Drawing on political and cultural indicators to explain the sudden upsurge of gay material on prime-time network television in the 1990s, this book brings together analysis of relevant Supreme Court rulings, media coverage of gay rights battles, debates about multiculturalism, concerns over political correctness, and more.

LAMBDA LITERARY AWARD FINALIST A transgender reporter's "powerful, profoundly moving" narrative tour through the surprisingly vibrant queer communities sprouting up in red states (New York Times Book Review), offering a vision of a stronger, more humane America. Ten years ago, Samantha Allen was a suit-and-tie-wearing Mormon missionary. Now she's a GLAAD Award-winning journalist happily married to another woman. A lot in her life has changed, but what hasn't changed is her deep love of Red State America, and of queer people who stay in so-called "flyover country" rather than moving to the liberal coasts. In Real Queer America, Allen takes us on a cross-country road-trip stretching all the way from Provo, Utah to the Rio Grande Valley to the Bible Belt to the Deep South. Her motto for the trip: "Something gay every day." Making pit stops at drag shows, political rallies, and hubs of queer life across the heartland, she introduces us to scores of extraordinary LGBT people working for change, from the first openly transgender mayor in Texas history to the manager of the only queer night club in Bloomington, Indiana, and many more. Capturing profound cultural shifts underway in unexpected places and revealing a national network of chosen family fighting for a better world, Real Queer America is a treasure trove of uplifting stories and a much-needed source of hope and inspiration in these divided times.

Milestones of gay and lesbian life in the United States are brought together in the first-ever nonfiction book on the topic published specifically for teens. Profusely illustrated with period photographs, first-person accounts offer insight as each chapter identifies an important era. From the Gay '20s to the Kinsey study, from the McCarthy witch hunts to the Beat generation, from Stonewall to disco, and from AIDS to gay marriage and families, this overview gives a balanced look at how queer men and women have lived, worked, played--and fought to overcome prejudice and discrimination--for the past 125 years.--From publisher description.

A compelling and compassionate work that never fails to stimulate. After the Ball is required reading for straights interested in understanding a minority that comprises 10% of the population and for gays who ar learning that the revolution is far from over.

Television is awash with newly embraced gay and lesbian themes that have crossed over into the collective pop culture of America. Dramas like Queer As Folk and The L Word, comedies like Will & Grace,and even reality shows including the popular Queer Eye for the Straight Guy signify a new commercial acceptance of homosexuality that has never been seen before in the United States. However, the increasing exposure has prompted critics to argue that the gay and lesbian representation on television is oversimplified and is rife with one-dimensional characters. Ultimately, the viewers will decide the future of homosexuality and homosexual characters on television. The text offers essays that explore such topics as the politics of representation and the clash of progressive and regressive social agendas in television and the emphasis on the search for a space for gays, lesbians, bisexuals and the transgendered within the mainstream media. The book contains criticisms of characters in such shows as Six Feet Under, Queer As Folk, Friends and Ellen.

The evidence indicates that "committed" homosexual relationships are radically different from married couples in several key respects: relationship duration, monogamy vs. promiscuity, relationship commitment, number of children being raised, health risks, rates of intimate partner violence. This book is a compilation of research findings concerning several foundational issues with respect to homosexuality. For decades, the public has not been "getting it straight" from the news media, entertainment media, and academia. Instead, a number of myths have been widely promoted and have taken root in the public mind--myths such as: ten percent of the population is homosexual, people are born homosexual, and homosexuality is harmless. Getting It Straight debunks these myths--primarily by using direct quotations from scholarly articles and publications.

A Moms Demand Action Book Club Pick “The perfect way to teach your kiddos LGBTQ+ vocab while celebrating the beauty of embracing yourself and others.”—KIWI Magazine A joyful celebration of LGBTQ+ vocabulary for kids of all ages! A playdate extravaganza transforms into a joyful celebration of friendship, love, and identity as four young friends sashay out of all the closets, dress up in a wardrobe fit for kings and queens, and discover the wonders of their imagination. In The GayBCs, M. L. Webb’s playful illustrations and lively poems delight in the beauty of embracing one’s truest self—from A is for Aro and Ace to F is for Family to T is for Trans. The GayBCs is a heartwarming and accessible gift to show kids and adults alike that every person is worthy of being celebrated. A bonus glossary offers opportunities for further discussion of complete terms, communities, and inclusive identities.

This book traces the uneven history of queer media visibility through crucial turning points including the Hollywood Production Code era, the AIDS crisis of the 1980s, the so-called explosion of gay visibility on television during the1990s, and the re-imagination of queer representations on TV after the events of 9/11. Kohnen intervenes in previous academic and popular accounts that paint the increase in queer visibility over the past four decades as a largely progressive development. She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. She also investigates queer visibility across film, TV, and print media, and highlights previously unexplored connections, such as the lingering traces of classical Hollywood cinema's queer tropes in the X-Men franchise. Across all chapters, narratives and arguments emerge that demonstrate how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and people of the American nation.

The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-twentieth-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant antihomosexual attitudes. Michael Sherry offers a sophisticated analysis of the tension between the nation's simultaneous dependence on and fear of the cultural influence of gay artists. Sherry places conspiracy theories about the "homintern" (homosexual international) taking control and debasing American culture within the paranoia of the time that included anticommunism, anti-Semitism, and racism. Gay artists, he argues, helped shape a lyrical, often nationalist version of American modernism that served the nation's ambitions to create a cultural empire and win the Cold War. Their success made them valuable to the country's cultural empire but also exposed them to rising antigay sentiment voiced even at the highest levels of power (for example, by President Richard Nixon). Only late in the twentieth century, Sherry concludes, did suspicion slowly give way to an uneasy accommodation of gay artists' place in American life.