Probably the most autobiographical of his novels, From the Diary of a Snail balances the agonising history of the persecuted Danzig Jews with an account of Grass's political campaigning with Willie Brandt. Underlying all is the snail, the central symbol that is both model and a parody of social progress, and a mysterious metaphor for political reform. From the winner of the Nobel Prize for Literature and author of The Tin Drum.

Probably the most autobiographical of his novels, it balances the agonizing history of the persecuted Danzig Jews with an account of Grass's political campaigning with Willie Brandt.

Every day, Snail waits for Fish to come home with a new story. Today, Fish's story (about pirates!) is too grand to simply be told: Fish wants to show Snail. But that would mean leaving the familiar world of their book—a scary prospect for Snail, who would rather stay safely at home and pretend to be kittens. Fish scoffs that cats are boring; Snail snaps back. Is this book too small for the two feuding friends? Could this be THE END of The Story of Fish and Snail? Deborah Freedman, author of Blue Chicken, has created a sweet and playful story about friendship that truly jumps off the page.

Probably the most autobiographical of his novels, From the Diary of a Snail balances the agonising history of the persecuted Danzig Jews with an account of Grass's political campaigning with Willie Brandt. Underlying all is the snail, the central symbol that is both model and a parody of social progress, and a mysterious metaphor for political reform. From the winner of the Nobel Prize for Literature and author of The Tin Drum.

Based on a real scientific event and inspired by a beloved real human in the author's life, this is a story about science and the poetry of existence; about time and chance, genetics and gender, love and death, evolution and infinity -- concepts often too abstract for the human mind to fathom, often more accessible to the young imagination; concepts made fathomable in the concrete, finite life of one tiny, unusual creature dwelling in a pile of compost amid an English garden. Emerging from this singular life is a lyrical universal invitation not to mistake difference for defect and to welcome, across the accordion scales of time and space, diversity as the wellspring of the universe's beauty and resilience.

While living in exile in Berlin, the formidable literary critic Viktor Shklovsky fell in love with Elsa Triolet. He fell into the habit of sending Elsa several letters a day, a situation she accepted under one condition: he was forbidden to write about love. Zoo, or Letters Not about Love is an epistolary novel born of this constraint, and although the brilliant and playful letters contained here cover everything from observations about contemporary German and Russian life to theories of art and literature, nonetheless every one of them is indirectly dedicated to the one topic they are all required to avoid: their author's own unrequited love.

Snail and Frog have a race to decide who has the strongest legs, and will have the honour of helping the King's chef prepare a surprise for the King.

This introduction to the world of the snail aims to bring this familiar, small creature sympathetically to life. Young children should be fascinated by this tiny life found just outside their back door.

A beguiling collection of observational poems and literary parodies which explore and celebrate snail culture, as told by a prematurely-crushed snail poet. Jamie McGarry of Scarborough and Valley Press writes with infectious verve and his poems are frequently romantic and always very funny. Several poems examine snailkind's unhealthy adoration of slugs - the rebels without shells of the kitchen garden - and highlights include a thrilling travel account ('A Snail of Two Cities') and a poignant account of moving house ('A Shell of My Former Self'). This book features a number of joyous homages to human poets including Robert Frost, John Betjeman, T.S. Eliot and Gervase Phinn, and was previously published by Valley Press. Jamie McGarry founded small publishing operation Valley Press in 2008, which he continues to run to this day. Uncovering and translating the original 'snail diary' in 2009, Jamie made it his mission in life to honour the author's memory, and spread the word of his literary prowess far and wide.