Wedding up-to-date scientific information to an understanding of the emotional burdens and ethical dilemmas that inhere in reproductive medicine, Frozen Dreams: Psychodynamic Dimensions of Infertility and Assisted Reproduction provides an overview of the psychology of infertility patients and of the evaluative, administrative, and especially psychotherapeutic issues involved in helping them. The contributors to this volume, who include professionals from nationally prestigious reproductive programs as well as psychotherapists who evaluate and work clinically with infertility patients, explore the complex choices about life and death that are the daily experience of infertility specialists. In voices equally authoritative and intimate, psychotherapists and other health professionals explore the therapeutic process with patients and couples struggling with miscarriage, infertility, childlessness, the possibility of adoption, and the promise of assisted pregnancy. And the contributors are equally attentive to the range of issues that challenge physicians and nurses active in reproductive medicine, intent on providing practical information that will aid decision-making in this demanding area of practice. Written for a large audience of psychiatrists, psychologists, social workers, researchers, nurses, physicians, and general readers, Frozen Dreams is a fascinating introduction to the human face of reproductive medicine. Filled with intriguing and edifying case histories, it will appeal to all mental health professionals who work with adult patients through their childbearing years. For professionals who work inside the complex world of infertility treatment, Frozen Dreams will quickly become an essential text that is turned to repeatedly for information, guidance, reassurance, and revitalization.

As an angel he lives in my heart; he lives in my imagination. Hold my hand, my brother; your dreams are no longer frozen. Now you will live forever, known to the world. I represent your life and aspirations. You occupy my space and live in my reality. Although Colbert Skeete’s life lasted only eighteen months, his short time on Earth had a lasting impact on his older brother, Colin. In a debut collection of poems penned during the global pandemic, Colin lyrically unearths memories of his beloved sibling told through the lens of a brother who promised to thaw Colbert’s frozen dreams through his writings. While focusing on the lasting legacy of sibling loss, Colin also shares poetry that illustrates the importance of both nuclear and extended families, chronicles the joys and pains of childhood, and provides fascinating insight into the culture and traditions of the people of Guyana. Frozen Dreams is a volume of poetry that offers a touching portrayal of a brother as he vividly reflects on the loss of his youngest sibling and life itself.

Wedding up-to-date scientific information to an understanding of the emotional burdens and ethical dilemmas that inhere in reproductive medicine, Frozen Dreams: Psychodynamic Dimensions of Infertility and Assisted Reproduction provides an overview of the psychology of infertility patients and of the evaluative, administrative, and especially psychotherapeutic issues involved in helping them. The contributors to this volume, who include professionals from nationally prestigious reproductive programs as well as psychotherapists who evaluate and work clinically with infertility patients, explore the complex choices about life and death that are the daily experience of infertility specialists. In voices equally authoritative and intimate, psychotherapists and other health professionals explore the therapeutic process with patients and couples struggling with miscarriage, infertility, childlessness, the possibility of adoption, and the promise of assisted pregnancy. And the contributors are equally attentive to the range of issues that challenge physicians and nurses active in reproductive medicine, intent on providing practical information that will aid decision-making in this demanding area of practice. Written for a large audience of psychiatrists, psychologists, social workers, researchers, nurses, physicians, and general readers, Frozen Dreams is a fascinating introduction to the human face of reproductive medicine. Filled with intriguing and edifying case histories, it will appeal to all mental health professionals who work with adult patients through their childbearing years. For professionals who work inside the complex world of infertility treatment, Frozen Dreams will quickly become an essential text that is turned to repeatedly for information, guidance, reassurance, and revitalization.

Holiday magic for the win… Hockey coach, Ashley Dresden plans to help a local family in need by reuniting the old undefeated high school Dream Team to play the present varsity team. She’ll have to whip them back into shape first. The catch, the thorn in her side, Logan Osborn. Logan owns a bar and grill, working long hours to keep it successful. He’s happy to reconnect with his old teammates, but fate sends him Ashley as coach. She’s a constant reminder of the most humiliating moment of his life, catching his girlfriend, her sister, kissing another guy. As the two reluctantly bury the hatchet and work together, Christmas spirit and old memories surround them. Will love, laughter, and a sprinkle of holiday magic help them score the ultimate win—both on and off the ice?

