A smart, gossipy, and very funny examination of celebrity culture from New York’s premiere social columnist. Ben Widdicombe is the only writer to have worked for Page Six, TMZ, and The New York Times—an unusual Triple Crown that allowed him personal access to the full gamut of Hollywood and high society’s rich and famous, from billionaires like Rupert Murdoch, Donald Trump, and the Koch brothers, to pop culture icons Kim Kardashian and Paris Hilton. Now, in Gatecrasher, New York’s premiere gossip-turned-society writer spills the sensational stories that never made it to print. Widdicombe has appeared at nearly every gossip-worthy venue—from the Oscars and the Hamptons, to the Met Gala and Mar-a-Lago—and has rubbed elbows with a dizzying array of celebrities (and wannabes), and he whisks us past the clipboard and velvet rope to teach us the golden rules of gatecrashing, dishing on dozens of boldface names along the way. Widdicombe shares secrets for how to crash the parties, climb the ladder, avoid the paparazzi, or make small talk with Henry Kissinger and Anna Wintour. Endlessly fun and extremely telling, Gatecrasher makes the unnerving argument that Paris Hilton conquering pop culture two decades ago lead to Donald Trump winning the White House. “As the gossip pages go, so goes the country,” he says.

A gold digger woos a widower in a “modern day novel of manners . . . [with] memorable characters . . . as unpredictable and multifaceted as they are stylish” (Publishers Weekly). Madeleine Wickham is Sophie Kinsella, and The Gatecrasher is just as delicious as her internationally bestselling Shopaholic series. Everything’s coming up roses for Fleur Daxeny, as she goes through more rich men than she does designer hats. Beautiful and utterly irresistible, her success at crashing funerals to find wealthy men is remarkable. Fleur wastes no time in seducing her latest conquest, the handsome and rich widower Richard Favour. His children are caught up in a whirlwind as their father’s new girlfriend descends on the family estate. Fleur is not one to wear her heart on her Chanel sleeves, but she soon finds herself embracing Richard and his family. But just as Fleur contemplates jumping off the gold-digger train for good, a long-buried secret from her past threatens to destroy her new family. “Witty and deeply biting. . . . Wickham’s characters move with the studied grace of Jane Austen’s upper class. . . . Readers will be both touched and entertained.” —Library Journal “An observant and engaging storyteller.” —Kirkus Reviews “An enjoyable read.” —Booklist

The Maverick Heart is bored. That is until it discovers a top team of engineers and scientists in a barren, backwater system have created the Gate, a stable, artificial wormhole that will revolutionize interplanetary travel forever. Breaching the wall of secrecy around this radical new technology is a temptation too sweet for human partners Keene and Lexa-Blue to resist. Elswhere, Ember Avanti is a thief, with the highest of high tech toys in his arsenal. And he’s damned good at it, too. But sooner or later, every thief chooses the wrong mark. When he targets Quintaine DiaStellar, he soon learns the corporation will stop at nothing to make the Gate its own. Ember’s team and the Maverick Heart crew must unite in a desperate attempt to stop the most vicious act of industrial espionage in the history of the Pan Galactum.

After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.

Fleur Daxeny gatecrashes funerals in the hopes of picking up rich and vulnerable men, but when she becomes involved with Richard Favour, she discovers that she is in too deep, and that she wants more than his money.

At a time before cell phones or Andy Warhol, you could say Mace Bugen was the world's first practitioner of the celebrity selfie. Over a period of three decades, the 48" tall Jewish dwarf engineered photos of himself with some of the biggest celebrities of his day: Muhammad Ali, Jonas Salk, Joe DiMaggio, and Richard Nixon. Photos and biography.

“Tomlinson’s well-plotted tale of first contact pinballs between hard science-fiction and hilarity, delivering a thrilling yarn.” —Matt Forbeck, New York Times–bestselling author The only thing as infinite and expansive as the universe is humanity’s unquestionable ability to make bad decisions. Humankind ventures further into the galaxy than ever before . . . and immediately causes an intergalactic incident. In their infinite wisdom, the crew of the exploration vessel Magellan, or as she prefers “Maggie,” decides to bring the alien structure they just found back to Earth. The only problem? The aliens are awfully fond of that structure. A planet full of bumbling, highly evolved primates has just put itself on a collision course with a far wider, and more hostile, galaxy that is stranger than anyone can possibly imagine. “Taut, funny, and human, Gate Crashers takes us from zero to FTL in seconds flat.” —Max Gladstone, coauthor of This Is How You Lose the Time War “A well-drawn ensemble cast of scientists, soldiers, and aliens enriches this quirky first-contact tale.” —Kirkus Reviews

"The Gate Crasher knew what lay before him: He must descend into hell and pull the devil's teeth. It was Clyde Barrow versus Fort Knox. Roseanne versus Denny's page three. Wearing a blue blazer and a tie, Albert Einstein's haircut and glasses on the end of his pointy nose. Rich set off to pentrate the most impenetrable fortress in U.S. History. The fortress lost. Rich was inside in six minutes, I followed him the whole way. It was pure art. Memo to NFL commissioner Paul Tagliabue: $7 million in security wasn't enough. Memo to Salt lake Olympic Committee: He'll be there this week."

This book recounts the journeys of 21 ordinary people who dared to investigate whether the self they had always taken for real actually exists. Transcripts of 21 guided conversations record the process step by step, line by line, as each seeker sees through the illusion, and is liberated from belief in a separate self. No such resource for spiritual seekers has ever been published, nor such a large collection of awakening accounts ever been assembled. Completely accessible, totally practical and wholly transparent for all who are interested, Gateless Gatecrashers makes a unique contribution to spiritual literature, and perhaps will lead you – when you are ready - to gatecrash! Liberation Unleashed is a movement of volunteer guides who are dedicated to helping you end the spiritual search. We strive to transmit the message that separation is only a thought, that there is no entity behind the word "I", and all one needs to do is to look.

Poetry. California Interest. These poems observe how the structures humans create, both physical and conceptual, collapse. We build shelter and belief for comfort, but like the logs of a house, rot can run through, undermining what is assumed to be solid and reliable. Part surreal autobiography, and part observation of how physical and conceptual humanmade structures are collapsing, this wildfire debut dreamwalks through the poet's occupation of land straddling urban and rural, dream and waking, harsh and magical. "Susan Buis' book, GATECRASHER, are poems that are 'blunt for progress and polished' creating a fresh look at the world we live in. She embodies her poetry boldly and confidently. GATECRASHER is a wonderful read "--Garry Gottfriedson