Graceland is much more than a wildly popular historic house and tourist destination associated with a famous entertainer, and Elvis Presley is much more than the King of Rock ‘n’ Roll. As former Walters Art Museum director and medievalist Gary Vikan shows us in his fascinating new book, Graceland, the second-most visited historic house in the U.S., is a locus sanctus —a holy place—and Elvis is its resident saint, while the hordes of fans that crowd Elvis Presley Boulevard in Memphis are modern-day pilgrims, connected in spirit and practice to their early Christian counterparts, sharing a fascination for icons and iconography, relics, souvenirs, votives, and even a belief in miracles. Vikan reveals the emergence of contemporary holy places—Ground Zero in Lower Manhattan, the Lorraine Motel in Memphis, the Grassy Knoll in Dallas, Place de l’Alma in Paris—and shows us that the saints of our day are our “martyred” secular charismatics, from Elvis to John F. Kennedy, Princess Diana, Michael Jackson, and others.

Drawing from innovative organizations across the United States, Reimagining Historic House Museums is an indispensable source of field-tested tools and techniques drawn from such wide-ranging sources as non-profit management, business strategy, and software development. It also profiles historic sites that are using new models to engage with their communities to become more relevant, are adopting creative forms of interpretation and programming, and earning income to become more financially sustainable. The book is a combination of a museum conference, a hands-on workshop, and toolbox. It contains five main parts: Fundamentals and Essentials Audiences Different Approaches to Familiar Topics Methods Imagining New Kinds of House Museums This authoritative guide from the American Association for State and Local History (AASLH) will help house museum boards, directors, and staff seeking a path forward in rapidly changing times. Graduate programs in public history, museum studies, curatorial studies, and historic preservation will discover models and approaches that will provoke lively discussions about the issues facing the field.

This book calls attention to the importance of scholarly reflection on the writing of liturgical history. The essays not only probe the impact of important shifts in historiography but also present new scholarship that promises to reconfigure some of the established images of liturgy’s past. Based on papers presented at the 2014 Yale Institute of Sacred Music Liturgy Conference, Liturgy’s Imagined Past/s seeks to invigorate discussion of methodologies and materials in contemporary writings on liturgy’s pasts and to resource such writing at a point in time when formidable questions are being posed about the way in which historians construct the object of their inquiry.

This volume explores the power of matter and materials in the Eastern Roman Empire, also known as Byzantium. Recent attention to matter as dynamic and meaningful constitutes an emerging, interdisciplinary field of inquiry known as materiality, new materialism, or the material turn. Materials can be symbolic, but matter can also act on human subjects. This volume builds on these insights to consider the role of matter, materials, form, and embodied experiences in Byzantium. In many respects, Byzantine materiality represents a continuation of its Greco-Roman inheritance, which was also shared by neighboring peoples such as the Umayyads and Abbasids. But the Byzantines also developed their own, unique perspectives on matter and form, as with their parsing of the sacred materialities of icons, the Eucharist, and relics. Chapters in this volume consider the cultural meanings and functions of materials such as gold and ivory, the materiality of icons and relics, experiences of objects, as well as Byzantine philosophies of matter and form. Materiality takes center stage in Byzantine constructions of power, luxury, belief, and identity, which will be of interest to scholars and students of Byzantium and the wider medieval world.

Since at least the high point of the civil rights movement, African American Christianity has been widely recognized as a potent force for social change. Most attention to the political significance of Black churches, however, focuses on domestic protest and electoral politics. Yet some Black churches take a deep interest in the global issue of Israel and Palestine. Why would African American Christians get involved—and even take sides—in Palestine and Israel, and what does that reveal about the political significance of “the Black Church” today? This book examines African American Christian involvement in Israel and Palestine to show how competing visions of “the Black Church” are changing through transnational political engagement. Considering cases ranging from African American Christian Zionists to Palestinian solidarity activists, Roger Baumann traces how Black religious politics transcend domestic arenas and enter global spaces. These cases, he argues, illuminate how the meaning of the ostensibly singular and unifying category of “the Black Church”—spanning its history, identity, culture, and mission—is deeply contested at every turn. Black Visions of the Holy Land offers new insights into how Black churches understand their political role and social significance; the ways race, religion, and politics both converge and diverge; and why the meaning of overlapping racial and religious identities shifts when moving from national to global contexts.

Sacred and Stolen is the memoir of an art museum director with the courage to reveal what goes on behind the scenes. Gary Vikan lays bare the messy underbelly of museum life: looted antiquities, crooked dealers, deluded collectors, duplicitous public officials, fakes, inside thefts, bribery, and failed exhibitions. These backstories, at once shocking and comical, reveal a man with a taste for adventure, an eagerness to fan the flames of excitement, and comfort with the chaos that often ensued. A Minnesota kid who started out as a printer’s devil in his father’s small-town newspaper, Vikan ended up as the director of The Walters Art Museum, a gem of a museum in Baltimore. Sacred and Stolen reveals his quest to bring the “holy” into the museum experience as he struggles to reconcile his passion for acquiring sacred works of art with his suspicion that they were stolen. The cast of characters in his many adventures include the elegant French oil heiress, Dominique de Menil, the notorious Turkish smuggler, Aydin Dikmen, his slippery Dutch dealer, Michel van Rijn, the inscrutable and implacable Patriarchs of Ethiopia and Georgia, and the charismatic President of Georgia, Eduard Shevardnadze—along with a mysterious thief of a gorgeous Renoir painting missing from a museum for over sixty years. When the painting suddenly shows up, it’s Vikan who tracks down the culprit. In his afterword Vikan explains his coming to grips with the realities of art dealing in our present dangerous world that includes the fanatical iconoclasm of the Islamic State. We know of the violent destruction and looting of precious treasures of antiquity and unscrupulous black market art dealers who take advantage of international conflicts to possess them. Sacred and Stolen is a truly eye-opening account of art dealing in the modern world.

