‘Genealogy, Archive, Image’ addresses the ways in which history and tradition are ‘reinvented’ through text, memory and painting. It examines the making of dynastic history in the kingdom of Jhalavad, situated in Gujarat, western India, over the longue durée, from the eleventh to twentieth centuries. The essays critique a collection of contemporary miniature paintings, which chart the dynastic history of Jhalavad’s rulers and the textual and ethnographic archive upon which they are based. A multidisciplinary work, it crosses the boundaries of history, anthropology, folklore and mythology, gender, musicology, literary studies, and visual, film and digital media. The essays draw upon a variety of voices, spanning various religious and ethnic communities, including Hindus, Muslims, Jains, Parsees and Siddhi Africans, and caste identities, such as that of the bard, ballad singer, king, priest, court chronicler, soldier, mason and drummer.

Excerpt from Genealogy of the Brownings in America From 1621 to 1908 In this age of enlightenment and civilization, no one is without love for his parents, brothers and sisters, or without regard for his near relatives and kins folk; and very few are without esteem and reverence for their ancestors, no mat ter how distant their connection. Among some nations, as for instance the Chinese, this feeling amounts to ancestral worship. It is this respect and interest which has led me to write the genealogy of my own family and of all the Brownings who have come to America, so far as I have been able to ascertain their history. I have also included the genealogy of one of the greatest, if not the greatest of English poets, Robert Browning, who has a world - wide reputation for his learning and poetic genius. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.