From Site to Sight is a foundational text for scholars and students of visual anthropology, illustrating the history, uses--and misuses--of photographic imagery in anthropology and archaeology. Long out of print, this classic publication is now available in an enhanced thirtieth anniversary edition with a new introductory essay by Ira Jacknis.

This stunning photographic essay opens a new frontier for readers to explore through words and images. Microbial studies have clarified life’s origins on Earth, explained the functioning of ecosystems, and improved both crop yields and human health. Scott Chimileski and Roberto Kolter are expert guides to an invisible world waiting in plain sight.

"Seeing Beyond Sight illuminates the surprising power and creative potential of photography in an astonishing collection of images created by visually impaired teens"--P. [4] of cover.

This volume presents a broad coverage of theoretical issues that deal with digital culture, representation and ideology in art and museums, and other cultural sites, offering new insights into issues of representation in the digitization of art. It critically examines the roles of museum and archives in the digital age and reexamines the intricate relations between sight and site in art, museums, exhibitions, theme parks, theatre performances, music videos, and films. The collection represents a multidisciplinary approach to the complex issues underlying the advent of technologies and digital culture. The rise of visual culture since the twentieth century can be accounted for by the advent of technology in film, TV, museum exhibitions, and the wide use of websites, but it can also be understood as a paradigmatic shift toward representation as a visual means to interpret culture, with new understandings of the site-sight dilemma and the co-implications in related tensions. Complicating the issue of representation is the rise of digital culture, as digital sites replace actual physical sites. This book explores how the virtual has replaced the actual, and in what ways, and to what effects, the digital has displaced the physical. With contributions by museum curators, communications scholars, visual artists, theatre artists, filmmakers, literary critics, and historians, this volume is of appeal to academics and graduate students in information science, art, media, performance, literary and cultural studies, and history. “The book binds together different concepts such as site, sight and digitalization in a very original way. It convincingly gathers contributions from academics and practitioners, artists and museum specialists. The chapters are theoretically well-founded, show an interesting breadth of content and are also dealing with current developments.” — Monika Gänssbauer, Professor of Chinese and Head of the Institute of Asian, Middle Eastern and Turkish Studies, Stockholm University, Sweden “The chapters raise important and latest questions and discussions on the impact of digital technology has on art, culture, creativity, representation and innovation. They are original in dealing with latest examples in recent years, especially during the pandemic, with reflections and philosophical discussions on the transformation digital culture undergoes in relation to human and posthuman contexts, with examinations of art works, archives and museum collections, exhibitions, theme parks, theatre performances, films and music videos that encompass cultures from ancient to contemporary, from the West to the East, and from physical to digital.” — Jack Leong, Associate Dean of Research and Open Scholarship, York University Libraries, Toronto, Canada

Site, Sight, Insight presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an awareness of how one is seeing), the greater the insight. Employing the concepts, tropes, and rhetorical methods of literary analysis, he addresses the problem of how to discuss, understand, and appreciate places that are experienced through all the senses, over time and through space. Hunt questions our intellectual and aesthetic understanding of gardens and designed landscapes and asks how these sites affect us emotionally. Do gardens have meaning? When we visit a fine garden or designed landscape, we experience a unique work of great complexity in purpose, which has been executed over a number of years—a work that, occasionally, achieves beauty. While direct experience is fundamental, Hunt demonstrates how the ways in which gardens and landscapes are communicated in word and image can be equally important. He returns frequently to a cluster of key sites and writings on which he has based much of his thinking about garden-making and its role in landscape architecture: the gardens of Rousham in Oxfordshire; Thomas Whately's Observations on Modern Gardening (1770); William Gilpin's dialogues on Stowe (1747); Alexander Pope's meditation on genius loci; the Désert de Retz; Paolo Burgi's Cardada; and the designs by Bernard Lassus and Ian Hamilton Finlay.

From deep within the human body to distant nebulae in outer space, there are worlds all around us that are smaller, faster, and farther than the unaided eye can see. In these thirty-six amazing images, you can see the invisible: from a white blood cell attacking E. coli bacteria, to the delicate splash from a falling drop of water captured by a high-speed strobe. With pictures that astound and fascinating explanations of how each image was captured, award-winning author Seymour Simon takes readers on a fantastic voyage that's truly out of sight.

SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 'A dazzling obsessive entry in a burgeoning genre. Unusual and absorbing... the novel as a whole exudes a strange consoling power.' – The New Yorker 'Sight delves into a lot in under 200 pages: mothers and daughters, birth and death, loss and grief, finding one's balance, the ardor and arduousness of scientific discovery. Readers willing to give themselves over to Greengrass' penetrating vision will surely expand theirs.' – NPR 'With visceral, elegantly wrought truths of life and loss, this is an exciting companion to Sheila Heti's recent Motherhood (2018).' – Booklist In Jessie Greengrass' dazzlingly brilliant debut novel, our unnamed narrator recounts her progress to motherhood, while remembering the death of her own mother ten years before, and the childhood summers she spent with her psychoanalyst grandmother. Woven among these personal recollections are significant events in medical history: Wilhelm Rontgen’s discovery of the X-ray; Sigmund Freud’s development of psychoanalysis and the work that he did with his daughter, Anna; and the origins of modern surgery and the anatomy of pregnant bodies. Sight is a novel about being a parent and a child: what it is like to bring a person in to the world, and what it is to let one go. Exquisitely written and fiercely intelligent, it is an incisive exploration of how we see others, and how we might know ourselves.

