Frontiers of the Ottoman Imagination is a compilation of articles celebrating the work of Rhoads Murphey, the eminent scholar of Ottoman studies who has worked at the Centre for Byzantine, Ottoman and Modern Greek Studies at the University of Birmingham for more than two decades. This volume offers two things: the versatility and influence of Rhoads Murphey is seen here through the work of his colleagues, friends and students, in a collection of high quality and cutting edge scholarship. Secondly, it is a testament of the legacy of Rhoads and the CBOMGS in the world of Ottoman Studies. The collection includes articles covering topics as diverse as cartography, urban studies and material culture, spanning the Ottoman centuries from the late Byzantine/early Ottoman to the twentieth century. Contributors include: Ourania Bessi, Hasan Çolak, Marios Hadjianastasis, Sophia Laiou, Heath W. Lowry, Konstantinos Moustakas, Claire Norton, Amanda Phillips, Katerina Stathi, Johann Strauss, Michael Ursinus, Naci Yorulmaz.

Frontiers of the Ottoman Imagination is a compilation of articles celebrating the work of Rhoads Murphey , the eminent scholar of Ottoman studies who has worked at the Centre for Byzantine, Ottoman and Modern Greek Studies at the University of Birmingham for more than two decades. This volume offers two things: the versatility and influence of Rhoads Murphey is seen here through the work of his colleagues, friends and students, in a collection of high quality and cutting edge scholarship. Secondly, it is a testament of the legacy of Rhoads and the CBOMGS in the world of Ottoman Studies. The collection includes articles covering topics as diverse as cartography, urban studies and material culture, spanning the Ottoman centuries from the late Byzantine/early Ottoman to the twentieth century. Contributors include: Ourania Bessi, Hasan Çolak, Marios Hadjianastasis, Sophia Laiou, Heath W. Lowry, Konstantinos Moustakas, Claire Norton, Amanda Phillips, Katerina Stathi, Johann Strauss, Michael Ursinus, Naci Yorulmaz.

Through a study of a variety of Ottoman and modern Turkish accounts of the Ottoman-Habsburg sieges of Nagykanizsa Castle (1600-01) including official documents, correspondence, histories, and more literary genres such as gazavatnames [campaign narratives], Plural Pasts explores Ottoman literacy practices. By considering the diverse roles that the various accounts served – construction of identities, forging of diplomatic alliances and legitimization of political ideologies and geo-political imaginations – it explores the cultural and socio-political significance the various accounts had for different audiences. In addition, it interweaves theoretical reflection with textual analysis. Using the sieges of Nagykanizsa as a case study, it offers a sophisticated contribution to ongoing historiographical arguments: namely, how historians construct hierarchies of primary sources and judge some to be more truthful, or more valuable, than others; how texts are assigned to particular genres based on perceived epistemological status – as story or history, fact or fiction; and the circular role that historians and their histories play in constructing, reflecting and reinforcing cultural and political imaginaries.

Winner of the Duff Cooper Prize • One of The Economist's top history books of the year From one of our leading historians, an important new history of the Greek War of Independence—the ultimate worldwide liberal cause célèbre of the age of Byron, Europe’s first nationalist uprising, and the beginning of the downward spiral of the Ottoman Empire—published two hundred years after its outbreak As Mark Mazower shows us in his enthralling and definitive new account, myths about the Greek War of Independence outpaced the facts from the very beginning, and for good reason. This was an unlikely cause, against long odds, a disorganized collection of Greek patriots up against what was still one of the most storied empires in the world, the Ottomans. The revolutionaries needed all the help they could get. And they got it as Europeans and Americans embraced the idea that the heirs to ancient Greece, the wellspring of Western civilization, were fighting for their freedom against the proverbial Eastern despot, the Turkish sultan. This was Christianity versus Islam, now given urgency by new ideas about the nation-state and democracy that were shaking up the old order. Lord Byron is only the most famous of the combatants who went to Greece to fight and die—along with many more who followed events passionately and supported the cause through art, music, and humanitarian aid. To many who did go, it was a rude awakening to find that the Greeks were a far cry from their illustrious forebears, and were often hard to tell apart from the Ottomans. Mazower does full justice to the realities on the ground as a revolutionary conspiracy triggered outright rebellion, and a fraying and distracted Ottoman leadership first missed the plot and then overreacted disastrously. He shows how and why ethnic cleansing commenced almost immediately on both sides. By the time the dust settled, Greece was free, and Europe was changed forever. It was a victory for a completely new kind of politics—international in its range and affiliations, popular in its origins, romantic in sentiment, and radical in its goals. It was here on the very edge of Europe that the first successful revolution took place in which a people claimed liberty for themselves and overthrew an entire empire to attain it, transforming diplomatic norms and the direction of European politics forever, and inaugurating a new world of nation-states, the world in which we still live.

Despite its undoubted importance, there has never been a volume dedicated entirely to studies of the historic city of Famagusta in the years which followed the siege of 1571. City of Empires: Ottoman and British Famagusta takes an important first step in redressing this imbalance. The four centuries which followed the conflict, as the contributions gathered here demonstrate, are rich research seams for scholars of history, urban design, photography, art history, literature, drama, military history and the post-war mandates. City of Empires also places emphasis on the tangible heritage of Famagusta – twice listed as endangered by World Monuments Fund and now the recipient of an increasing number of international efforts to protect it.

