Jenny lets her imagination run away with her when she decides to enter a photography contest and starts taking candied, that is candid, pictures around her neighborhood.

Stymied by an assignment to write her autobiography, Jenny decides to enhance her life story by using her considerable imagination.

Harper-Joy Miller hopes that the past is the past, but somehow the past catches up to her. She is falling madly in love with Jay Wilson, who was there that night that her whole world came crashing to the ground. He waited years to tell her his true feelings for her, but will life get in the way? Meanwhile, Dr. Fizzer and his soda pack gang are coming after her in hopes to finish her off. She was supposed to be his first kill, but Jay got to her before she bled out. Now Joy and Jay are on the run and hiding in plain sight, but will Dr. Fizzer and his gang of misfits find her first? Or will Jay save the day like always? Is Joy going to have to live in fear for the rest of her life? So many questions and not enough time before the sunset fades into the background.

After reading three mysteries in a row, Jenny becomes convinced that the neighbors across the street are up to no good and decides to investigate.

Convinced that her family is poor because her parents refuse to get her a horse or a swimming pool, nine-year-old Jenny Archer follows her own path to making money, and plunges her house into the real estate market.

Follows the comic mishaps of Jenny Archer as she goes into business preparing lunches for friends at school.

Attempting to win a can-collecting contest, the winner of which will direct a class movie, Jenny risks losing her best friend.

When a kiss from Danny turns Chandler, a wealthy but lonely orphan, into a frog, Danny's humorous attempts to change her back into a human land the pair on a television talk show.

Jenny Lewis is a photographer from East London who has spent the last five years taking portraits of mothers within the first 24-hours of giving birth. Lewis states she is documenting the quiet moment just after giving birth when the female identity of motherhood is being established'. In addition to featuring the portraits of 40 women the book includes an introduction by art and photography critic Lucy Davies as well as a number of personal quotes gathered from interviews about the first day of life and early motherhood.'