches back to present-day, Isabelle learns that she's losing her sight and hires an assistant. She bonds with each of her daughters, one in India, one in New York, and one in Tuscany, and falls in love again.

To save her family, one girl will sacrifice her very identity. Living in poverty in the shadow of the Forbidden City, Daiyu never imagined that the life of the emperor would impact her own. But a chance meeting with a girl who looks exactly like her changes everything. Daiyu's family is offered enough money to support them for life if she only agrees to take the stranger's place at the emperor's selection for new consorts. In order to pull off the ruse, Daiyu must abandon everything she ever knew and become a completely different person, a person she despises. And if she fails, if she is discovered, she will be guilty of treason and put to death. Daiyu cannot allow her family to suffer if it is within her power to save them, so she strikes the deadly bargain. But living within the Forbidden City is even more dangerous than she imagined... In this incredible retelling of The Princess and the Pauper, based on true events, authors Zoey Gong and Amanda Roberts bring to life the opulent and dangerous world of imperial consorts trapped within the great red walls of the Forbidden City.

At his new school, Jerry Flack is determined to stop being a dork and start being a cool guy—but does this science nerd really have what it takes to be popular? Jerry Flack is starting middle school in a new town where no one knows him and he can be anybody he wants. Jerry has a plan: He is finally going to be cool. But that turns out to be easier said than done. As his lies begin to pile up, Jerry knows he’s going to slip up soon, and everyone will see him for who he really is. Can Jerry keep the act going? Or is it possible that a dork can actually be . . . well, cool?

Jeanne, a young French exile orphaned by the wars of religion on the continent, is brought to London as a young girl disguised as a boy. Growing up, the disguise has not been shed and she finds a living as a clerk, ending up in the household of Robert Cecil. As she witnesses the intrigues and plots swirling round the court of Elizabeth I in the last days of Gloriana's reign, she finds herself sucked into the orbit of the dashing and ambitious young favourite, the Earl of Essex. As the queen draws near to the end of her life, with no heir to follow, the stakes are high.

The commentary at the centre of this Handbook introduces students to the play as it would be experienced in performance. Other sections provide basic information about the text and its first performances, a brief description of the main political and cultural currents of the time and the popular kinds of entertainment, drama and comedy. Extracts from several comedies and Shakespeare's immediate source, Thomas Lodge's Rosalynde, together with all important elements of performance, case studies of key productions and a survey of critical writings on As You Like It, make this a comprehensive and wide-ranging study. Research for this publication was funded by the Arts and Humanities Research Council.

For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.