PREACHER + MacCALLISTER = DOUBLE THE MAYHEM Two of the Johnstones’ most legendary heroes—the rugged mountain man known as Preacher and the Scottish clan rancher Jamie Ian MacCallister, here together for the first time—are forced to choose sides in a blood-soaked battle for the heart and soul of a nation divided . . . FRONTIER AMERICA As the father of a young Crow tribesman, Preacher would like nothing more than to see the long-time natives and newly arrived settlers live together in peace. Then the killing starts . . . As a family man and frontiersman, Jamie Ian MacCallister is more than happy to help the officers at Fort Kearny negotiate a peace treaty with the Crow nation. Until it all goes to hell . . . This is not the American dream they were looking for. This is a nightmare. A brutal, blood-drenched frontier war that two heroic men must fight and win—or one struggling nation will never come together. For liberty and justice for all . . . Live Free. Read Hard.

Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image. Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William "Buffalo Bill" Cody's flamboyant extravaganza, "The Wild West." Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians—and bloody battles—at center stage, and culminated with the Battle of the Little Bighorn, popularly known as "Custer's Last Stand." Seemingly contradictory, these two stories together reveal a complicated national identity. Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices—those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American. Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.

This easy-reading autobiography of bear hunting and Indian fighting — written in 1834, two years before Crockett met his fate at the Alamo — popularized tall tales of the frontier.

Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.

Americans have long cherished romantic images of the frontier and its colorful cast of characters, where the cowboys are always rugged and the ladies always fragile. But in this book, Peter Boag opens an extraordinary window onto the real Old West. Delving into countless primary sources and surveying sexological and literary sources, Boag paints a vivid picture of a West where cross-dressing—for both men and women—was pervasive, and where easterners as well as Mexicans and even Indians could redefine their gender and sexual identities. Boag asks, why has this history been forgotten and erased? Citing a cultural moment at the turn of the twentieth century—when the frontier ended, the United States entered the modern era, and homosexuality was created as a category—Boag shows how the American people, and thus the American nation, were bequeathed an unambiguous heterosexual identity.

Winner of the 1993 Western Heritage Award given by the National Cowboy Hall of Fame, here is a definitive history of the Spanish colonial period in North America. Authoritative and colorful, the volume focuses on both the Spaniards' impact on Native Americans and the effect of North Americans on Spanish settlers. "Splendid".--New York Times Book Review.

John Anthony Caruso's The Appalachian Frontier, first published in 1959, captures the drama and sweep of a nation at the beginning of its westward expansion. Bringing to life the region's history from its earliest seventeenth-century scouting parties to the admission of Tennessee to the Union in 1796, Caruso describes the exchange of ideas, values, and cultural traits that marked Appalachia as a unique frontier. Looking at the rich and mountainous land between the Ohio and Tennessee Rivers, The Appalachian Frontier follows the story of the Long Hunters in Kentucky; the struggles of the Regulators in North Carolina; the founding of the Watauga, Transylvania, Franklin, and Cumberland settlements; the siege of Boonesboro; and the patterns and challenges of frontier life. While narrating the gripping stories of such figures as Daniel Boone, George Rogers Clark, and Chief Logan, Caruso combines social, political, and economic history into a comprehensive overview of the early mountain South. In his new introduction, John C. Inscoe examines how this work exemplified the so-called consensus school of history that arose in the United States during the cold war. Unabashedly celebratory in his analysis of American nation building, Caruso shows how the development of Appalachia fit into the grander scheme of the evolution of the country. While there is much in The Appalachian Frontier that contemporary historians would regard as one-sided and romanticized, Inscoe points out that "those of us immersed so deeply in the study of the region and its people sometimes tend to forget that the white settlement of the mountain south in the eighteenth century was not merely the chronological foundation of the Appalachian experience. As Caruso so vividly demonstrates, it is also represented a vital--even defining--stage in the American progression across the continent." The Author: John Anthony Caruso was a professor of history at West Virginia University. He died in 1997. John C. Inscoe is professor of history at the University of Georgia. He is editor of Appalachians and Race: The Mountain South from Slavery to Segregation and author of Mountain Masters: Slavery and the Sectional Crisis in Western North Carolina.

A vivid portrait of the Iroquois nation during colonial America offers insight into their formidable influence over regional politics, their active participation in period trade, and their neutral stance throughout the Anglo-French imperial wars. 15,000 first printing.

Looks at the Indians who survived the invasion of white settlers during the nineteenth century and integrated their lives into white society while managing to maintain their own culture