This monograph presents the extraordinarily inventive and influential furniture/sculpture of Wendell Castle, the trailblazer in the maturation of the Studio Craft movement in America. He has consistently challenged the traditional concept of wooden furniture design and construction with innovative works that transcend a reverence for material.

"Published in conjunction with the exhibition Wendell Castle Remastered, organized by the Museum of Arts and Design, New York, NY, on view from October 20, 2015 to February 28, 2016. Curated by Ronald T. Labaco, Marcia Docter Senior Curator, and Samantha De Tillio, Curatorial Assistant and Project Manager."

A founder and icon of the Studio Furniture movement, the popular sculptor and furniture designer Wendell Castle (born 1932) has carved a distinct path over nearly six decades of a distinguished career. This long-awaited and richly illustrated record of his oeuvre, "Wendell Castle: A Catalogue Raisonné, 1958-2012," beautifully delivers a worthy homage to his talents. From Castle's earliest, mid-century works through to his unabashedly forward-thinking experiments with unconventional materials (gel-coated fiberglass and metallic automobile paint, for example) and his latest signature wood laminations, the common thread that ties these diverse pieces together is Castle's knack for uniting appealing function with biomorphic elegance. Castle's pieces are widely collected and his works feature in the permanent collections of more than 40 museums and cultural institutions around the world, including The Metropolitan Museum of Art (New York); Museum of Modern Art (New York); Smithsonian American Art Museum (Washington, D.C.); Musée des Beaux-arts de Montréal (Quebec, Canada); and the Victoria and Albert Museum (London). Three essays supplying varying perspectives introduce the catalogue raisonné and substantial back matter is included.

Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.

"An engaging history and examination of the studio furniture movement, Speaking of Furniture: Conversations with 14 American Masters is an informative, firsthand presentation of the creative processes of 14 diverse and highly accomplished artisan furniture makers: James Krenov, Wendell Castle, Jere Osgood, Judy Kensley McKie, David Ebner, Richard Scott Newman, Hank Gilpin, Alphonse Mattia, John Dunnigan, Wendy Maruyama, James Schriber, Timothy S. Philbrick, Michael Hurwitz and Thomas Hucker. Through these insightful and wide-ranging interviews, each describes his or her evolution as a furniture maker and reveals a uniquely personal approach to a craft characterized by its delicate and vital balance of concept and functionality. In his foreword, Edward S. Cooke, Jr., provides a succinct analysis of the American Studio Furniture movement and how the individuality of its practitioners contrasts with the constraints and task-specific demands of the traditional furniture trade. Author and furniture maker Roger Holmes offers an insider's perspective on the art and craft of producing exquisite contemporary furniture in his conversational Introduction and maintains that 'art or craft, this is very personal work' while emphasizing 'the fundamental connection between hand, mind, and the making of things.' The extraordinary range of exquisite and eclectic works presented in Speaking of Furniture is a feast for the eyes and a testimony to the makers' professionalism and mastery of their craft."--Page 2 of cover.

A 2023 Choice Reviews Outstanding Academic Title The 20th century furniture is hot. American Furniture Designers: 1900 to the Present highlights the furniture produced by the 20 most important American furniture designers of the 20th and early 21st centuries plus a selection of the best-known European designers whose work is sold by Knoll International and Herman Miller. The designers are organized into five chapters. Introductions to each section summarize the evolution of furniture design as it evolved through the 20th and early 21st centuries. The book begins with the Arts and Crafts era before World War I; moves into the interwar period when Modernism gained a foothold in America; continues through the Postwar heyday of Mid-century Modern; highlights the furniture from the 1970s and into the 21st century with a focus on the foremost promoters of modern furniture, Knoll International and Herman Miller; and concludes with a selection of the top Studio Furniture makers and their innovative creations. The book focuses on the leading American designers from each of these periods including Gustav Stickley and Charles Rohlfs during the Arts and Crafts movement, Paul Frankl and Gilbert Rohde in the interwar period, Charles and Ray Eames and George Nelson for Mid- century Modern, and Wendell Castle and George Nakashima for Studio Furniture to name just a few. All their furniture is explained and profusely illustrated with 280 color photos. For anyone curious about the modern material culture that surrounds them, the book will explain everything about American furniture from 1900 into the 21st century: when it was made, where it was made, who made it, what it was made of, how it was designed, how long it was in production, and how the furniture related to its contemporaries.

This rich history of marquetry is presented in cintext by one of its most ardent and taslented proponents - Silas Kopf. A distinguished cabinetmaker for more than thirty years, Kopf identifies the origins and influences of numerous decorative arts and architectural elements taht have and continue to have an impact on his own work. AUTHOR: Forword by Glenn Adamson, Head of Graduate Studies abd Deputy Head of Research, Victoria ALbert Museum, London. 320 colour illustrations

This definitive overview showcases the very best limited-edition studio furniture that blurs the distinctions between art, craft, and design. Artisan craft is quickly evolving to combine handwork with machine technology, providing unlimited possibilities for customization. By enabling designers to construct one-o furniture pieces for galleries, exhibitions, and clients, this synthesis of art, design, and technology has created a wealth of collectible pieces. This complete overview of contemporary studio furniture celebrates the achievements of an international selection of designers producing works of artistic expression that sit as comfortably in museums as they do in domestic settings. Featuring more than 100 designers across disciplines, the heavily illustrated volume includes Thomas Barger, Campana Brothers, Jenna Goldberg, Wendell Castle, Wendy Maruyama, and many more. The images also showcase the homes and studios of makers and collectors, showing how these objects create highly unique and personal environments. Judith Gura made a hugely important contribution to publications on design over a career spanning several decades and this is her final book. Organized by object type and maker, Artisan Design is essential reading for all design connoisseurs, collectors, and anyone interested in bespoke furniture design.