There is no other way to put it: Elvis is the King. Note the present tense: even though Elvis (supposedly) died nearly forty years ago, he has lived on in our hearts, as a sound, as an image, and as an especially vigorous personality. In fact, it’s safe to say no other celebrity has done so quite as well. The Death and Resurrection of Elvis Presley is the story of that afterlife, of Elvis after he left the building. Walking the eccentrically carpeted rooms of Graceland, bidding into stratospheric sums on his auctioned relics, and mingling among the some 200,000 impersonators of his likeness, Ted Harrison offers nothing less than the ultimate Elvis tribute. Harrison begins, of course, in pilgrimage: to Graceland. He shows how Elvis’s estate was pillaged nearly to ruin by his manager but was saved through the deft business acumen and financial vision of his divorced wife, one Priscilla Presley. If Graceland seems holy, that’s because it is: Harrison unveils in Elvis’s allure a deeply spiritual dimension, showing how Elvis fans, over the decades, have anointed their idol with Christ-like qualities. Through Elvis’s extravagance, Harrison raises fascinating links between money and faith, and through Elvis’s life, he shows how the King actually fulfilled a host of roles ranging from hero to martyr to saint. Underpinning the whole story is Elvis’s extraordinary charisma and—lest we forget—his astonishing musical genius. Fascinating, colorful, and deeply informative, this book is a must-have for any fan, anyone who was ever lucky enough to see Elvis alive or who hopes they might still be able to.

The Routledge Handbook on Tourism in the Middle East and North Africa examines the importance of tourism as a historical, economic, social, environmental, religious and political force in the Middle East and North Africa (MENA). It highlights the ecological and resource challenges related to water, desert environments, climate change and oil. It provides an in-depth analysis of the geopolitical conditions that have long determined the patterns of tourism demand and supply throughout the region and how these play out in the everyday lives of residents and destinations as they attempt to grow tourism or ignore it entirely. While cultural heritage remains the primary tourism asset for the region as a whole, many new types of tourisms are emerging, especially in the Arabian Gulf region, where hyper-development is closely associated with the increasingly prominent role of luxury real estate and shopping, retail, medical tourism, cruises and transit tourism. The growing phenomenon of an expatriate workforce, and how its segregation from the citizenry creates a dual socio-economic system in several countries, is unmatched by other regions of the world. Many indigenous people of MENA keep themselves apart from other dominant groups in the region, although these social boundaries are becoming increasingly blurred as tourism, being one socio-economic force for change, has inspired many nomadic peoples to settle into towns and villages and rely more on tourists for their livelihoods. All of these issues and more shape the foundations of this book. This Handbook is the first of its kind to examine tourism from a broad regional and inclusive perspective, surveying a broad range of social, cultural, heritage, ecological and political matters in a single volume. With a wide range of contributors, many of whom are natives of the Middle East and North Africa, this Handbook is a vital resource for students and scholars interested in Tourism, Middle East Studies and Geography.

Nestled in a valley at the feet of the Sangre de Cristo mountains of New Mexico, the Santuario de Chimayó has been called the most important Catholic pilgrimage site in America. Famous for its miraculous healing dirt, it attracts half a million visitors each year. This book offers the first comprehensive history of this remarkable church, often referred to as the American Lourdes. It tells the fascinating stories of the Pueblo and Nuevomexicano Catholic origins of the site and the building of the church, the eventual transfer of the property to the Catholic Archdiocese of Santa Fe, and the growth of the modern pilgrimage of believers alongside thousands of tourists and other visitors. Drawing on extensive archival research as well as fieldwork in Chimayó, Brett Hendrickson examines the claims that various constituencies have made on the Santuario, its stories, ritual life, commercial value, and aesthetic character. The importance of the story of the Santuario de Chimayó goes well beyond its sacred dirt, including the significant role Southwestern Hispanics and Catholics have played in American religious history and identity. Book jacket.

The chronicles of a man, his wife, and their travels in writing for TheCelebrityCafe.com. From the highlights of Europe to the down home cooking of the Deltayat times, itys irreverent; at times, its irrelevant; and occasionally at times, it actually makes sense. The times it doesnyt make sense are the ones you can feel free to blame the inadequacies of the editor. Hopefully, youyll feel swept away on their travels, and taken away on their adventures. Hopefully, youyll smile and get more than half of his jokes, or the author will be rather disappointed. But most importantly, hopefully youyll feel you didnyt waste your money on this book and will tell your friends how wonderful it is.