Sam, Harry and Rainman are living on the streets of a major city. It's Christmas, and Rainman -a mentally challenged eighteen year old, has been given a frozen turkey for Christmas by a group of good Samaritans. Because it is so important for Rainman to have a 'real Christmas', pondering how to cook this turkey becomes the focal point of the play. They are helped by Lilly the proverbial, eccentric bag lady who believes the turkey is a baby, and a street nurse- who has her own reasons for working with the homeless. This poignant and sometimes hilarious production is a roller-coaster of emotions that causes the audience to look through different eyes at the homeless folk that frequent our cities.

This book will enable you to reach the top of your mountain and claim your victory. As you begin reading my story you will find yourself and watch in awe as the ice surrounding your dreams begins to melt. Many of us have gone through life believing that we are nothing and can't seem to find our purpose. As we watch the television programs roll across our screens, we try to imagine how celebrities live, and we find ourselves asking these questions: ""How did they do it? How did they make their dreams come to life? I wish I could do something like that."" If you find yourself in this category, asking these same questions, this book is for you. It is my prayer that by reading this book and answering the questions recorded, you will begin to see things in you that you never thought existed. As you begin to discover your talents and gifts, God will then breathe on them and make them come to life.

The true story of Barbara Hoffman is a tale of money, men, and the Madison, Wisconsin, massage parlor where a biochemistry major turned into a murderer. On a freezing Christmas morning, a distraught young man named Gerald Davies led Madison police to Tomahawk Ridge, where they found the body of Harold Berge, naked, bloody, and beaten. Davies insisted that he hadn’t killed the man, but that he and his fiancée had simply buried the corpse in a snowbank. The investigation confirmed that the victim had died in the apartment of Barbara Hoffman—a young woman who had dropped out of the University of Wisconsin and had worked at Jan’s Health Studio, a local massage parlor. She and Davies, whom she met at Jan’s, had recently become engaged. The circumstances were suspicious already. But when the police discovered that Berge was Hoffman’s ex-lover, that he had signed over his house and an insurance policy to her—and that Davies had also made her his beneficiary—they began to suspect that Davies might also be in danger . . . The police kept him under watch, but eventually had to stop surveillance. Soon after, Davies turned up dead in his bathtub, a Valium bottle nearby, in an apparent suicide. But, an accomplished student of chemistry, Hoffman knew how tricky it could be to detect cyanide poisoning. It would take a dedicated effort by detectives to sort out the truth about the highly intelligent masseuse, her work in the shadowy local sex trade, and the real circumstances that led two of her clients to their deaths. Winter of Frozen Dreams is the full story of the case that would become a sensational televised trial and inspire a film of the same name starring Thora Birch. It’s a “snappy read” by an author with a “talent for sleuthy description and psychological insight” (Kirkus Reviews).

I wrote the book on scenery, and I often overlooked the sky, earth, and artbeauty only the heavenly Father alone can create. Its a canvas-painted portrait of art and beauty, bringing inner solace, whats pure, and real peace within, beyond all understanding of peace, humbleness, and rest. Contemplate reality only of his mercy and grace. Were blessed with the opportunity to dream and hope only of his grace, which we see in early dawn and sunset.

Faking it has never been so sweet. When Zachary Donahue breezes back into town for his sister’s wedding, he finds himself the unwilling target of her matchmaking. He’s partnered with her best friend, Kelsey, his biggest childhood crush. Bridesmaid, Kelsey Ramos, isn’t interested in being set up with her friend’s annoying older brother who used to put frogs and snakes in her backpack. She liked the frogs better than she liked Zack. To ensure the bride focuses on her wedding, not them, Kelsey and Zack will have to pretend they’re dating. But when Christmas magic hits the air, there’s no telling which way the sweet wind will blow.

