No detailed description available for "Syntactic Structures".

Patterns of Sounds describes the frequency and distributional patterns of the phonemic sounds in a large and representative sample of the world's languages. The results are based on UPSID (the UCLA Phonological Segment Inventory Database), a computer file containing the phonemes of 317 languages selected on the basis of genetic diversity. The book contains nine chapters analysing the UPSID data, as well as fully labelled phoneme charts for each language and a comprehensive segment index. Questions of the frequency and co-occurrence of the particular segment types are discussed in detail and possible explanations for the patterns observed are evaluated. The book is thus both a report on the research into phoneme inventory structure that has been done using UPSID and a resource that provides the reader with the tools to extend that research.

In the context of globalisation, advances in information technology and the wide spread use of the Internet, developing students' ability to speak English with global intelligibility has become the focus of English language teaching. Introduction to English Phonetics and Phonology aims to help learners speak the language accurately with the right pronunciation, word and sentence stress and intonation. The book is designed for use in courses on English language and linguistics at the university level. A large number of well-labelled illustrations and minimal use of jargon make the book equally accessible to independent learners. Key features: . In-depth explanation of key concepts . Place and manner of articulation discussed with accompanying figures . Extensive examples from everyday English . Use of flowcharts and diagrams to explain syllable structure . Separate section on British and American English . Tasks for reinforcement of concepts and practice . Select glossary for ready reference

Filling a major gap in the curriculum of undergraduate and graduate programs in Italian linguistics, this is a text on Italian linguistics that clearly presents all of the key concepts in a form designed specifically for English-speaking students.

A clear introduction to English phonetics and phonology, tailored to suit the needs of individual, one-term course modules. Contains exercises, discussion questions, a comprehensive glossary of each term introduced, and has a helpful companion website. An essential text for all those embarking on the study of English sounds at undergraduate level.

This is a long-awaited reissue of Jerrold Levinson's 1990 book Music, Art, and Metaphysics, which gathers together the writings that made him a leading figure in contemporary aesthetics. Most of the essays are distinguished by a concern with metaphysical questions about artworks and their properties, but other essays address the problem of art's definition, the psychology of aesthetic response, and the logic of interpreting and evaluating works of art. The focus of about half of the essays is the art of music, the art of greatest interest to Levinson throughout his career. Many of the essays have been very influential, being among the most cited in contemporary aesthetics and having become essential references in debates on the definition of art, the ontology of art, emotional response to art, expression in art, and the nature of art forms.

The Sound Structure of Modern Irish contains a comprehensive description of the phonology of Irish. Based on the main forms of the language, it offers an analysis of the segments and the processes in its sound system. Each section begins with a description of the area of phonology which is the subject - such as stress patterns, phonotactics, epenthesis or metathesis - and then proceeds to consider the special aspects of this subject from a theoretical and typological perspective. The book pays particular attention to key processes in the sound system of modern Irish. The two most important of these are palatalisation and initial mutation, phenomena which are central to Irish and the analysis of which has consequences for general phonological theory. The other main emphasis in the book is on a typological comparison of several different languages, all of which show palatalisation and/or initial mutation as part of their systems. The different forms of Celtic, Slavic languages, Romance dialects and languages along with languages such as Finnish, Fula, Nivkh and Southern Paiute are considered to find out how processes which are phonetic in origin (external sandhi) can become functionalised and integrated into the morphosyntactic system of a language.