The concept of generation is ubiquitous in common parlance and public discourse: it is used to explain family relationships, consumer preferences, political change, and much else besides. But how can generation be used by historians? Do generations really exist, or are they constructed and manipulated by social and cultural elites? In pursuit of answers to these questions, this book ranges from World War I to the baby boomers and from Spain to the Soviet Union.

At last, a book about a group that's been sorely neglected, those who have come of age in an advanced industrial society in the late 20th century. Looks at facets such as education, youth unemployment and crime, family structure, and personal aspirations, using a multidisciplinary approach. Discusses the prolongation of youth resulting from industrialization and legislation, economic disenfranchisement and the new service worker, and youth targeted as consumers of the media, music, fashion, and education industries. Offers a model of coming of age in Sweden. Annotation copyright by Book News, Inc., Portland, OR

Germans of the generation born just before the outbreak of World War I lived through a tumultuous and dramatic century. This book tells the story of their lives and, in so doing, offers a new history of twentieth-century Germany, as experienced and made by ordinary human beings.On the basis of sixty-two oral-history interviews, this book shows how this generation was shaped psychologically by a series of historically engendered losses over the course of the century. In response, this generation turned to the collective to repair the losses it had suffered, most fatefully to the community of the "Volk" during the Third Reich, a racial collective to which this generation was passionately committed and which was at the heart of National Socialism and its popular appeal.

Utopian Generations develops a powerful interpretive matrix for understanding world literature--one that renders modernism and postcolonial African literature comprehensible in a single framework, within which neither will ever look the same. African literature has commonly been seen as representationally naïve vis-à-vis modernism, and canonical modernism as reactionary vis-à-vis postcolonial literature. What brings these two bodies of work together, argues Nicholas Brown, is their disposition toward Utopia or "the horizon of a radical reconfiguration of social relations.? Grounded in a profound rethinking of the Hegelian Marxist tradition, this fluently written book takes as its point of departure the partial displacement during the twentieth century of capitalism's "internal limit" (classically conceived as the conflict between labor and capital) onto a geographic division of labor and wealth. Dispensing with whole genres of commonplace contemporary pieties, Brown examines works from both sides of this division to create a dialectical mapping of different modes of Utopian aesthetic practice. The theory of world literature developed in the introduction grounds the subtle and powerful readings at the heart of the book--focusing on works by James Joyce, Cheikh Hamidou Kane, Ford Madox Ford, Chinua Achebe, Wyndham Lewis, Ngugi wa Thiong'o, and Pepetela. A final chapter, arguing that this literary dialectic has reached a point of exhaustion, suggests that a radically reconceived notion of musical practice may be required to discern the Utopian desire immanent in the products of contemporary culture.

Die Beiträge des vorliegenden Bandes gehen aus einer gemeinsamen Tagung des Graduiertenkollegs "Generationengeschichte" der Georg-August-Universität Göttingen und des Deutschen Historischen Instituts in Washington hervor. Verschiedene Generationenkonzepte standen sich hier gegenüber: die europäische Idee von "Jugendgenerationen" und "politischen Generationen" und die eher pragmatische amerikanische Lesart von den "demographischen Generationen" oder den "Konsumgenerationen". Immer, so scheint es, wird die generationelle Logik überlagert von nationalen Vorstellungen der Dazugehörigkeit. Sehr deutlich arbeiten die Beiträge aus Europa und den USA heraus, dass die historische Zeit wohl in Generationen gelesen wird, doch wird Geschichte nicht von Generationen gemacht.

At the end of the nineteenth century, some physicists believed that the basic principles underlying their subject were already known, and that physics in the future would only consist of filling in the details. They could hardly have been more wrong. The past century has seen the rise of quantum mechanics, relativity, cosmology, particle physics, and solid-state physics, among other fields. These subjects have fundamentally changed our understanding of space, time, and matter. They have also transformed daily life, inspiring a technological revolution that has included the development of radio, television, lasers, nuclear power, and computers. In Quantum Generations, Helge Kragh, one of the world's leading historians of physics, presents a sweeping account of these extraordinary achievements of the past one hundred years. The first comprehensive one-volume history of twentieth-century physics, the book takes us from the discovery of X rays in the mid-1890s to superstring theory in the 1990s. Unlike most previous histories of physics, written either from a scientific perspective or from a social and institutional perspective, Quantum Generations combines both approaches. Kragh writes about pure science with the expertise of a trained physicist, while keeping the content accessible to nonspecialists and paying careful attention to practical uses of science, ranging from compact disks to bombs. As a historian, Kragh skillfully outlines the social and economic contexts that have shaped the field in the twentieth century. He writes, for example, about the impact of the two world wars, the fate of physics under Hitler, Mussolini, and Stalin, the role of military research, the emerging leadership of the United States, and the backlash against science that began in the 1960s. He also shows how the revolutionary discoveries of scientists ranging from Einstein, Planck, and Bohr to Stephen Hawking have been built on the great traditions of earlier centuries. Combining a mastery of detail with a sure sense of the broad contours of historical change, Kragh has written a fitting tribute to the scientists who have played such a decisive role in the making of the modern world.

