Galdos (1843-1920) ranks alongside such 19th-century realists as Dickens, Balzac, and Tolstoy. Throughtout his writings, Galdos chronicles the public and private life of Madrid during its formative years as a modern city. This novella recounts an avaricious moneylender's attempts to restore his son's failing health through acts of charity. Dual-language edition.

Benito Perez Galdos has been described as 'the greatest Spanish novelist since Cervantes.' His work constitutes a major contribution to the nineteenth-century novel, rivalling that of Dickens of Balzac and making him an essential candidate for any course on the fiction of the period. Jo Labanyi's study is supported by a wide-rangting introduction, a section of contemporary comment, headnotes to each piece and helpful appendix material.

Las cuatro obras de Benito Pérez Galdós (1843-1920) agrupadas en este volumen bajo el título de LAS NOVELAS DE TORQUEMADA tienen en común la figura de su protagonista y el marco histórico de la España de la Restauración. El núcleo dramático de «Torquemada en la hoguera» es la conmoción espiritual que la grave enfermedad de su hijo produce en el prestamista; «Torquemada en la cruz», «Torquemada en el Purgatorio» y «Torquemada y San Pedro» narran el vertiginoso ascenso social del antiguo usurero, que se convierte en marqués por su enlace matrimonial con una aristócrata arruinada, es nombrado senador del Reino y acumula una enorme fortuna mediante especulaciones financieras.

Galdoz's four-part Fortunata and Jacinta (1886-7), the masterpiece among his almost 80 novels, tells the turbulent story of two women, their husbands and their lovers, set against the intricate web of dynastic alliances and class contrasts of Madrid in the 1870s. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Biochemical mechanisms within the bodies of plants and animals program almost all their activities to specific phases of periodic events such as the time of day, the state of the tide, and the season of the year. Those organisms living within the intertidal zone--the area between high and low tides--face many environmental challenges that are eased tremendously by such chronobiological means. This monograph provides an authoritative, up-to-date account of research on the workings of intertidal animals' biological clocks. The book begins with a description of how tides are generated, and how the difficulties involved in studying organismic tide-associated rhythms may be overcome. The rest of the work focuses on rhythms and their properties, and the nature of the clocks that govern them. Comprehensive in scope, the book synthesizes over 350 research papers and contains over 129 figures. It is intended as a sequel to the author's well-known 1974 monograph Biological Clocks in Marine Organisms, incorporating the many advances in the field since the publication of the earlier volume. Aquatic ecologists, animal behaviorists, comparative physiologists, marine biologists, chronobiologists, and interested general readers will all want to read this important new work.

Benito Pérez Galdós has long been considered the Spanish Tolstoy; however, unlike those of his Russian counterpart, few of his works are available in English--and fewer still are the subjects of serious literary scholarship. This book approaches one of the author's most memorable characters, Madrid moneylender Francisco Torquemada, and considers the extent to which notions of profit, efficiency, and utility inform the Torquemada series--juxtaposing nineteenth-century understandings of waste and profit with contemporary economic ideas in order to better comprehend the writer and his world.

Maximo Manso, the narrator, gradually realizes that the characters in his story no longer have any use for him.