Visionary, inspired, and original, contemporary Latin American artists draw from influences near and far. This colorful survey, which features 178 carefully selected works, celebrates some of the most exciting modern Latin American artworks to date, and also shows North American and European works that offered inspiration to these artists. Included are works by such masters as Alexander Calder and Joaquin Torres-Garcia, and by younger artists such as Carmelo Arden Quin, Juan Bay, and Alberto Biasi. The book covers New Realist and geometric abstract art of the 1940s and 1950s; optical and kinetic art from the 1950s and 1970s; and contemporary works from the 1970s to the present day, including abstract art, architecture projects, and art that incorporates new technologies.

Patrizi's Philosophy of Love is both a remarkably detailed description of one of the most famous woman scholars of the sixteenth century, Tarquinia Molza, and also a strikingly modern elucidation of the origins of love. Nearly one-half of the book is devoted to a detailed description of Molza, her education, her talents as a musician, poet, and philosopher. In the second half of the book, Molza "teaches" Patrizi her philosophy of love: that "all love emanates from the love we have for ourselves." Readers interested in both the status of women in the Renaissance as well as those interested in the early roots of contemporary "self-psychology" will find this book illuminating.

The contributors to this volume cross disciplinary and theoretical boundaries to read the words, metaphors, images, signs, poetic illusions, and identities with which medieval men and women used space and place to add meaning to the world.

As one of the most influential thinkers in Christian history, St. Augustine (354–430) had a flair for teaching and meditated deeply on the mysteries of the human heart. This study examines a little-known side of his career: his work as a teacher of candidates for baptism. ln the revised edition of this seminal book, both the text and notes have been revised to better reflect the state of contemporary scholarship on Augustine, liturgical studies, and the catechumenate, both ancient and modern. This edition also includes new findings from some of the recently discovered sermons of Augustine and incorporates new perspectives from recent research on early Christian biblical interpretation, debates on the Trinity, the evolution of the liturgy, and much more. This reconstruction of Augustine’s catechumenate provides fresh perspectives on the day-to-day life of the early church and on the vibrancy and eloquence of Augustine the preacher and teacher.

This is the first book to investigate the place of color in Byzantine art. By engaging the issue on both a technical level--how colors were made, what colors were available--and a perceptual level--how these colors were seen and described--James offers a new approach to the study of color in art history. Including sixty-four color illustrations, most never before published, James's study offers a unique view of the details of Byzantine art.

Recently the history of science in early modern Europe has been both invigorated and obscured by divisions between scholars of different schools. One school tends to claim that rigorous textual analysis provides the key to the development of science, whereas others tend to focus on the social and cultural contexts within which disciplines grew. This volume challenges such divisions, suggesting that multiple historical approaches are both legitimate and mutually complementary."--

Known as the "Corpus Areopagiticum", this collection of works was falsely attributed by its author as being written by Dionysius the Areopagite, a first century AD Athenian convert of Paul the Apostle mentioned in Acts 17:34. Because of this erroneous attribution great attention was given by early Christian scholars, most notably the late 13th and early 14th century scholar Meister Eckhart. Sometime in the 15th century it came to light that this collection of works was most likely the work of some anonymous late 5th or early 6th century author, who has subsequently been referred to as Pseudo-Dionysius. While this reattribution has diminished the "Corpus Areopagiticum" importance in Christian literature the collection still holds an important interest among scholars because of a renewed interest in the huge impact of Dionysian thought on later Christian thought. Included in this collection is the complete "Corpus Areopagiticum", which includes the following individual works: "Divine Names", "Mystic Theology", "Heavenly Hierarchy", "Ecclesiastical Hierarchy", and "Letters of Dionysius the Areopagite". This edition is printed on premium acid-free paper and follows the translations of John Parker.