Functional Skills for Pianists addresses the need for a comprehensive anthology of musical examples in a wide variety of styles (Baroque through Modern) for keyboard majors (performance, pedagogy, collaborative pianists), keyboard principals (music education, music therapy, music business,church music, liberal arts majors), and composition/theory students. Its Topical structure allows teachers the freedom to design lessons that meet varied abilities and needs of students. It is Comprehensive on two levels: 1) it includes introductory guidelines on fundamentals followed by numerousexamples that are sequenced from beginning through advanced levels and 2) while it covers the development of skills found in beginning texts, it extends to more demanding sight reading material and substantive sections on figured bass realization and jazz/popular music harmonization. Currently,there is not a book on the market that covers such a wide variety and range of functional keyboard skills.

While this book was designed for college classes in functional piano, it can easily be used by any high school student who is able to sight-read simple melodies. Part 1 presents clear explanations of the functions of primary and secondary triads, dominant sevenths and secondary dominants, and modulation. Suggestions for developing facility in harmonizing in various free styles rather than the more formal chorale style are also included. Part 2 contains 797 melodies carefully selected and classified to include a variety of keys, chords, rhythms, and accompaniment styles.

Teaching Piano in Groups provides a one-stop compendium of information related to all aspects of group piano teaching. Motivated by an ever-growing interest in this instructional method and its widespread mandatory inclusion in piano pedagogy curricula, Christopher Fisher highlights the proven viability and success of group piano teaching, and arms front-line group piano instructors with the necessary tools for practical implementation of a system of instruction in their own teaching. Contained within are: a comprehensive history of group piano teaching; accessible overviews of the most important theories and philosophies of group psychology and instruction; suggested group piano curricular competencies; practical implementation strategies; and thorough recommendations for curricular materials, instructional technologies, and equipment. Teaching Piano in Groups also addresses specific considerations for pre-college teaching scenarios, the public school group piano classroom, and college-level group piano programs for both music major and non-music majors. Teaching Piano in Groups is accompanied by an extensive companion website, featuring a multi-format listing of resources as well as interviews with several group piano pedagogues.

The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.

(Piano Method). The Worship Piano Method is designed for beginning piano students who desire to praise God through His gift of music. Using solid pedagogy, appealing songs and fun activities, this course provides a strong foundation to develop both piano skills and a lifestyle of worship. The companion CD features professional-quality backing tracks to help students play with confidence and sound great! The CD is playable on any CD player, and is also enhanced so you can download MIDI files for each song.