'This is the kind of book that troubles grey-suited committees of academic peers. It's too enjoyable. But that, given its subject, is just what it ought to be, and it treats that subject seriously . . . There isn't a “dull” page anywhere in the book.' – Professor Peter Thomson, Studies in Theatre and Performance Comedy is changing: stand-up comedians routinely sell out stadia, their audience-figures swollen by panel-show appearances and much-followed Twitter feeds. Meanwhile, the smaller clubs are filling up, with audiences as well as aspirants. How can we make sense of it all? This new edition of Getting the Joke gives an insider's look at the spectrum of modern comedy, re-examining the world of stand-up in the internet age. Drawing on his acclaimed first edition, Oliver Double focuses in greater detail on the US scene and its comedians (such as David Cross, Sarah Silverman, Louis CK, Demetri Martin and Margaret Cho); the 'DIY' comedy circuit and its celebrated apostles and visionaries, from Josie Long to Stewart Lee; the growing importance of the solo stand-up show; the role played by Twitter (including an interview with the organiser of the world's first comedy gig on Twitter), and the driving force that is the TV guest slot, be it on Mock the Week or Live at the Apollo. With expanded sections on joke construction, as well as ways to challenge the audience, and a host of new and updated exercises to guide the aspiring comedian, this new edition of Getting the Joke is the only book to combine the history of stand-up comedy with an analysis of the elements and methods that go into its creation. Featuring a range of interviews with working comedians – from circuit veterans to new kids on the block – combined with the author's vast experience, this is a must read for any aspiring stand-up comedian.

Over 2,200 Jokes from America’s favorite live radio show A treasury of hilarity from Garrison Keillor and the cast of public radio’s A Prairie Home Companion. A guy walks into a bar. Eight Canada Geese walk into a bar. A termite jumps up on the bar and asks, “Where is the bar tender?” Drum roll. The Sixth Edition of the perennially popular Pretty Good Joke Book is everything the first five were and more. More puns, one-liners, light bulb jokes, knock-knock jokes, and third-grader jokes (have you heard the one about Elvis Parsley?). More religion jokes, political jokes, lawyer jokes, blonde jokes, and jokes in questionable taste (Why did the urologist lose his license? He got in trouble with his peers). More jokes about chickens, relationships, and senior moments (the nice thing about Alzheimer’s is you can enjoy the same jokes again and again). It all started back in 1996, when A Prairie Home Companion fans laughed themselves silly during the first Joke Show. The broadcast was such a hit that it became an almost-annual gagfest. Then fans wanted to read the jokes, share them, and pass them around, and the first Pretty Good Joke Book was born. With over 200 new and updated jokes, the latest edition promises countless giggles, chortles, and guffaws anyone—fans of the radio show or not—will enjoy.

Over 1,000 jokes, 96 drawings. Index. "Gr.4-6. A gigantic compendium of rib-tickling, giggle-inspiring one liners, puns, funny stories, put-downs...Clever and witty."--SLJ. "True kid appeal."--Learning. 256 pages, b/w illus. throughout, 5 3/8 x 8 1/4.

This is a fun-filled collection of clean jokes, anecdotes, puns, wisecracks, quotations, and tall stories designed for speakers, teachers, pastors, businessmen, masters of ceremonies and everyone who likes to laugh. Arranged alphabetically.

The complete story of the post-punk originators Killing Joke. From squats of London to chart topping singles and recording in the Great Pyramid of Giza. New insight into the band's ground breaking, genre-defining albums with exclusive interviews from past and present band members, the producers including Grammy Award winning, Hugh Padgham, journalists, record label executives, film makers and contemporaries such as Public Image Limited. Interviews from the graphic artists give insight to the visual aspect of the musical geniuses. With over 20 interviewees the book gives unique insight to the band that influenced everyone from Nirvana to Metallica.

An examination of the art of stand-up comedy, its constituent parts and how they work Considering stand-up comedy to be an art-form deserving greater attention and analysis, Getting the Joke provides an exploration of the work of the stand-up comedian. Beginning with a brief history of the art form, the book goes on to examine the key elements, such as the comedian's stage persona, their material and how this is generated, the art of performance, their relationship to and interaction with the audience, and the development of stand-up skills. The book draws on interviews with many of the leading stand-up comedians, including Jo Brand, Alexei Sayle, Ross Noble and Rhona Cameron, and contains detailed analysis of examples from both the British and American markets. Aimed at fans of stand-up and aspiring comedians alike, Getting the Joke is the first book of its kind to offer an accessible and engaging analysis of the art of stand-up comedy. By the author of Stand-Up: On Being a Comedian - 'a fantastic book for anyone who's got any interest in stand-up comedy' (Mark Lamarr)

