A lively illustrated introduction to the Negro League equivalent of the All-Star Game discusses the history of the games, as well as the colorful cast of promoters, gamblers, and hucksters who made it happen. Original.

“We are the ship; all else the sea.”—Rube Foster, founder of the Negro National League The story of Negro League baseball is the story of gifted athletes and determined owners; of racial discrimination and international sportsmanship; of fortunes won and lost; of triumphs and defeats on and off the field. It is a perfect mirror for the social and political history of black America in the first half of the twentieth century. But most of all, the story of the Negro Leagues is about hundreds of unsung heroes who overcame segregation, hatred, terrible conditions, and low pay to do the one thing they loved more than anything else in the world: play ball. Using an “Everyman” player as his narrator, Kadir Nelson tells the story of Negro League baseball from its beginnings in the 1920s through its decline after Jackie Robinson crossed over to the majors in 1947. The voice is so authentic, you will feel as if you are sitting on dusty bleachers listening intently to the memories of a man who has known the great ballplayers of that time and shared their experiences. But what makes this book so outstanding are the dozens of full-page and double-page oil paintings—breathtaking in their perspectives, rich in emotion, and created with understanding and affection for these lost heroes of our national game. We Are the Ship is a tour de force for baseball lovers of all ages.

The foremost historian of the "blackball" era spent nearly 10 years researching this acclaimed oral history, interviewing 17 outstanding players including Cool Papa Bell, Buck Leonard, and Willie Wells. Over 80 vintage photographs.

The result of a study commissioned by the National Baseball Hall of Fame and funded by a grant from Major League Baseball(, this richly illustrated, comprehensive history combines vivid narrative, visual impact, and a unique statistical component to re-create the excitement and passion of the Negro Leagues. 75 photos.

Before Jackie Robinson integrated major league baseball in 1947, black and white ballplayers had been playing against one another for decades—even, on rare occasions, playing with each other. Interracial contests took place during the off-season, when major leaguers and Negro Leaguers alike fattened their wallets by playing exhibitions in cities and towns across America. These barnstorming tours reached new heights, however, when Satchel Paige and other African- American stars took on white teams headlined by the irrepressible Dizzy Dean. Lippy and funny, a born showman, the native Arkansan saw no reason why he shouldn’t pitch against Negro Leaguers. Paige, who feared no one and chased a buck harder than any player alive, instantly recognized the box-office appeal of competing against Dizzy Dean’s "All-Stars." Paige and Dean both featured soaring leg kicks and loved to mimic each other’s style to amuse fans. Skin color aside, the dirt-poor Southern pitchers had much in common. Historian Timothy M. Gay has unearthed long-forgotten exhibitions where Paige and Dean dueled, and he tells the story of their pioneering escapades in this engaging book. Long before they ever heard of Robinson or Larry Doby, baseball fans from Brooklyn to Enid, Oklahoma, watched black and white players battle on the same diamond. With such Hall of Fame teammates as Josh Gibson, Turkey Stearnes, Mule Suttles, Oscar Charleston, Cool Papa Bell, and Bullet Joe Rogan, Paige often had the upper hand against Diz. After arm troubles sidelined Dean, a new pitching phenom, Bob Feller—Rapid Robert—assembled his own teams to face Paige and other blackballers. By the time Paige became Feller’s teammate on the Cleveland Indians in 1948, a rookie at age forty-two, Satch and Feller had barnstormed against each other for more than a decade. These often obscure contests helped hasten the end of Jim Crow baseball, paving the way for the game’s integration. Satchel Paige, Dizzy Dean, and Bob Feller never set out to make social history—but that’s precisely what happened. Tim Gay has brought this era to vivid and colorful life in a book that every baseball fan will embrace.

Tells the forgotten story of Black star-quality athletes excluded from professional baseball because of the big league's color line.

