This lavishly photographed book, written and curated by internationally respected gardening author Christine Reid and shot by renowned photographer Simon Griffiths, focuses on 18 stunning gardens from around Australia situated on a natural 'frontier'-rainforest, desert, bushland, saltbush plains, a volcanic crater, the ocean's edge, a harbour. The featured gardens have been created or restored in locations where the surrounding natural landscape is as significant as the cultivated and designed elements. In its images and stories Gardens on the Edge is much about the diversity and character of the Australian continent as it about the gardens. The accompanying stories not only explore the establishment of the garden, but also reference Australian history and geography, and cover issues ranging from dealing with droughts and climate change to restoring a long-neglected kitchen garden.

A new edition, completely redesigned and including new photographs, of the classic account of Russell Page’s garden designs. Perhaps the greatest garden designer of the twentieth century, Russell Page (1906–85) was trained as an artist, and brought an architectural sensibility and a keen eye for style to the many vast garden projects that he undertook. With the assistance and co-operation of Page’s clients, Schinz and van Zuylen have researched and photographed all of his best work, both early and late, and some now no longer extant. Through his private files and unpublished writing, the man and his work are brought into sharp focus, and over 250 photographs capture the special beauty of his creations in England, America and throughout continental Europe.

- Enjoy beautiful views of the islanders' sanctuaries as well as fascinating stories and histories of the grounds where gardens now grow - Venture off the beaten track and follow this garden path throughout the island of Key West

In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.

“A Way to Garden prods us toward that ineffable place where we feel we belong; it’s a guide to living both in and out of the garden.” —The New York Times Book Review For Margaret Roach, gardening is more than a hobby, it’s a calling. Her unique approach, which she calls “horticultural how-to and woo-woo,” is a blend of vital information you need to memorize and intuitive steps you must simply feel and surrender to. In A Way to Garden, Roach imparts decades of garden wisdom on seasonal gardening, ornamental plants, vegetable gardening, design, gardening for wildlife, organic practices, and much more. She also challenges gardeners to think beyond their garden borders and to consider the ways gardening can enrich the world. Brimming with beautiful photographs of Roach’s own garden, A Way to Garden is practical, inspiring, and a must-have for every passionate gardener.

“Delve into this beautiful book. You’ll come away sharing his passion for the beauty that gardens bring into our lives.” —Sigourney Weaver, environmentalist, actor, trustee of New York Botanical Garden How does an individual garden relate to the larger landscape? How does it connect to the natural and cultural environment? Does it evoke a sense of place? In Spirit of Place, Bill Noble—a lifelong gardener, and the former director of preservation for the Garden Conservancy—helps gardeners answer these questions by sharing how they influenced the creation of his garden in Vermont. Throughout, Noble reveals that a garden is never created in a vacuum but is rather the outcome of an individual’s personal vision combined with historical and cultural forces. Sumptuously illustrated, this thoughtful look at the process of garden-making shares insights gleaned over a long career that will inspire you to create a garden rich in context, personal vision, and spirit.

Sweeping, voluptuous, and authoritative, Private Paradise instantly joins an elite collection of great and inspiring garden design books. Charlotte Frieze presents forty-one cutting-edge gardens, all richly photographed and profusely illustrated, emphasizing design, climate, and horticulture. Overarching themes of Aqua, Arcadia, Bold Geometry, Color, Nightscapes, Oasis, Sanctuary, and Urban cogently frame chapters about the challenges presented by the land, the climate, and the client’s interests. Located throughout the United States, these gardens demonstrate the intersection between traditional elements of garden design and current concerns such as sustainability, drought tolerance, and use of native plants. Private Paradise features the work of the most talented landscape architects and garden designers working in the United States today, including Topher Delaney, Marta Fry, Kathryn Gustafson, Raymond Jungles, Steve Koch, Ron Lutsko, Steve Martino, Pamela Palmer, Ken Smith, Christine Ten Eyck, and Thomas Wolz. In a publication that rightfully takes its place on the sturdy foundation of a century’s worth of garden surveys and design monographs, Private Paradise creates a compelling portrait of contemporary landscape design.

Private Gardens of the Hudson Valley surveys the majestic landscape that borders the Hudson River, an area rich in history and unique garden designs. The scenery, which encompasses riverfront meadows, craggy hills, and long open valleys, is inherently dramatic. Twenty-six private gardens are presented here, chosen to establish a sense of place and to convey the romance of the landscape. John Hall’s photographs give a privileged view of the life within, while Jane Garmey’s warm and engaging narrative traces the development of the gardens and the great pleasure their owners take in nurturing them. As Garmey notes in her introduction, each of these gardens has been made by the owner, and special attention given to the transition between the cultivated garden and the grandeur of the larger landscape beyond. The splendid setting of the Hudson Valley encompasses an almost infinite variety of design approaches from formal and traditional to naturalistic and an equal range of scale from multiple gardens within a vast estate to charmingly diminutive spaces between historic village houses. All have much to tell us about the complexity, challenges, and finally the unforgettable pleasure of making a garden.

Meetings in the round have become the preferred tool for moving individual commitment into group action. This book lays out the structure of circle conversation, based on the original work of the authors who have standardized the essential elements that constitute circle practice.

Federal Twist is set on a ridge above the Delaware River in western New Jersey. It is a naturalistic garden that has loose boundaries and integrates closely with the natural world that surrounds it. It has no utilitarian or leisure uses (no play areas, swimming pools, or outdoor dining) and the site is not an obvious choice for a garden (heavy clay soil, poorly drained: quick death for any plants not ecologically suited to it). The physical garden, its plants and its features, is of course an appealing and pleasant place to be but Federal Twist's real charm and significance lie in its intangible aspects: its changing qualities and views, the moods and emotions it evokes, and its distinctive character and sense of place. This book charts the author's journey in making such a garden. How he made a conscious decision not to "improve the land", planted large, competitive plants into rough grass, experimented with seeding to develop sustainable plant communities. And how he worked with light to provoke certain moods and allowed the energy of the place, chance, and randomness to have its say. Part experimental horticulturist and part philosopher, James Golden has written an important book for naturalistic and ecological gardeners and anyone interested in exploring the relationship between gardens, nature, and ourselves.