The western frontier was officially pronounced closed in 1890, the year Harvey Fergusson was born in Albuquerque. He spent his life reopening it in a series of novels stretching from the classic Wolf Song to the belatedly acclaimed Grant of Kingdom and The Conquest of Don Pedro. In this first full biography and critical study, Robert F. Gish sees Fergusson as a modern frontiersman in love with the outdoors, women, and writing. The scion of New Mexico family prominent in business and politics, Fergusson moved restlessly from one new frontier to another, always seeking to recreate in his life and work the adventure and freedom enjoyed by his ancestors. After a strenuous open-air life by the Rio Grande he went east to raise a ruckus us a journalist and then to Hollywood as a screenwriter, all the while testing his sexual mettle. Finally freelance writing was the only frontier available to one of his imaginative energy. Fergusson?s early novel Wolf Song is still considered one of the best ever written about the mountain man. Gish shows the writer embracing the gloriously masculine and atavistic role of a ?lone rider? even as he scorned ?the worship of the primitive.? Fergusson struck up a friendship with H. L. Mencken and Theodore Dreiser (who influenced his literary style) and played a part in the development of Taos and Santa Fe as meccas for artists and writers. Based on extensive research, including Fergusson?s diaries and correspondence, Frontier?s End goes a long way toward reconciling the regional with the mainstream in American literature in the person of a serious novelist whose importance is finally being recognized.

From a New York Times–bestselling “master” of romance, a western historical about a runaway daughter who falls for the outlaw who abducts her (Sarah MacLean, New York Times–bestselling author of the Hell’s Belles series). When a kidnapper falls for his captive, who is the true mark? With a daughter as strong-willed and independent as Christiana, her father is certain she won’t come home on her own—so he decides to send two men to bring her back. With the blazing spirit of a true Montgomery, heiress and newspaper reporter Christiana Montgomery Mathison bravely defies the two men who abduct her. Forced into the primitive rain forests of the Washington Territory, she is swept into a thrilling adventure. Amid schemes of greed and intrigue, the bold beauty resists the wooing of one captor and cleverly entices the other, the mysterious and fatally handsome Tynan, a man who desires her . . . but must refuse her love at all costs. “A thoroughly pleasurable novel.” —Publishers Weekly, starred reviewon Ever After

A passionate new Wildflower romance that embraces the sizzling fury of the old West. Tomboy Georgette Pacquing thinks twice about her boyish ways when she meets arrogant riverboat gambler Pierce Kingston, His conceit and Southern charm makes Georgie want to teach him a lesson in love. So, she trades in her britches for a corset--only to have her scheme backfire.

When the first season of Star Trek opened to American television viewers in 1966, the thematically insightful sci-fi story line presented audiences with the exciting vision of a bold voyage into the final frontiers of space and strange, new galactic worlds. Perpetuating this enchanting vision, the story has become one of the longest running and most multifaceted franchises in television history. Moreover, it has presented an inspiring message for the future, addressing everything from social, political, philosophical, and ethical issues to progressive and humanist representations of race, gender, and class. This book contends that Star Trek is not just a set of television series, but has become a pervasive part of the identity of the millions of people who watch, read and consume the films, television episodes, network specials, novelizations, and fan stories. Examining Star Trek from various critical angles, the essays in this collection provide vital new insights into the myriad ways that the franchise has affected the culture it represents, the people who watch the series, and the industry that created it.