SThe Ungettable Joke is told in retrospect by two guys who were drawn into extraordinary circumstances. Individually, they are exposed to supernatural experiences which drive them to hit the road, one to escape, the other to seek the source of the experiences. These experiences seem to confirm a theory about an ungettable Joke developed by Dave, an engineer and NASA contractor. At an apparent chance meeting at a roadside diner, Dave explains his personal theories on humor and the ungettable joke to Bill, a high school math teacher. They wonder whether they have been pushed together by greater forces to discover the ultimate joke, a joke so funny that everyone laughs, but no one knows why. The main characters don "t have long to consider this question. The greater forces at work evidently don "t want them to discover the ungettable joke by sitting around and talking about it. Supernatural events continue to force the characters into action and an adventure they might prefer to avoid. They seek aid from an eccentric college professor, an archeologist who tells the story of an ancient Indian tribe, the Chimchuk, whose culture revered humor above all else. The professor, who seems to have an agenda of his own, is interested in a Chimchuk symbolic inscription Dave and Bill obtained. He is also obsessed with a certain Chimchuk artifact -- an amulet made in three pieces. The professor possesses only one piece, his enemy another, and the third is missing. The professor's enemy is a man who appears to be the leader of a cult that is based on Chimchuk culture. He claims to have special powers, drawn from his piece of the amulet, and convinces his followers that he can channel the spirit of the original crafter of the amulet, the great Chimchuk shaman and head joke-teller, Manash. Underlying the main plot, Dave is engaged to be married very soon, and the FBI has become involved due to suspected illicit drug activity in the Chimchuk cult. The interests of all concerned converge at a small town at the entrance to the Giant Sequoia National Park. There, the amulet, the cult, the FBI, and the pursuit of the ungettable joke come together in a Chimchuk cultural festival. The cult leaders at the festival intend to demonstrate the power of the amulet to the new Chimchuk nation. The wild scene and conclusion that follows reveal the realities behind the events, history, and meaning of all that took place, and points to a link between science and faith, seen and unseen, and what humor has to do with it.

Recent evidence indicates that humor is an important aspect of a person's health, and studies have shown that increased levels of humor help with stress, pain tolerance, and overall patient health outcomes. Still, many healthcare providers are hesitant to use humor in their practice for fear of offense or failure. Understanding more of how and why humor works as well as some of the issues related to real-world examples is essential to help practitioners be more successful in their use and understanding of humor in medical care. Through case studies and real-world applications of therapeutic humor, the field can be better understood and advanced for best practices and uses of this type of therapy. With this growing area of interest, research on humor in a patient care setting must be discussed. Cases on Applied and Therapeutic Humor focuses on humor in medical care and will discuss issues in humor research, assessment of the effectiveness of humor in medical settings, and examples of medical care in specific health settings. The chapters will explore how propriety, effectiveness, perception, and cultural variables play a role in using humor as therapy and will also provide practical case studies from medical/healthcare professionals in which they personally employed humor in medical practice. This book is ideal for medical students, therapists, researchers interested in health, humor, and medical care; healthcare professionals; humor researchers; along with practitioners, academicians, and students looking for a deeper understanding of the role humor can play as well as guidance as to the effective and meaningful use of humor in medical/healthcare settings.

From the leading psychoanalyst Adam Phillips comes Missing Out, a transformative book about the lives we wish we had and what they can teach us about who we are All of us lead two parallel lives: the one we are actively living, and the one we feel we should have had or might yet have. As hard as we try to exist in the moment, the unlived life is an inescapable presence, a shadow at our heels. And this itself can become the story of our lives: an elegy to unmet needs and sacrificed desires. We become haunted by the myth of our own potential, of what we have in ourselves to be or to do. And this can make of our lives a perpetual falling-short. But what happens if we remove the idea of failure from the equation? With his flair for graceful paradox, the acclaimed psychoanalyst Adam Phillips suggests that if we accept frustration as a way of outlining what we really want, satisfaction suddenly becomes possible. To crave a life without frustration is to crave a life without the potential to identify and accomplish our desires. In this elegant, compassionate, and absorbing book, Phillips draws deeply on his own clinical experience as well as on the works of Shakespeare and Freud, of D. W. Winnicott and William James, to suggest that frustration, not getting it, and and getting away with it are all chapters in our unlived lives—and may be essential to the one fully lived.

What can South Park tell us about Socrates and the nature of evil? How does The Office help us to understand Sartre and existentialist ethics? Can Battlestar Galactica shed light on the existence of God? Introducing Philosophy Through Pop Culture uses popular culture to illustrate important philosophical concepts and the work of the major philosophers With examples from film, television, and music including South Park, The Matrix , X-Men, Batman, Harry Potter, Metallica and Lost, even the most abstract and complex philosophical ideas become easier to grasp Features key essays from across the Blackwell Philosophy and Pop Culture series, as well as helpful editorial material and a glossary of philosophical terms From metaphysics to epistemology; from ethics to the meaning of life, this unique introduction makes philosophy as engaging as popular culture itself Supplementary website available with teaching guides, sample materials and links to further resources at www.pop-philosophy.org