In the space of six years early in the seventeenth century, the Ottoman Empire underwent such turmoil and trauma—the assassination of the young ruler Osman II, the re-enthronement and subsequent abdication of his mad uncle Mustafa I, for a start—that a scholar pronounced the period's three-day-long dramatic climax "an Ottoman Tragedy." Under Gabriel Piterberg's deft analysis, this period of crisis becomes a historical laboratory for the history of the Ottoman Empire in the seventeenth century—an opportunity to observe the dialectical play between history as an occurrence and experience and history as a recounting of that experience. Piterberg reconstructs the Ottoman narration of this fraught period from the foundational text, produced in the early 1620s, to the composition of the state narrative at the end of the seventeenth century. His work brings theories of historiography into dialogue with the actual interpretation of Ottoman historical texts, and forces a rethinking of both Ottoman historiography and the Ottoman state in the seventeenth century. A provocative reinterpretation of a major event in Ottoman history, this work reconceives the relation between historiography and history.

Medieval and Renaissance Cyprus was a fascinating place of ethnic, cultural, and religious encounters. Following almost nine centuries of Byzantine rule, Cyprus was conquered by the Crusaders in 1191, becoming (until 1571) the most important stronghold of Latin Christianity in the Eastern Mediterranean—first under the Frankish dynasty of the Lusignans, and later under the Venetians. Modern historiographical readings of Cypriot identity in medieval and early modern times have been colored by British colonialism, Greek nationalism, and Cyprocentric revisionism. Although these perspectives have offered valuable insights into the historical experience of Latin-ruled Cypriots, they have partially failed to capture the dynamics of noncoercive resistance to domination, and of identity preservation and adaptation. Orthodox Cyprus under the Latins, 1191–1571 readdresses the question of Cypriot identity by focusing on the Greek Cypriots, the island’s largest community during the medieval and early modern period. By bringing together theories from the fields of psychology, social anthropology, and sociology, this study explores continuities and discontinuities in the Byzantine culture and religious tradition of Cyprus, proposing a new methodological framework for a more comprehensive understanding of Cypriot Orthodoxy under Crusader and Venetian rule. A discussion of fresh evidence from hitherto unpublished primary sources enriches this examination, stressing the role of medieval and Renaissance Cyprus as cultural and religious province of the Byzantine and post-Byzantine Orthodox world.

The Parthenon marbles case is the most famous international cultural heritage dispute concerning repatriation of looted antiquities, the Parthenon marbles in the British Museum’s ‘Elgin Collection’. The case has polarised observers ever since Elgin had the marbles hacked out of the ancient temple at the turn of the 19th century in Ottoman-occupied Athens. In 1816, a debt-stricken Elgin sold the marbles to the British government, which subsequently entrusted them to the British Museum, where they have remained since then. Much ink has been spilled on the Parthenon marbles. The ethical and cultural merits of their repatriation have been fiercely debated for years. But what has generally not been considered are the legal merits of their return in light of contemporary international law. This book is the first in legal scholarship to provide an international law perspective of the cause célèbre of international cultural heritage disputes and, in doing so, to clarify the new customary international law on the return of cultural property unlawfully removed from its original context. The book, which includes a foreword by Andrew Wallace-Hadrill, is a unique reference work on the legal case for the return of the Parthenon marbles and the new normative framework for the protection of cultural heritage.

In this magisterial book, William St Clair unfolds the history of the Parthenon throughout the modern era to the present day, with special emphasis on the period before, during, and after the Greek War of Independence of 1821–32. Focusing particularly on the question of who saved the Parthenon from destruction during this conflict, with the help of documents that shed a new light on this enduring question, he explores the contributions made by the Philhellenes, Ancient Athenians, Ottomans and the Great Powers. Marshalling a vast amount of primary evidence, much of it previously unexamined and published here for the first time, St Clair rigorously explores the multiple ways in which the Parthenon has served both as a cultural icon onto which meanings are projected and as a symbol of particular national, religious and racial identities, as well as how it illuminates larger questions about the uses of built heritage. This book has a companion volume with the classical Parthenon as its main focus, which offers new ways of recovering the monument and its meanings in ancient times. St Clair builds on the success of his classic text, The Reading Nation in the Romantic Period, to present this rich and authoritative account of the Parthenon’s presentation and reception throughout history. With weighty implications for the present life of the Parthenon, it is itself a monumental contribution to accounts of the Greek Revolution, to classical studies, and to intellectual history.

The bimillennium of Augustus' death on 19 August 2014 commemorated not only the end of his life but also the beginning of a two-thousand-year reception history. This volume addresses the range and breadth of that history. Beginning with the Emperor's death and continuing through Late Antiquity, Early Christianity, the Middle Ages, the Renaissance and early modernity to the present day, chapters address political positioning, religious mythologisation, philosophy, rhetoric, narratives, memory, and material embodiment. As they collectively reveal, Augustus has meant radically different things from one time and place to another, and even to some individual commentators as the circumstances around them changed. The weight of established narratives has often also shaped those of subsequent generations, with or without their conscious awareness. The book outlines and analyses the major themes in Augustus' reception history, clarifying the cultural and historiographical issues at stake and providing a platform for further scholarship.