Conflict abounds in this epic novel of the long, fierce war for independence fought by the Greeks against the Ottoman Turkish Empire, set in 1821 to 1829. Two young teenage boys join the Greek Freedom Fighters to avenge the murder of their parents by the Turks. Story set in the rugged mountains of the Peloponnese region of southern Greece.

For nearly 130 years, the Greeks, the Bulgarians, and the Yugoslavs have fought over the question of who has the historical and demographic rights to use the name "Macedonia." Historically the land of Philip II and Alexander the Great, Aristotle, Mount Olympus and the Greek gods, Macedonia boasts an impressive cultural heritage that the Greeks have claimed as their own. In 1991, a state resulting from the breakup of Yugoslavia proclaimed itself Republic of Macedonia (FYROM), angering the Greeks and adding fuel to the persistent dispute. This book argues the Macedonian question from a Greek perspective. It questions FYROM's right to the Macedonian name, arguing that Greece possesses the historical, cultural, linguistic, anthropological and demographic ties to the legacy of Alexander. Research examines the origins of the dispute between Hellenism and Bulgarism, the Balkans wars, the world wars and the rise of Tito's communism in Yugoslavia. The book also shows, step by step, the misconceptions about the legacy of Macedonia as promulgated by international communism, and carefully analyzes communism's role as the main protagonist in the formation of the new state and as a pivotal source fomenting and fueling the Greek Civil War. Cover to cover, it traces the conflict's change from an initial struggle between Hellenism and Bulgarism to the present dispute between Athens and Skopje.

A Handbook to Classical Reception in Eastern and Central Europe is the first comprehensive English ]language study of the reception of classical antiquity in Eastern and Central Europe. This groundbreaking work offers detailed case studies of thirteen countries that are fully contextualized historically, locally, and regionally. The first English-language collection of research and scholarship on Greco-Roman heritage in Eastern and Central Europe Written and edited by an international group of seasoned and up-and-coming scholars with vast subject-matter experience and expertise Essays from leading scholars in the field provide broad insight into the reception of the classical world within specific cultural and geographical areas Discusses the reception of many aspects of Greco-Roman heritage, such as prose/philosophy, poetry, material culture Offers broad and significant insights into the complicated engagement many countries of Eastern and Central Europe have had and continue to have with Greco-Roman antiquity

Classical drama on the modern stage as a cultural and political phenomenon is scholarly trailed since the 1950s and 60s and intensified in the last third of the twentieth century. The evidence is being extensively documented, pioneered by Walton (1987) and McDonald (1992) and subsequently developed by collaborative research projects which include published databases. It is clear from the work of these projects that performance of classical drama is a major feature in all types of theatre – avant-garde and experimental, student, international and fringe, epic and classical, commercial, popular and canonical. This means that it is closely intertwined with the politics of locale, environment and geography as well as of language, translation and culture. Each of the essays has a specialised contribution to make. However, the total impact of the whole section will be even greater than the sum of the parts because the authors not only intersect in their discussions of common concerns in modern performance of ancient drama but also provide case studies that will add to the knowledge base and critical acumen of everyone working in the field.

In Classical Greek Syntax: Wackernagel's Law in Herodotus, David Goldstein offers the first theoretically-informed study of second-position clitics in Ancient Greek and challenges the long-standing belief that Greek word order is ‟free” or beyond the reach of systematic analysis. On the basis of Herodotus’ Histories, he demonstrates that there are in fact systematic correspondences between clause structure and meaning. Crucial to this new model of the Greek clause is Wackernagel’s Law, the generalization that enclitics and postpositives occur in ‟second position,” as these classes of words provide a stable anchor for analyzing sentence structure. The results of this work not only restore word order as an interpretive dimension of Greek texts, but also provide a framework for the investigation of other areas of syntax in Greek, as well as archaic Indo-European more broadly.

Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

Through case studies that examine historical and contemporary crises across the world, the contributing writers to this volume explore the cultural and social construction of trauma. How do some events get coded as traumatic and others which seem equally painful and dramatic not? Why do culpable groups often escape being categorised as perpetrators? These are just some of the important questions answered in this collection. Some of the cases analysed include Mao's China, the Holocaust, the Katyn Massacre and the Kosovo trauma. Expanding the pioneering cultural approach to trauma, this book will be of interest to scholars and postgraduate students of sociology.

Eleni Pappa is a researcher at the Academy of Athens. --Book Jacket.