The most significant conquest of the twentieth century may well have been the triumph of American consumer society over Europe's bourgeois civilization. It is this little-understood but world-shaking campaign that unfolds in Irresistible Empire, Victoria de Grazia's brilliant account of how the American standard of living defeated the European way of life and achieved the global cultural hegemony that is both its great strength and its key weakness today. De Grazia describes how, as America's market empire advanced with confidence through Europe, spreading consumer-oriented capitalism, all alternative strategies fell before it--first the bourgeois lifestyle, then the Third Reich's command consumption, and finally the grand experiment of Soviet-style socialist planning. Tracing the peculiar alliance that arrayed New World salesmanship, statecraft, and standardized goods against the Old World's values of status, craft, and good taste, Victoria de Grazia follows the United States' market-driven imperialism through a vivid series of cross-Atlantic incursions by the great inventions of American consumer society. We see Rotarians from Duluth in the company of the high bourgeoisie of Dresden; working-class spectators in ramshackle French theaters conversing with Garbo and Bogart; Stetson-hatted entrepreneurs from Kansas in the midst of fussy Milanese shoppers; and, against the backdrop of Rome's Spanish Steps and Paris's Opera Comique, Fast Food in a showdown with advocates for Slow Food. Demonstrating the intricacies of America's advance, de Grazia offers an intimate and historical dimension to debates over America's exercise of soft power and the process known as Americanization. She raises provocative questions about the quality of the good life, democracy, and peace that issue from the vaunted victory of mass consumer culture.

The volume offers an exploration of communism in Central and Eastern Europe through the prism of generation and gender. Both concepts are used as analytical categories to study Europe's past and present. The book is comprised of methodological approaches and interdisciplinary case studies.

Tracing the Great War through the Millennium Bug, 1999 through 1900, Dadaism through Scientology through Sierra Leonean bicycle riding and back, award-winning Czech author Patrik Ourednik explores the horror and absurdity of the twentieth century in an explosive deconstruction of historical memory. Europeana: A Brief History of the Twentieth Century opens on the beaches of Normandy in 1944, comparing the heights of different forces’ soldiers and considering how tall, long, or good at fertilizing fields the men’s bodies will be. Probing the depths of humanity and inhumanity, this is an account of history as it has never been told: “engaging, even frightening.” At once recreating and uncreating the twentieth century, Ourednik explores the connections across the decades between the disparate figures, events, and politics we thought we knew. Patrik Ourednik’s Europeana merits the author’s reputation as a giant of post-1989 Czech literature. Now translated into 33 languages, the book is a masterwork of cubism, a polymorphic monologue of statistics and movements and fine print and discoveries that evokes the deadpan absurdity of Kafka and the gallows humor of Hašek. Ourednik has created a mesmerizing, maddening account of the past, and his interrogation of “truth” and objectivity resonates now more than ever.

The Twentieth Century in European Memory investigates contested and divisive memories of conflicts, world wars, dictatorship, genocide and mass killing. Focusing on the questions of transculturality and reception, the book looks at the ways in which such memories are being shared, debated and received by museum workers, artists, politicians and general audiences. Due to amplified mobility and communication as well as Europe’s changing institutional structure, such memories become increasingly transcultural, crossing cultural and political borders. This book brings together in-depth researched case studies of memory transmission and reception in different types of media, including films, literature, museums, political debate printed and digital media, as well as studies of personal and public reactions. Contributors are: Ismar Dedović, Astrid Erll, Rosanna Farbøl, Magdalena Góra, Gunnthorunn Gudmundsdottir, Anne Heimo, Sara Jones, Wulf Kansteiner, Slawomir Kapralski, Zoé de Kerangat, Zdzisław Mach, Natalija Majsova, Inge Melchior, Daisy Neijmann, Vjeran Pavlaković, Benedikt Perak, Tea Sindbæk Andersen, and Barbara Törnquist-Plewa.