Rise, Ye Sea Slugs! is a book of many faces. First, it is a book of translated haiku and contains over 900 of these short Japanese poems in the original (smoothly inserted in the main body),with phonetic and literal renditions, as well as the authors English translations and explanations. All but a dozen or two of the haiku are translated for the first time. There is an index of poets, poems and a bibliography. Second, it is a book of sea slug haiku, for all of the poems are about holothurians, which scientists prefer to call sea cucumbers. (The word cucumber is long for haiku and metaphorically unsuitable for many poems, so poetic license was taken.) With this book, the namako, as the sea cucumber is called in Japanese, becomes the most translated single subject in haiku, surpassing the harvest moon, the snow, the cuckoo, butterflies and even cherry blossoms. Third, it is a book of original haiku. While the authors original intent was to include only genuine old haiku (dating back to the 17th century), modern haiku were added and, eventually, Keigu (Gills haiku name) composed about a hundred of his own to help fill out gaps in the metaphorical museum. For many if not most modern haiku taken from the web, it is also their first time in print! Fourth, it is a book of metaphor. How may we arrange hundreds of poems on a single theme? Gill divides them into 21 main metaphors, including the Cold Sea Slug, the Mystic Sea Slug, the Helpless Sea Slug, the Slippery Sea Slug, the Silent Sea Slug, and the Melancholy Sea Slug, giving each a chapter, within which the metaphors may be further subdivided, and adds a 100 pages of Sundry Sea Slugs (scores of varieties including Monster, Spam, Flying, Urban Myth, and Exploding). Fifth, it is a book on haiku. E ditors usually select only the best haiku, but, Gill includes good and bad haiku by everyone from the 17th century haiku master to the anonymous haiku rejected in some internet contest. This is not to say all poems found were included, but that the standard was along more taxonomic or encyclopedic lines: poems that filled in a metaphorical or sub-metaphorical gap were always welcome. Also, Gill shows there is more than one type of good haiku. These are new ways to approach haiku. Sixth, it is a book on translation. There are approximately 2 translations per haiku, and some boast a dozen. These arearranged in mixed single, double and triple-column clusters which make each reading seem a different aspect of a singular, almost crystalline whole. The authors aim is to demonstrate that multiple reading (such as found in Hofstadters Le Ton Beau de Marot) is not only a fun game but a bona fide method of translating, especially useful for translating poetry between exotic tongues. Seventh, it is a book of nature writing, natural history or metaphysics (in the Emersonian sense). Gill tried to compile relevant or interesting (not necessarily both) historical -- this includes the sea slug in literature, English or Japanese, and in folklore -- and scientific facts to read haiku in their light or, conversely, bringor wring out science from haiku. Unlike most nature writers, Gill admits to doing no fieldwork, but sluggishly staying put and relying upon reportsfrom more mobile souls. Eighth, it is a book about food symbolism. The sea cucumber is noticed by Japanese because they eat it; the eating itselfinvolves physical difficulties (slipperiness and hardness) and pleasures from overcoming them. It is also identified with a state of mind, where you are what you eat takes on psychological dimensions not found in the food literature of the West. Ninth, it is a book about Japanese culture. Gill does not set out to explain Japan, and the sea slug itself is silent;but the collection of poems and their explanations, which include analysis by poets who responded to the author's questions as well has historical sources, take us all around the culture, from ancient myths to contemporary dreams. Tenth, it is a book about sea cucumbers. While most species of sea cucumbers are not mentioned and the coverage of the Japanese sea cucumber is sketchy from the scientific point of view, Gill does introduce this animal graced to live with no brain thanks to the smart materials comprising it and blessed for sucking in dirty sediment and pooping it out clean. Eleventh, it is a book about ambiguity. Gill admits there is much that cannot be translated, much he cannot know and much to be improved in future editions, for which purpose he advises readers to see the on-line Glosses and Errata in English and Japanese. His policy is to confide in, rather than slip by the reader unnoticed, in the manner of the invisible modern translator and allow the reader to makechoices or choose to allow multiple possibilities to exist by not chosing.Twelfth, the book is the first of dozens of spin-offs from a twenty-book haiku saijiki (poetic almanac) called In Praise of Olde Haiku (IPOOH, for short) Gill hopes to finish within the decade. Thirteenth. The book is a novelty item. It has a different (often witty) header (caption) on top of each page and copious notes that are rarely academic and oftehumorous.