The 1940s marked a period of transition in interior design: the quarrel between ancient and modern was outdated, the combination of function and art was essential, and interior designers were more focused on new creations rather than on post-war reconstruction. The style of this period exhibits all the contradictions that arise from a society that was in a general state of shock, unsure of what the future would hold. Exemplary cabinet making marks the period, featuring famous names like T.H. Robsjohn-Gibbing and George Nelson from the United States. In France, Adnet, Arbus, Dominique, Kohlmann, Jallot, and Leleu produced sumptuous ensembles, with beautiful detailing. "Furniture and Interiors of the 1940s" features the work of numerous designers in 300 archival images and recent color photographs that shed new light on this transitional period in design, as it evolved both in Europe and in the United States.

"The 1970s - a revolutionary decade born out of the turbulent late 1960s, during which militant outspokenness and cultural unrest shook up society with lasting effects. Protest against cultural norms and a disillusionment in consumerism went hand in hand with a strong sense of social commitment that propelled radical creative and functional changes in design." "Furniture and Interiors of the 1970s bears witness to the fusion of influences - both societal and individual - that took hold during this explosive decade and catapulted design into its contemporary framework."--BOOK JACKET.

The 1960s witnessed a sustained period of economic growth, consumer spending and stable employment. This hitherto unknown prosperity enabled a market growth in levels of owner occupation and a subsequent boom in the sale of household furnishings and luxury goods. The 1960s Home looks at the styles and fashions in domestic housing and interiors between 1960 and 1970. Although this period has received increasing attention in recent years, much of it has been concentrated on progressive and exclusive design rather than on the furniture and furnishing of the 'average' home.

Beautiful, idea-filled room interiors seen in American popular magazines in the 1960s are shown in over 200 color photos with detailed identification. Readers adapted these designs from Armstrong Cork Company's advertising for their own homes. 1960s room interiors provided solutions from which people today can draw useful ideas.

From Pop art to Op art, plastic furniture to bubble-gum paint colours, the Sixties saw a new wave of interior design that was closely linked to popular culture and fashion, becoming increasingly youth-oriented and playful to appeal to the new generation of baby-boomers. In Sixties House, mid-century modern enthusiast Catriona Gray has drawn on the magazine's peerless archive, curating the best illustrations and photographs to show how the use of colour, pattern, homewares and furniture evolved through the decade. The homes of key tastemakers are featured including Bridget Riley, Mary Quant, David Mlinaric, Barbara Hulanicki of Biba and David Bailey. The second title in the new Decades of Design series, House & Garden Sixties House is required reading for mid-century modern enthusiasts, collectors and decorators in search of inspiration from the most influential homes of the past.

Think plastic. Think inflatable PVC chairs and TV tables. It must be the 1960s, when radical furniture designs "popped" next to new art, traditional designs were recast with new materials, and the results were often mixed in one room. One of the boldest decades of design in the twentieth century, this a decade of contradictions in styles that only Anne Bony could capture all in one book. Furniture and Interiors of the 1960s pays homage to the vibrancy and buoyant energy of the decade's design trends and influences in 300 key designs that attract enormous interest and command unprecedented prices today. For the first time, America was leading a design revolution with Wendell Castle's Molar and Castle chairs, Estelle Lavergne's lucite furniture and the experiments of Ray and Charles Eames. Warren Planter, Hans Knoll, Harry Bertoia, Alexander Girard, and Robert Propst were world-ranked designers who pioneered new directions in furnishings and accessories that appeared in trendy homes and offices in Europe and Asia. This book is a new and well-timed resource for any 1960s enthusiast who seeks to recreate this innovative, and once again extremely cool look in their own retro home. Think plastic. Think inflatable PVC chairs and TV tables. It must be the 1960s, when radical furniture designs "popped" next to new art, traditional designs were recast with new materials, and the results were often mixed in one room. One of the boldest decades of design in the twentieth century, this a decade of contradictions in styles that only Anne Bony could capture all in one book. Furniture and Interiors of the 1960s pays homage to the vibrancy and buoyant energy of the decade's design trends and influences in 300 key designs that attract enormous interest and command unprecedented prices today. For the first time, America was leading a design revolution with Wendell Castle's Molar and Castle chairs, Estelle Lavergne's lucite furniture and the experiments of Ray and Charles Eames. Warren Planter, Hans Knoll, Harry Bertoia, Alexander Girard, and Robert Propst were world-ranked designers who pioneered new directions in furnishings and accessories that appeared in trendy homes and offices in Europe and Asia. This book is a new and well-timed resource for any 1960s enthusiast who seeks to recreate this innovative, and once again extremely cool look in their own retro home.

Exceptional interiors by world-renowned designer Alberto Pinto, revealed for the first time. Revered as one of the greatest decorators of the twentieth century, Alberto Pinto made his distinctive mark on the world of interior design thanks to his style, his extraordinary perception and understanding of locations and local cultures, and his perpetually renewed inspiration. Following in the master's footsteps, the Cabinet Alberto Pinto continues to give form to the wildest dreams, while preserving the founder's unrivaled precision to every element of design. This new volume presents the latest creations by the agency in its luxurious, comfortable, generous, and modern signature style. It provides a unique opportunity to discover exceptional interiors that have never been seen before--sumptuous hôtels particuliers, lavish apartments, historical residences, and even a Middle Eastern palace--all of which reveal the quintessential Alberto Pinto style.

The HI Group was an association of craftspeople and interior designers who sought to bring back the art of Swedish furniture design and put craftsmanship back in focus during the first half of the 1960s. In an exhibition and a book, ArkDes is now telling the forgotten story of a number of designers and craftspeople who chose to go against the prevailing norm of series-manufactured furniture. The HI Group aimed to bring together interior designers and craftsmen at an early stage in the creative process. This was intended to provide opportunities to experiment without needing to take into account the requirements of industrial processes. But it was also a space for developing prototypes for industrialised manufacture. The group included interior designers John Kandell, Stig Lönngren, Thea Leonhard and Åke Axelsson, master carpenter David Sjölinder and master upholsterer Gösta Engström.