He was a trailblazing twentieth-century British photojournalist but George Rodger lived in the adventurous tradition of nineteenth-century explorers. Cofounding Magnum Photos in 1947 with Henri Cartier-Bresson and Robert Capa, the modest Rodger was eclipsed by his partnersuntil now. Rodger's Indiana Jones-style escapades are legendary and worth the telling. He once covered over 75,000 miles of "old Africa" in a Land Rover. He even survived a white rhino charge. He went on to become a key photographer of African tribal life. During World War II he covered sixty-one countries for Life magazine. He was chased through three hundred miles of Burmese jungles by both the Japanese army and a tribe of headhunters. And he was the first to record the liberation of the Bergen-Belsen concentration camp. He quit photography when he realized he was arranging "thousands of Jewish corpses in nice photographic compositions." In fascinating detail Carol Naggar not only recalls Roger's singular life and artistic contribution, but she also provides an in-depth look at the complex dynamics of ethics, violence, and photojournalism. As such, it places the legacy of George Rodger within a broader sociohistorical context.

This classic series by legendary Magnum photographer George Rodger introduced the Western world to the Nuba peoples of Sudan. In 1949 the photographer and co-founder of Magnum Photos, George Rodger, learned of the Nuba tribe while traveling in the Kordofan region of the Sudan. Remarkably, he was granted permission by the Sudanese government to take pictures of these striking people, who lived as their ancestors had centuries before. After publication in National Geographic magazine, these pictures--as well as Rodger's fascinating journal entries from the shoot--have not been available to the wider public. Now, Rodger's rare softly colored Kodachrome images are gathered in a sumptuous volume, and introduced in an essay by photographer Chris Steele-Perkins. Beautifully reproduced, Rodger's photographs emphasize the muted colors of the Sudanese landscape as well as the Nuba's penchant for vivid body paint, clothing, and jewelry. They are a superb example of early color photography, and a stunning celebration of a little-known tribe that lives in one of the world's harshest environments.

A unique and highly influential photographic documentation of African life.

Mumbai has been extensively photographed over the past century. Like New York, it is a city full of men and women with aspirations of making it big in life. Mumbai is also known as a dream factory because of the overwhelming presence of its film industry, one of biggest in the world. This book collects nearly three decades of work from Raghu Rai, one of Indias foremost photojournalists. The pictures encompass life in all its manifestations from the high-rise skyscrapers to the gushing waves of the Arabian sea. It shows movement and activity that almost never ceases fairs and festivities, political demonstrations, films in the making, and the advertising and modelling scene.

The only monograph of the co-founder of the Magnum photo agency.

How do photojournalists get the pictures that bring us the action from the world's most dangerous places? How do picture editors decide which photos to scrap and which to feature on the front page? Find out in Get the Picture, a personal history of fifty years of photojournalism by one of the top journalists of the twentieth century. John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world.

George Washington Wilson is the definitive account of one of Scotland's leading photographers of the Victorian era and comes complete with 3-D stereo images and a 3-D viewer. Roger Taylor, the world's foremost authority on George Washington Wilson, presents a stunning view into the life and work of this singular artist.