Virtual Velocity is the story of the curious creation of pop phenomena, Jake Jenkins, America’s most renowned and successful literary novelist. Spanning six decades, through three interconnected stories, Virtual Velocity follows Jake from a sixteen-year-old learning about literature and women, to frenetic rock journalist, to struggling literary novelist, to world-famous author. Journeying through LA’s rock and literary worlds, it is also an homage to the city, tracking its internal and external changing landscape and its cultural shape shifting. Virtual Velocity explores the complicated and often mystifying intersection between fame and art.Virtual Velocity is the story of the curious creation of pop phenomena, Jake Jenkins, America’s most renowned and successful literary novelist. Spanning six decades, through three interconnected stories, Virtual Velocity follows Jake from a sixteen-year-old learning about literature and women, to frenetic rock journalist, to struggling literary novelist, to world-famous author. Journeying through LA’s rock and literary worlds, it is also an homage to the city, tracking its internal and external changing landscape and its cultural shape shifting. Virtual Velocity explores the complicated and often mystifying intersection between fame and art.

Grab some coins for the jukebox, and get ready for a colorful, time-traveling, musical tale about family and courage. A mysterious jukebox, old vinyl records, and cryptic notes on music history, are Shaheen's only clues to her father's abrupt disappearance. She looks to her cousin, Tannaz, who seems just as perplexed, before they both turn to the jukebox which starts...glowing? Suddenly, the girls are pulled from their era and transported to another time! Keyed to the music on the record, the jukebox sends them through decade after decade of music history, from political marches, to landmark concerts. But can they find Shaheen’s dad before the music stops? This time-bending magical mystery tour invites readers to take the ride of their lives for a coming-of-age adventure.

In a world where music and technology dance in perfect synchronization, a new breed of artists emerges, wielding beats and algorithms to craft transcendent sonic experiences. "Harmonic Fusion: The Digital DJ's Journey" invites you to step into this dynamic realm, exploring the evolution of DJing through the lens of Justin Nunez, the acclaimed DJ Express. From vinyl records to virtual decks, this captivating journey navigates the historical tapestry of music technology, revealing how digital platforms democratized DJing, allowing creativity to flourish beyond physical constraints. Explore the technical intricacies of beatmatching, where analog meets digital precision, and the canvas of waveform displays transforms mixing into an art form. Delve into the world of controllers and software, where the digital DJ deftly navigates tools that bridge the tactile and the virtual. Witness the fusion of genres, as the digital DJ curates sets that transcend boundaries, evoking emotions that linger long after the last note fades. Step into the spotlight as the digital DJ curates unforgettable journeys, steering the emotional arc of the night. Discover the power of music and emotion, where beats become conduits for feelings that resonate universally. Traverse the landscapes of DJ culture and online communities, where global connections redefine collaboration and fan engagement. As the final notes resound, "Harmonic Fusion" peers into the future, where AI-generated music and virtual reality performances beckon new horizons. In the hands of a digital DJ, technology isn't just a tool; it's a catalyst for innovation, a canvas for connection, and a gateway to uncharted creative territories. Justin Nunez, known as DJ Express, a beacon in the world of music, leads this symphony of innovation. Recognized by industry icons like Sean Paul and DJ Tygga Ty, his journey embodies the fusion of tradition and evolution. "Harmonic Fusion: The Digital DJ's Journey" isn't just a book; it's an invitation to join the chorus of a timeless melody, where technology's harmony with music shapes a legacy that resonates across generations.

As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.

Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time to pay attention to the intersections, mutations, and transmigrations of the virtual and the real. Certainly it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited by Sheila Whiteley and Shara Rambarran, is the first book to offer a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the way in which virtuality mediates the dissemination, acquisition, performance, creation, and reimagining of music. The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet. In addition, the book investigates the way in which fans and musicians negotiate gender identities as well as the dynamics of audience participation and community building in a virtual environment. The handbook rehistoricizes the virtual by tracing its progression from cartoons in the 1950s to current industry innovations and changes in practice. Well-grounded and wide-reaching, this is a book that students of any number of disciplines, from Music to Cultural Studies, have awaited.

As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.

Recent years have seen not just a revival, but a rebirth of the analogue record. More than merely a nostalgic craze, vinyl has become a cultural icon. As music consumption migrated to digital and online, this seemingly obsolete medium became the fastest-growing format in music sales. Whilst vinyl never ceased to be the favorite amongst many music lovers and DJs, from the late 1980s the recording industry regarded it as an outdated relic, consigned to dusty domestic corners and obscure record shops. So why is vinyl now experiencing a ‘rebirth of its cool’?Dominik Bartmanski and Ian Woodward explore this question by combining a cultural sociological approach with insights from material culture studies. Presenting vinyl as a multifaceted cultural object, they investigate the reasons behind its persistence within our technologically accelerated culture. Informed by media analysis, urban ethnography and the authors’ interviews with musicians, DJs, sound engineers, record store owners, collectors and cutting-edge label chiefs from a range of metropolitan centres renowned for thriving music scenes including London, New York, Tokyo, Melbourne, and especially Berlin, what emerges is a story of a modern icon.

This work argues that the virtual has become one of the key organizing principles of contemporary society for the public realms of politics and business as well as private life from sex to shopping.

Analog Culture in the Digital Age: Pressing Matters examines the resurgence of vinyl record technologies in the twenty-first century and their place in the history of analog sound and the recording industry. It seeks to answer the questions: why has this supposedly outmoded format made a comeback in a digital culture into which it might appear to be unwelcome? Why, in an era of disembodied pleasures afforded to us in this age of cloud computing would listeners seek out this remnant of the late nineteenth century and bring it seemingly back from the grave? Why do many listeners believe vinyl, with its obvious drawbacks, to be a superior format for conveying music to the relatively noiseless CD or digital file? This book looks at the ways in which music technologies are both inflected by and inflect human interactions, creating discourses, practices, disciplines, and communities.