First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

"A massive achievement. . . . Toepfer respects the body, wants to understand movement as the primary medium of ideas, and gives women the central role they actually played in this aesthetic and intellectual discourse."Marcia B. Siegel, author of The Shapes of Change"

A defeated enemy nation -- Nazi killing fields in Germany -- The 48-hour ultimatum -- The punishment of Neunburg Vorm Wald -- The re-education of Germans : regional forced confrontation in May 1945 -- Human remains : the enduring politics of dead bodies in the postwar era

The Body of the People is the first comprehensive study of dance and choreography in East Germany. More than twenty years after the fall of the Berlin Wall, Jens Richard Giersdorf investigates a national dance history in the German Democratic Republic, from its founding as a Communist state that supplanted the Soviet zone of occupation in 1949 through the aftermath of its collapse forty years later, examining complex themes of nationhood, ideology, resistance, and diaspora through an innovative mix of archival research, critical theory, personal narrative, and performance analysis. Giersdorf looks closely at uniquely East German dance forms—including mass exercise events, national folk dances, Marxist-Leninist visions staged by the dance ensemble of the armed forces, the vast amateur dance culture, East Germany’s version of Tanztheater, and socialist alternatives to rock ‘n’ roll—to demonstrate how dance was used both as a form of corporeal utopia and of embodied socialist propaganda and indoctrination. The Body of the People also explores the artists working in the shadow of official culture who used dance and movement to critique and resist state power, notably Charlotte von Mahlsdorf, Arila Siegert, and Fine Kwiatkowski. Giersdorf considers a myriad of embodied responses to the Communist state even after reunification, analyzing the embodiment of the fall of the Berlin Wall in the works of Jo Fabian and Sasha Waltz, and the diasporic traces of East German culture abroad, exemplified by the Chilean choreographer Patricio Bunster.

Gaining muscle and losing fat requires precision engineering. It should come as no surprise then that the Germans — who brought us the diesel, engine, electron microscope, and Heidi Klum — pioneered it. According to legend, during the Cold War, an Eastern Bloc scientist defected to West Germany, where he conducted experiments on weight training for body recomposition. His team found that pairing upper- and lower-body exercises, performing moderate rep ranges, and limiting rest between sets led to increases in muscle size and fat loss. This kind of training has come to be called German Body Comp (GBC), and it’s a primary go-to template for trainers who need to whip clients into shape fast. The German Body Comp Program has approached the weight loss idea from a complete different point of view and that aerobics are not essential to lose fat and at the same time enjoy maximum cardiovascular health. If you desire to build muscle and burn adequate fats while enjoying maximum cardiovascular health, then this book is perfect for you. ORDER YOUR COPY NOW

From the 1890s to the 1930s, a growing number of Germans began to scrutinize and discipline their bodies in a utopian search for perfect health and beauty. Some became vegetarians, nudists, or bodybuilders, while others turned to alternative medicine or eugenics. In The Cult of Health and Beauty in Germany, Michael Hau demonstrates why so many men and women were drawn to these life reform movements and examines their tremendous impact on German society and medicine. Hau argues that the obsession with personal health and fitness was often rooted in anxieties over professional and economic success, as well as fears that modern industrialized civilization was causing Germany and its people to degenerate. He also examines how different social groups gave different meanings to the same hygienic practices and aesthetic ideals. What results is a penetrating look at class formation in pre-Nazi Germany that will interest historians of Europe and medicine and scholars of culture and gender.

In West German literature in the 1970s and 1980s bodies functioned not as victims of history nor as allegories for the nation but as sites of contested identities. Focusing on conflicts about identity in present-day Germany and on literary texts in which the body is an aesthetic construct, Leslie A. Adelson reformulates questions of embodiment and historical agency—questions that continue to haunt culture studies in general and German studies and women's studies in particular. This interdisciplinary study of history, race, gender, and nationality offers rich readings of three contemporary prose texts that challenge the suppositions of prevalent literary theory—Anne Duden's Übergang, TORKAN's Tufan: Brief an einen islamischen Bruder, and Jeanette Lander's Ein Sommer in der Woche der Itke K. Adelson's discussion of heterogeneous identities in contemporary German culture boldly explores accountability and innovation in historical process.

See the author featured in the "New Books in History" podcast: http://newbooksinhistory.com/2011/04/01/erik-jensen-body-by-weimar-athletes-gender-and-german-modernity-oxford-up-2010/ In Body by Weimar, Erik N. Jensen shows how German athletes reshaped gender roles in the turbulent decade after World War I and established the basis for a modern body and modern sensibility that remain with us to this day. The same cutting-edge techniques that engineers were using to increase the efficiency of factories and businesses in the 1920s aided athletes in boosting the productivity of their own flesh and bones. Sportswomen and men embodied modernity-quite literally-in its most streamlined, competitive, time-oriented form, and their own successes on the playing fields seemed to prove the value of economic rationalization to a skeptical public that often felt threatened by the process. Enthroned by the media as culture's trendsetters, champions in sports such as tennis, boxing, and track and field also provided models of sexual empowerment, social mobility, and self-determination. They showed their fans how to be modern, and, in the process, sparked heated debates over the aesthetics of the body, the limits of physical exertion, the obligations of citizens to the state, and the relationship between the sexes. If the images and debates in this book strike readers as familiar, it might well be because the ideal body of today-sleek, efficient, and equally available to men and women-received one of its earliest articulations in the fertile tumult of Germany's roaring twenties. After more than eighty years, we still want the Weimar body.