From Darkness to Sightchronicles the remarkable life journey of Dr. Ming Wang, a world-renowned laser eye surgeon and philanthropist. As a teenager, Ming fought valiantly to escape one of history''s darkest eras - China''s Cultural Revolution - during which millions of innocent youth were deported to remote areas to face a life sentence of poverty and hard labor. Through his own tenacity and his parents'' tireless efforts to provide a chance of freedom for their son, Ming eventually made his way to America with $50 in his pocket and an American dream in his heart, where against all odds he would earn a PhD in laser physics and graduate magna cum laude with the highest honors from Harvard Medical School and MIT. He embraced his Christian faith and tackled one of the most important questions of our time - Are faith and science friends or foes? - which led to his invention of a breakthrough biotechnology to restore sight. To date, Dr. Wang has performed over 55,000 eye procedures and has treated patients from nearly every state in the U.S. and from over 55 countries worldwide. He is considered the "doctor''s doctor," as he has operated on over 4,000 physicians. Dr. Wang has published 8 textbooks including a paper in the world-renowned journal Nature, holds several U.S. patents and performed the world''s first laser artificial cornea implantation. He is the recipient of the Honor Award from American Academy of Ophthalmology and the Lifetime Achievement Award from American Chinese Physician Association. Dr. Wang is currently the only surgeon in the state who performs 3D LASIK (18+), 3D Forever Young Lens Surgery (45+), 3D Laser KAMRA (45+), and 3D Laser Cataract Surgery (60+). Dr. Wang established a non-profit foundation which provides sight restoration surgeries for indigent patients who otherwise would never have the opportunity to receive them free-of-charge. This is a story of one man''s inspirational journey, of turning fear, poverty, persecution and prejudice into healing and love for others. It demonstrates how focus, determination, humility, and profound faith can inspire a life that, in turn, impacts that of countless others. "Dr. Wang is not only a dear friend and the very best eye surgeon, he is also one of the greatest people I have ever known." - Dolly Parton "To try to put my feelings about Dr. Wang, his accomplishments, his courage, his iron will and his faith into a couple of sentences would be tantamount to packing a Mack truck into a burlap bag. This remarkable man overcame all but impossible odds to become the best in his field and this world is a better place for having Dr. Ming Wang pass through it." - Charlie Daniels. "I have known Dr. Wang for nearly two decades - he is a respected eye surgeon and friend. What Ming has done with his life since arriving here in the United States as a penniless student over 30 years ago exemplifies the true essence of the American dream, and the freedom that we enjoy in this great country. I highly recommend his autobiography, From Darkness to Sight." - Senator William H. Frist, MD, former U.S. Senate Majority Leader "If I didn''t know Ming, it would be hard to believe the story of his life. But I do know him, and his life truly is a remarkable story of faith, persistence, and excellence." - Bill Haslam, Governor of the state of Tennessee "Ming Wang is well-known for the eye surgeries he''s performed to give countless people better sight. And it''s hard to forget that he''s also a ballroom dancer once you''ve seen one of his ads on TV. But what many people don''t know is that Dr. Wang also gives very generously of his time and talents so that blind children in other countries can regain their sight. What better gift can you give someone? Nashville is lucky to be able to count Dr. Wang as one of our own." - Karl Dean, Mayor, Nashville "My deeply respected friend, Dr. Ming Wang, has topped the heights of human achievement. Through his personal and professional triumphs he has captured the essence of what it means to be free and to be a loving humanitarian. The story of his unique life, as only he can tell it, will be a blessing and an inspiration to all who come to know it." - Former governor of Tennessee Dr. Winfield Dunn "From Darkness to Sight is an inspiring story that shows how hard work, optimism and faith not only can lead to personal success, but also make our country stronger. Dr. Ming Wang''s journey from dark days in Communist China to his career in the United States as a physician and philanthropist is a testament to the possibilities of the American Dream." - Senator Lamar Alexander

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Site, Sight, Insight presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an awareness of how one is seeing), the greater the insight. Employing the concepts, tropes, and rhetorical methods of literary analysis, he addresses the problem of how to discuss, understand, and appreciate places that are experienced through all the senses, over time and through space. Hunt questions our intellectual and aesthetic understanding of gardens and designed landscapes and asks how these sites affect us emotionally. Do gardens have meaning? When we visit a fine garden or designed landscape, we experience a unique work of great complexity in purpose, which has been executed over a number of years—a work that, occasionally, achieves beauty. While direct experience is fundamental, Hunt demonstrates how the ways in which gardens and landscapes are communicated in word and image can be equally important. He returns frequently to a cluster of key sites and writings on which he has based much of his thinking about garden-making and its role in landscape architecture: the gardens of Rousham in Oxfordshire; Thomas Whately's Observations on Modern Gardening (1770); William Gilpin's dialogues on Stowe (1747); Alexander Pope's meditation on genius loci; the Désert de Retz; Paolo Burgi's Cardada; and the designs by Bernard Lassus and Ian Hamilton Finlay.