Geofroy Tory Peintre Et Graveur Premier Imprimeur Royal Reformateur De Lorthographe Et De La Typographie
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Author |
: Joseph Maberly |
Publisher |
: |
Total Pages |
: 376 |
Release |
: 1880 |
ISBN-10 |
: NYPL:33433017273735 |
ISBN-13 |
: |
Rating |
: 4/5 (35 Downloads) |
Synopsis The Print Collector by : Joseph Maberly
Author |
: Elizabeth Armstrong |
Publisher |
: Cambridge University Press |
Total Pages |
: 352 |
Release |
: 2011-04-28 |
ISBN-10 |
: 9780521170666 |
ISBN-13 |
: 0521170664 |
Rating |
: 4/5 (66 Downloads) |
Synopsis Robert Estienne, Royal Printer by : Elizabeth Armstrong
This book was originally published in 1954. Mrs Armstrong gives a full-length historical study of an important and admirable figure of Robert Estienne. Through his scholarly work and his ideals of artistry and craftsmanship of printing, he also brought understanding to the dissemination of a culture.
Author |
: Daniel Berkeley Updike |
Publisher |
: |
Total Pages |
: 716 |
Release |
: 1922 |
ISBN-10 |
: HARVARD:32044009601444 |
ISBN-13 |
: |
Rating |
: 4/5 (44 Downloads) |
Synopsis Printing Types, Their History, Forms, and Use by : Daniel Berkeley Updike
Author |
: |
Publisher |
: |
Total Pages |
: 698 |
Release |
: 1914 |
ISBN-10 |
: UOM:39015066561039 |
ISBN-13 |
: |
Rating |
: 4/5 (39 Downloads) |
Author |
: American Art Association, Anderson Galleries (Firm) |
Publisher |
: |
Total Pages |
: 1280 |
Release |
: 1920 |
ISBN-10 |
: UOM:39015078625574 |
ISBN-13 |
: |
Rating |
: 4/5 (74 Downloads) |
Synopsis Sale Catalogues by : American Art Association, Anderson Galleries (Firm)
Author |
: E. C. Bigmore |
Publisher |
: Cambridge University Press |
Total Pages |
: 473 |
Release |
: 2014-08-28 |
ISBN-10 |
: 9781108074322 |
ISBN-13 |
: 1108074324 |
Rating |
: 4/5 (22 Downloads) |
Synopsis A Bibliography of Printing by : E. C. Bigmore
This three-volume bibliography of printing, published 1880-6, quickly became a classic reference work, and is still of value today.
Author |
: Edward C. Bigmore |
Publisher |
: |
Total Pages |
: 504 |
Release |
: 1880 |
ISBN-10 |
: BSB:BSB11529145 |
ISBN-13 |
: |
Rating |
: 4/5 (45 Downloads) |
Synopsis A Bibliography of Printing with Notes & Illustrations by : Edward C. Bigmore
Author |
: Bernard Quaritch (Firm) |
Publisher |
: |
Total Pages |
: 240 |
Release |
: 1905 |
ISBN-10 |
: SRLF:A0005513189 |
ISBN-13 |
: |
Rating |
: 4/5 (89 Downloads) |
Synopsis Catalogue by : Bernard Quaritch (Firm)
Author |
: Daniel Berkeley Updike |
Publisher |
: |
Total Pages |
: 540 |
Release |
: 1966 |
ISBN-10 |
: UOM:39076006574714 |
ISBN-13 |
: |
Rating |
: 4/5 (14 Downloads) |
Synopsis Printing Types, Their History, Forms, and Use by : Daniel Berkeley Updike
Author |
: Katie Chenoweth |
Publisher |
: University of Pennsylvania Press |
Total Pages |
: 360 |
Release |
: 2019-11-01 |
ISBN-10 |
: 9780812251494 |
ISBN-13 |
: 0812251490 |
Rating |
: 4/5 (94 Downloads) |
Synopsis The Prosthetic Tongue by : Katie Chenoweth
Of all the cultural "revolutions" brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitutes an event in the history of language that has profoundly shaped modernity, and yet the exact nature of this transformation—the mechanics of the event—has remained curiously unexamined. In The Prosthetic Tongue, Katie Chenoweth explores the relationship between printing and the vernacular as it took shape in sixteenth-century France and charts the technological reinvention of French across a range of domains, from typography, orthography, and grammar to politics, pedagogy, and poetics. Under François I, the king known in his own time as the "Father of Letters," both printing and vernacular language emerged as major cultural and political forces. Beginning in 1529, French underwent a remarkable transformation, as printers and writers began to reimagine their mother tongue as mechanically reproducible. The first accent marks appeared in French texts, the first French grammar books and dictionaries were published, phonetic spelling reforms were debated, modern Roman typefaces replaced gothic scripts, and French was codified as a legal idiom. This was, Chenoweth argues, a veritable "new media" moment, in which the print medium served as the underlying material apparatus and conceptual framework for a revolutionary reinvention of the vernacular. Rather than tell the story of the origin of the modern French language, however, she seeks to destabilize this very notion of "origin" by situating the cultural formation of French in a scene of media technology and reproducibility. No less than the paper book issuing from sixteenth-century printing presses, the modern French language is a product of the age of mechanical reproduction.