The definitive study of one of the twentieth century's most fascinating and influential churchmen, an outspoken challenger to the status quo and the founder of the radical and often controversial Iona Community.

Many lives were changed by George MacLeod's spine tingling sermons and many more by his personal example. The extra acts in this book, which can be used to inspire personal or group reflection, give a flavour of the passion and poetry of the Celtic mystic who led the rebuilding of the Iona Abbey, and whose theology was worked out not in the study but out in the street.

A new edition of this collection of poems and prayers by the founder of the Iona Community, with images of the island. 'To be in a seat at Iona Abbey, to be moved by the awesome oratory of a MacLeod sermon in full flood, to be led into the nearer presence

William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisting his sister to provide the handwriting and address, and for more than a decade "Fiona Macleod" duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. Sharp wrote "I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out". This three-volume collection brings together Sharp’s own correspondence – a fascinating trove in its own right, by a Victorian man of letters who was on intimate terms with writers including Dante Gabriel Rossetti, Walter Pater, and George Meredith – and the Fiona Macleod letters, which bring to life Sharp’s intriguing "second self". With an introduction and detailed notes by William F. Halloran, this richly rewarding collection offers a wonderful insight into the literary landscape of the time, while also investigating a strange and underappreciated phenomenon of late-nineteenth-century English literature. It is essential for scholars of the period, and it is an illuminating read for anyone interested in authorship and identity.