A lyrical, intelligent, authentic and necessary look at the intersection of race and class in Chicago, a Great American City.Mayors Richard M. Daley and Rahm Emanuel have touted Chicago as a "world-class city." The skyscrapers kissing the clouds, the billion-dollar Millennium Park, Michelin-rated restaurants, pristine lake views, fabulous shopping, vibrant theater scene, downtown flower beds and stellar architecture tell one story. Yet swept under the rug is another story: the stench of segregation that permeates and compromises Chicago. Though other cities - including Cleveland, Los Angeles, and Baltimore - can fight over that mantle, it's clear that segregation defines Chicago. And unlike many other major U.S. cities, no particular race dominates; Chicago is divided equally into black, white and Latino, each group clustered in its various turfs.In this intelligent and highly important narrative, Chicago native Natalie Moore shines a light on contemporary segregation in the city's South Side; her reported essays showcase the lives of these communities through the stories of her family and the people who reside there. The South Side highlights the impact of Chicago's historic segregation - and the ongoing policies that keep the system intact.

Life-expectancy worldwide is twice what it was a hundred years ago. And because of modern medicine, many of us don't often see death up close. That makes it easy to live as if death is someone else's problem. It isn't. Ignoring the certainty of death doesn't protect us from feeling its effects throughout the lives we're living now. But this avoidance can hold us back from experiencing the powerful, everyday relevance of Jesus's promises to us. So long as death remains remote and unreal, Jesus's promises will too. But honesty about death brings hope to life. That's the ironic claim at the heart of this book. Cultivating "death-awareness" helps us bring the promises of Jesus from the hazy clouds of some other world into the everyday problems of our world—where they belong.

The award-winning creators of National Public Radio's "Ghetto Life 101" and "Remorse: The 14 Stories of Eric Morse" combine talents with a young photographer to show what life is like in one of the country's darkest places: Chicago's Ida B. Wells housing project. Photos.

A New York Times Book Review Notable Book of 2020 Winner of the Ernest J. Gaines Award for Literary Excellence “A comically dark coming-of-age story about growing up on the South Side of Chicago, but it’s also social commentary at its finest, woven seamlessly into the work . . . Bump’s meditation on belonging and not belonging, where or with whom, how love is a way home no matter where you are, is handled so beautifully that you don’t know he’s hypnotized you until he’s done.” —Tommy Orange, The New York Times Book Review In this alternately witty and heartbreaking debut novel, Gabriel Bump gives us an unforgettable protagonist, Claude McKay Love. Claude isn’t dangerous or brilliant—he’s an average kid coping with abandonment, violence, riots, failed love, and societal pressures as he steers his way past the signposts of youth: childhood friendships, basketball tryouts, first love, first heartbreak, picking a college, moving away from home. Claude just wants a place where he can fit. As a young black man born on the South Side of Chicago, he is raised by his civil rights–era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He decides to escape Chicago for another place, to go to college, to find a new identity, to leave the pressure cooker of his hometown behind. But as he discovers, he cannot; there is no safe haven for a young black man in this time and place called America. Percolating with fierceness and originality, attuned to the ironies inherent in our twenty-first-century landscape, Everywhere You Don’t Belong marks the arrival of a brilliant young talent.

In the South Side, there lived a tactless TV guy who had a way of getting tossed out of everything on camera, from the old VP Fair to Bill Clinton’s 1996 local re-election victory party. On the South Side, there dwelt a collector of ancient vacuum cleaners, none of which worked when he demonstrated them before millions of guffawing viewers watching on national television. And on the South Side, a beer baron tried to fight off Prohibition with a high-class, three-sided beer hall. It’s all in the second edition of Hoosiers and Scrubby Dutch: St. Louis’s South Side. The first edition captured the essence of the South St. Louis, with its tales of women scrubbing steps ever Saturday, the yummy brain sandwich, and a nationally known gospel performer who ran a furniture store in the Cherokee neighborhood. These stories, along with the new ones that fill the second edition, convey what gives a truly unique place its rough but charming personality. The result—Holy Hoosiers!—is an edition that’s even better than the first!

Chicago's poor black "South Side" in the post-war years is brilliantly illuminated in this collection of images snapped by a Navy combat photographer upon returning home from World War II.

In South Side Girls Marcia Chatelain recasts Chicago's Great Migration through the lens of black girls. Focusing on the years between 1910 and 1940, when Chicago's black population quintupled, Chatelain describes how Chicago's black social scientists, urban reformers, journalists and activists formulated a vulnerable image of urban black girlhood that needed protecting. She argues that the construction and meaning of black girlhood shifted in response to major economic, social, and cultural changes and crises, and that it reflected parents' and community leaders' anxieties about urbanization and its meaning for racial progress. Girls shouldered much of the burden of black aspiration, as adults often scrutinized their choices and behavior, and their well-being symbolized the community's moral health. Yet these adults were not alone in thinking about the Great Migration, as girls expressed their views as well. Referencing girls' letters and interviews, Chatelain uses their powerful stories of hope, anticipation and disappointment to highlight their feelings and thoughts, and in so doing, she helps restore the experiences of an understudied population to the Great Migration's complex narrative.

A colorful, rhyming children's book that highlights all of the wonderful adventures, historic sites, and fun activities that kids and their families can experience on Chicago's famed South Side. A great place to spend the day!

A biography of Michelle Obama, the first African American First Lady of the United States.

Tricey, Vic, and Lyric are three friends from the Southside of Chicago fighting in the tumultuous war between finding the one amongst the chaotic sea of Mr. Wrongs. After breaking up with her baby's father, Memphis, Vic is in the arms of one new beau after the next; turning her heartbreak into a life filled with bald-headed h*e shenanigans. Vic's new approach to love terribly clashes with Asa's uncontrollable need for being more than her next sneaky link. However, Vic's refusal to commit doesn't keep Asa's alpha male, street swag from trying desperately to blow up the wall that she has built around her terribly damaged heart. As Vic runs from Asa's attempts to woo her, Tricey has done the unthinkable: fallen in love with her friend-with-benefits. After the heart-rendering endings of her past relationships, Akbar was the ideal replacement. Everything was perfect about him... except for his pregnant wife. After fighting against it, she falls in love and realizes that she needs to walk away from the man that she can't imagine living without. Then enters "Blood" the dope boy ready to sweep her off of her feet. But can she find the courage to walk away from the explosive chemistry between she and Akbar in order to enjoy the life that Blood wants to give her? While Tricey is stuck between a dope boy and her married love, Lyric and Salem are approaching their wedding date. As they prepare to spend the rest of their lives together, Salem is under the impression that he has chosen the perfect wife-to-be. Lyric struggles with this cloak of perfection as she figures out a way to quietly end the affair she's had on the side since the day she met her soon-to-be-husband. This is only the beginning of this Urban Romance, which is filled with love that hurts, betrayals, and feels tragically unsustainable. Packed with a sea of characters that add their own two cents of drama and contribute to the shocking and heartrending end, this love story is of three homegirls, not only falling in love with the one, but also falling in love with themselves. * This is a re-release of the previously published book, Love, Sex, Lies. Since this book was written when I was very young, I wanted to give it the quality and attention that these characters deserve. This story has been revamped. Changes have been made, and many scenes have been added.