George's Mother by Stephen Crane is an American realism novel and a follow-up to the story of Maggie: A Girl on the Streets. Excerpt: "In the swirling rain that came at dusk the broad avenue glistened with that deep bluish tint which is so widely condemned when it is put into pictures. There were long rows of shops, whose fronts shone with full, golden light."

Describes the life of the mother of our first president and her relationship with her children.

While some theorists argue that medicine is caught in a relentless process of ‘geneticization’ and others offer a thesis of biomedicalization, there is still little research that explores how these effects are accomplished in practice. Joanna Latimer, whose groundbreaking ethnography on acute medicine gave us the social science classic The Conduct of Care, moves her focus from the bedside to the clinic in this in-depth study of genetic medicine. Against current thinking that proselytises the rise of laboratory science, Professor Latimer shows how the genetic clinic is at the heart of the revolution in the new genetics. Tracing how work on the abnormal in an embryonic genetic science, dysmorphology, is changing our thinking about the normal, The Gene, the Clinic, and the Family charts new understandings about family, procreation and choice. Far from medicine experiencing the much-proclaimed ‘death of the clinic’, this book shows how medicine is both reasserting its status as a science and revitalising its dominance over society, not only for now but for societies in the future. This book will appeal to students, scholars and professionals interested in medical sociology, science and technology studies, the anthropology of science, medical science and genetics, as well as genetic counselling.

"Mother George the Midwife Who Shocked Grays Lake is a historical novel based on the life of a black midwife who delivered many children both black and white in southeastern Idaho during and after the gold rush on Caribou Mountain in that state." -- back cover.

NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “A beautifully crafted memoir, rich with humor and wisdom.” —Will Schwalbe, author of The End of Your Life Book Club “The idea of a cultured gay man leaving New York City to care for his aging mother in Paris, Missouri, is already funny, and George Hodgman reaps that humor with great charm. But then he plunges deep, examining the warm yet fraught relationship between mother and son with profound insight and understanding.” —Alison Bechdel, author of Fun Home When George Hodgman leaves Manhattan for his hometown of Paris, Missouri, he finds himself—an unlikely caretaker and near-lethal cook—in a head-on collision with his aging mother, Betty, a woman of wit and will. Will George lure her into assisted living? When hell freezes over. He can’t bring himself to force her from the home both treasure—the place where his father’s voice lingers, the scene of shared jokes, skirmishes, and, behind the dusty antiques, a rarely acknowledged conflict: Betty, who speaks her mind but cannot quite reveal her heart, has never really accepted the fact that her son is gay. As these two unforgettable characters try to bring their different worlds together, Hodgman reveals the challenges of Betty’s life and his own struggle for self-respect, moving readers from their small town—crumbling but still colorful—to the star-studded corridors of Vanity Fair. Evocative of The End of Your Life Book Club and The Tender Bar, Hodgman’s New York Times bestselling debut is both an indelible portrait of a family and an exquisitely told tale of a prodigal son’s return.

In this richly textured study of personal growth and creativity hemmed in by childhood disaster, Shengold compares the differing gifts and differing solutions of extraordinary talents as they seek to negotiate a universal longing to refind the mother without sliding back into neglect, abuse, and despair. In the foreground of his analysis are moving portraits of Jules Renard and Anthony Trollope and the densely packed traumatic legacy of their respective childhoods, the one limned in sustained psychological torture, the other framed by neglect and abandonment. Long acknowledged as a master of the literary-biographic genre within psychoanalysis, Shengold does not view the study of creative individuals as the occasion to make pontifical pronouncements about the nature of creativity. Rather, he sees such study as affording the opportunity to borrow from genius, insofar as the gifted writer who is psychologically astute often captures the challenges of life and the nuances of suffering in language that "ordinary" patients would use, if only they could. By integrating literary analysis with biographical data, Shengold arrives at an appealingly direct, demystified approach to great literature as a vehicle for apprehending the intricacies of enduring psychological dilemmas. For the solutions of truly creative individuals not only reflect an artistic temperament wed to extraordinarily gifts; they illuminate the solutions we are all in search of. Elegantly sparing in language and judicious in presenting source material, Is There Life Without Mother? is abundantly generous in the wealth of understanding it provides and the deeper reflection it provokes. From the subtleties of identification as a means of consolidating identity in the face of neglect to the return of the traumatic as a fate that even a writer's "literary revenge" cannot circumvent, this work takes the reader deeper into the wellsprings of personality change than that it is usually possible to go.

Stories of generals and battles of the American Civil War have been told and retold but relatively little has been written about the common soldiers who fought in the war. In his thoroughly researched history of the Civil War soldiers and families of the upstate New York town of Newark Valley, Jerry Marsh sheds light on the lives of three hundred and nineteen soldiers of the town. He tells of the preacher's son who prayed to be a faithful soldier under the "Stars and Stripes" and the "Banner of Jesus," the eleven families who sent their father and son(s) to the war, the seventy sets of brothers who served, the youths and older men who misrepresented their ages to enlist, the seventy-four men killed or wounded in battle and thirty-nine who died of disease, the families who brought their dead or dying sons back to be buried at home, and the veterans who became productive citizens in New York and across the expanding nation. Marsh's narrative is enhanced by photographs, letters, diaries, and anecdotes from descendants of the courageous soldiers who fought to save the Union and ensure the freedom of all citizens of the "new nation."

The 1950s were a quieter time with no cell phones, texting, twenty-four hour news or social media. Residents of rural Mississippi had more time for unfettered interactions, although in keeping with the strict, but unspoken, social rules that ordered their lives. And then there was Opal Pratt. In this sequel to the author’s first book, Opal, Miss Pratt is encouraged to step out of her reclusive comfort zone and learns more about human kind. Sometimes more than she wants. In addition to new characters, the reader will recognize Olivia and Levi, the former hussy Frances/Francine, the immigrant preacher now with a love interest, and Opal’s rejected suitor, Lemuel, who assumes a new and special place in her life. Opal is naïve, courageous, and sometimes tragic. Follow her journey in Warren County Days. With a distinct voice that easily portrays both small town simplicity and heartbreakingly complex nuances, Diane Thomas-Plunk has once again transported me to the South I know and love in her new short story collection. The beloved Opal Pratt is back, along with a cast of characters both new and old, but all remarkable for the feelings they evoke. One standout story is None So Blind, which brought the combination of liquor and opera together in a manner that left me truly moved. I find it amazing that an author can take the folks that others would glance over and their life stories, and turn them into something exceptional. I was left wanting more, which is the definition of a powerful book in my opinion. ~ Christina Huber, Candid Christine Book Review Blog Readers who fell in love with spinster Opal Pratt in Diane Thomas-Plunk’s first book will be glad to meet more of this distinctly Southern writer’s small-town characters. Through interactions with old suitors, new neighbors, and roadside saviors, Opal continues to evolve with the changing times. ~ Erin Z. Bass, Editor & Publisher, Deep South Magazine Warren County Days is a believable trip back into the fifties. You’re going to see characters who leap off the page, full blown, and remind you of people you’ve known. And a few that you haven’t. Diane Thomas-Plunk, a born and bred Memphian, weaves stories about ordinary people who turn every day life into something special. ~ Randolph Haspel, Columnist, The Memphis Flyer