A mega pack of group sex action to keep you going for hours on end! Women taking on lots of men, men doing lots of women, the ROUGHEST of rough sex, dirty talk, free use and a whole lot more! Too many stories to list. This brings together Gang stories 7-packs volumes 1 - 15.

A mega pack of group sex action to keep you going for hours on end! Women taking on lots of men, men doing lots of women, the ROUGHEST of rough sex, dirty talk, free use and a whole lot more! Too many stories to list. This brings together Gang stories 7-packs volumes 16 - 30.

An Irish Catholic neighborhood of the 1960s on Chicagos Southside that nurtured camaraderie, religion and racial fury; the frequently illegal antics of teenaged boys; the broadening experiences of college and the Army; an assortment of jobs from brutally boring factory work, to business in foreign embassies, to fighting fires; people met and befriended from the super rich to inept Korean golfers who feared tigers; religion, and how confusing it can be.

The Massie-Kahahawai case of 1931–1932 shook the Territory of Hawai‘i to its very core. Thalia Massie, a young Navy wife, alleged that she had been kidnapped and raped by “some Hawaiian boys” in Waikīkī. A few days later, five young men stood accused of her rape. Mishandling of evidence and contradictory testimony led to a mistrial, but before a second trial could be convened, one of the accused, Horace Ida, was kidnapped and beaten by a group of Navy men and a second, Joseph Kahahawai, lay dead from a gunshot wound. Thalia’s husband, Thomas Massie; her mother, Grace Fortescue; and two Navy men were convicted of the lesser charge of manslaughter, despite witnesses who saw them kidnap Kahahawai and the later discovery of his body in Massie’s car. Under pressure from Congress and the Navy, territorial governor Lawrence McCully Judd commuted their sentences. After spending only an hour in the governor’s office at ‘Iolani Palace, the four were set free. Local Story is a close examination of how Native Hawaiians, Asian immigrants, and others responded to challenges posed by the military and federal government during the case’s investigation and aftermath. In addition to providing a concise account of events as they unfolded, the book shows how this historical narrative has been told and retold in later decades to affirm a local identity among descendants of working-class Native Hawaiians, Asians, and others—in fact, this understanding of the term “local” in the islands dates from the Massie-Kahahawai case. It looks at the racial and sexual tensions in pre–World War II Hawai‘i that kept local men and white women apart and at the uneasy relationship between federal and military officials and territorial administrators. Lastly, it examines the revival of interest in the case in the last few decades: true crime accounts, a fictionalized TV mini-series, and, most recently, a play and a documentary—all spurring the formation of new collective memories about the Massie-Kahahawai case.

Never in recorded history has there been a group of murderers as deadly as the Thugs. For nearly two centuries, groups of these lethal criminals haunted the roads of India, slaughtering travellers whom they met along the way with such efficiency that over the years tens of thousands of men, women and children simply vanished without trace. Mike Dash, one of our best popular historians, has devoted years to combing archives in both India and Britain to discover how the Thugs lived and worked. Painstakingly researched and grippingly written, Thug tells, for the first time the full story of the Thugs' rise and fall from the cult's beginnings in the late seventeenth century to its eventual demise at the hands of British East India Company officer William Sleeman in 1840.

Hi, I'm Keshav, and my life is screwed. I hate my job and my girlfriend left me. Ah, the beautiful Zara. Zara is from Kashmir. She is a Muslim. And did I tell you my family is a bit, well, traditional? Anyway, leave that. Zara and I broke up four years ago. She moved on in life. I didn't. I drank every night to forget her. I called, messaged, and stalked her on social media. She just ignored me. However, that night, on the eve of her birthday, Zara messaged me. She called me over, like old times, to her hostel room 105. I shouldn't have gone, but I did... and my life changed forever. This is not a love story. It is an unlove story. From the author of Five Point Someone and 2 States, comes a fast-paced, funny and unputdownable thriller about obsessive love and finding purpose in life against the backdrop of contemporary India.

Many people believe that gangs are made up of violent thugs who are in and out of jail, and who are hyper-masculine and heterosexual. Vanessa Panfil introduces us to a different world. Meet gay gang members - sometimes referred to in popular culture as "homo thugs" - whose gay identity complicates criminology's portrayal and representation of gangs, gang members, and gang life. In vivid detail, Panfil provides an in-depth understanding of how gay gang members construct and negotiate both masculine and gay identities through crime and gang membership. She draws from interviews with over 50 gay gang- and crime-involved young men in Columbus, Ohio, the majority of whom are men of color in their late teens and early twenties, as well as on-the-ground ethnographic fieldwork with men who are in gay, hybrid, and straight gangs. Panfil provides an eye-opening portrait of how even members of straight gangs are connected to a same-sex oriented underground world. Most of these young men still present a traditionally masculine persona and voice deeply-held affection for their fellow gang members. They also fight with their enemies, many of whom are in rival gay gangs. Most come from impoverished, 'rough' neighborhoods, and seek to defy negative stereotypes of gay and Black men as deadbeats, though sometimes through illegal activity. Some are still closeted to their fellow gang members and families, yet others fight to defend members of the gay community, even those who they deem to be "fags," despite distaste for these flamboyant members of the community.

The publication of Sanyika Shakur's Monster: The Autobiography of an L.A. Gang Member in 1993 generated a huge amount of excitement in literary circles—New York Times book critic Michiko Kakutani deemed it a “shocking and galvanic book”—and set off a new publishing trend of gang memoirs in the 1990s. The memoirs showcased tales of violent confrontation and territorial belonging but also offered many of the first journalistic and autobiographical accounts of the much-mythologized gang subculture. In The Culture and Politics of Contemporary Street Gang Memoirs, Josephine Metcalf focuses on three of these memoirs—Shakur’s Monster; Luis J. Rodriguez’s Always Running: La Vida Loca: Gang Days in L.A.; and Stanley “Tookie” Williams’s Blue Rage, Black Redemption—as key representatives of the gang autobiography. Metcalf examines the conflict among violence, thrilling sensationalism, and the authorial desire to instruct and warn competing within these works. The narrative arcs of the memoirs themselves rest on the process of conversion from brutal, young gang bangers to nonviolent, enlightened citizens. Metcalf analyzes the emergence, production, marketing, and reception of gang memoirs. Through interviews with Rodriguez, Shakur, and Barbara Cottman Becnel (Williams’s editor), Metcalf reveals both the writing and publishing processes. This book analyzes key narrative conventions, specifically how diction, dialogue, and narrative arcs shape the works. The book also explores how these memoirs are consumed. This interdisciplinary study—fusing literary criticism, sociology, ethnography, reader-response study, and editorial theory—brings scholarly attention to a popular, much-discussed, but understudied modern expression.