This very early "Modelbuch" (needlework pattern book) was first published in 1589, most likely in Germany. Originally produced for lacemakers and weavers, these patterns were quickly adapted to counted techniques by needleworkers. You'll find them perfect for your own needlepoint, counted cross stitch, beadwork and filet crochet projects.

A compilation of eight different German modelbucher dating from 1524-1556, with 200 unique plates. Books included are: Schonsperger 1524 and 1529 editions Quentel 1529, 1532, and 1544 editions Egenolff 1535 edition Gülfferich 1553 edition Hoffman 1556 edition The title pages have been translated into English from the original German. The plates of designs have been organized by type (freestyle or charted), and style elements, with duplicated plates noted, and when and where they were republished. Historical embroidered and woven pieces which use identical or similar patterns will inspire and guide you in your use of this book.

A century ago, a folk art enthusiast collected these ornate, highly stylized designs from among a now-dispersed community of ethnic Germans residing in Transylvania. Nearly 200 designs include birds, flowers, mythical creatures, and other motifs in styles ranging from simple to complex and in themes from medieval to modern. Easily adapted to other crafts projects.

This Bulletin discusses the Met's extensive collection of Renaissance textile pattern books, used primarily by women to embroider clothes and accessories. The practice of embroidery was seen as a virtuous endeavor, and textile pattern books, published with great frequency from the 1520s onward, were designed to inspire, instruct, and encourage "beautiful and virtuous women" in this esteemed practice. Straddling the disciplines of early printmaking, ornament design, and textile decoration, these works help shed light on the crucial period when the concept of fashion as a means of distinguishing individual identity became fixed in Western society.

Small needlework pattern booklets became widely available in the mid-to-late 19th century, and offer a wealth of ideas for modern needleworkers. This book reproduces the pages from several antique booklets and includes 46 alphabets in a variety of styles and sizes to give you letters perfect for everything from monograms to creating quotes or sayings. Please note that, like many antique alphabets, the letters "I" and "J" were considered interchangeable and it was common for only one or the other is included, not both- the majority of these alphabets offer the "J". Often the letter "T" can be adapted for use as a modern "I". 70 pages in 8"x10" softcover format.

The history of textiles, more than that of any other artefact, is a history of human ingenuity. From the very earliest needles of 50,000 years ago to the smart textiles of today, textiles have been fundamental to human existence, and enjoyed, prized and valued by every culture. Silks from China, cottons from India, tapestries from Flanders, dyes from South America the appeal of different weaves, colours and patterns was long a motivation for trade, the exchange of ideas and sometimes even war. Mary Schoesers groundbreaking book, now revised and updated to incorporate new research, presents a chronological survey of textiles around the world from prehistory to the present. It explores how they are made, what they are made from, how they function in society and the ways in which they are valued and given meaning as well as reflecting on the environmental challenges they present today. World Textiles offers an invaluable introduction to this vast and fascinating subject for makers, designers, textile and fashion professionals, collectors and students alike.

Images play an important role in developing consciousness and the relationship of the self to its surroundings. In this distinctive collection, editors Charles A. Hill and Marguerite Helmers examine the connection between visual images and persuasion, or how images act rhetorically upon viewers. Chapters included here highlight the differences and commonalities among a variety of projects identified as "visual rhetoric," leading to a more precise definition of the term and its role in rhetorical studies. Contributions to this volume consider a wide variety of sites of image production--from architecture to paintings, from film to needlepoint--in order to understand how images and texts work upon readers as symbolic forms of representation. Each chapter discusses, analyzes, and explains the visual aspect of a particular subject, and illustrates the ways in which messages and meaning are communicated visually. The contributions include work from rhetoric scholars in the English and communication disciplines, and represent a variety of methodologies--theoretical, textual analysis, psychological research, and cultural studies, among others. The editors seek to demonstrate that every new turn in the study of rhetorical practices reveals more possibilities for discussion, and that the recent "turn to the visual" has revealed an inexhaustible supply of new questions, problems, and objects for investigation. As a whole, the chapters presented here demonstrate the wide range of scholarship that is possible when a field begins to take seriously the analysis of images as important cultural and rhetorical forces. Defining Visual Rhetorics is appropriate for graduate or advanced undergraduate courses in rhetoric, English, mass communication, cultural studies, technical communication, and visual studies. It will also serve as an insightful resource for researchers, scholars, and educators interested in rhetoric, cultural studies, and communication studies.