Welcome to the world of that archetypal American, Reuben Lucius Goldberg, the dean of American cartoonists for most of the twentieth century. For more than sixty-five years, Rube Goldberg's syndicated cartoons -- he produced more than fifty strips -- appeared in as many as a thousand newspapers annually He was earning a hundred thousand dollars a year...in 1915. He wrote hit songs and stories and was, in succession, a star in vaudeville, motion pictures, newsreels, radio, and, finally, television. He even, at the age of eighty, began an entirely new career as a sculptor, and, in inimitable Goldberg fashion, was soon selling his work to galleries, collectors, and museums all over the world. Sure, Rube won the Pulitzer Prize. Every yearsomecartoonist wins the Pulitzer Prize. But the National Cartoonists Societynamedits award -- the Reuben -- after you-know-who. But it was Rube's "Inventions," those drawings of intricate and whimsical machines, that earned Rube his very own entry inWebster's New World Dictionary: Rube Goldberg...adjective...Designating any very complicated invention, machine, scheme, etc. laboriously contrived to perform a seemingly simple operation. "Inventions," even the earliest ones that date from 1914, are still being republished and recycled today as they have been over the last eighty-five years. New generations rediscover and enjoy them every day, even though their creator cleaned his pens, put the cap on his bottle of Higgins Black India Ink, and cleared his drawing board for the last time almost thirty years ago. The inventions inspired the National Rube Goldberg™ Machine Contest, held annually at Purdue University, an "Olympics of complexity" in which hundreds of engineering students from American universities and colleges -- and even middle and high schools -- compete to build and run Rube Goldberg invention machines that perform, in twenty or more steps, the annual challenge. In 1970 the Smithsonian Institution hosted a show honoring Rube Goldberg's lifework. In a life filled with superlatives, it hardly needs mentioning that Rube is the only living cartoonist and humorist to have been so honored. In his speech at the show's opening, Rube said, "Many of the younger generation know my name in a vague way and connect it with grotesque inventions, but don't believe that I ever existed as a person. They think I am a nonperson, just a name that signifies a tangled web of pipes or wires or strings that suggest machinery. My name to them is like spiral staircase, veal cutlets, barber's itch -- terms that give you an immediate picture of what they mean..." So welcome to a collection of spiral staircases and veal cutlets -- to the inventions of an American original, a creative genius named Rube Goldberg.

When the Negro National League was formed in Kansas City in 1920, a new chapter in sports history began. The city of Chicago played no small part in the creation and content of this historic chapter. Black Baseball in Chicago chronicles the history of the teams and players that spent time in the "Windy City." In 1911, the Chicago American Giants were born. This team drew some of the best players from the league, including such legendary stars as Bruce Petway, Pete Hill, Grant "Home Run" Johnson, and future hall-of-famer John Henry "Pop" Lloyd. On any given Sunday afternoon, the Chicago American Giants games often outdrew those of the cross-town rivals, the White Sox and the Cubs.

Featuring more than 200 full-color photographs, Inside the Baseball Hall of Fame brings to vivid life the greatest treasures of baseball’s shrine, most of them rarely if ever displayed to visitors. For any baseball fan, a trip to the National Baseball Hall of Fame and Museum in Cooperstown, New York, is the thrill of a lifetime—no matter how many times you visit. But whether you go only once in your lifetime or make the pilgrimage annually, you’ll never be able to see every treasure in the museum’s collections. With Inside the Baseball Hall of Fame, readers can go behind the scenes to see seldom- or never-displayed items from among the 40,000 treasures in Cooperstown, in addition to some of the most important and popular items on exhibit at the museum—all gorgeously photographed in color. Captions written by Hall of Fame experts explain each object’s significance and relate unique stories associated with it. Here are just a few highlights from the nearly 200 objects in this beautiful book: -An 1887 ball-strike indicator from the only season when it took five balls to walk and four strikes to strike out -Pitcher Harvey Haddix’s glove from the 1959 game when he pitched 12 perfect innings—and lost 1–0 in the 13th -Shoeless Joe Jackson’s shoes -The Wonderboy bat and trombone case that Robert Redford used in The Natural -Rube Waddell’s glove from his 4–2, 20-inning victory over Cy Young on July 4, 1905 -A promissory note from the sale of Babe Ruth by Boston Red Sox owner Harry Frazee to New York Yankees owner Jacob Ruppert -The bat Joe Carter used to hit his 1993 World Series–ending home run -The oldest known photograph of two baseball teams, the New York Knickerbockers and the Brooklyn Excelsiors, taken on a ball field in 1859 Whether you’re a dedicated student of the game’s history or a newcomer to our National Pastime, Inside the Baseball Hall of Fame will fascinate you. You’ll find a surprising photograph or a story you didn’t know, complete with new insight into America’s game and culture. Take the trip of a lifetime inside baseball’s national museum and discover the game’s fabulous history—or reawaken beloved memories.

Although Andrew "Rube" Foster (1879-1930) stands among the best African American pitchers of the 1900s, this baseball pioneer made his name as the founder and president of the Negro National League, the first all-black league to survive a full season. In addition to founding this groundbreaking black-owned and -operated business, Foster also founded and managed the Chicago American Giants, one of the most successful black baseball teams of the pre-integration era. This definitive biography combines period editorials and correspondence with insightful narrative to provide a comprehensive portrait of this innovative Hall of Famer. From the unstructured early days of black baseball, when Foster gained glory as a hard-throwing pitcher, through his struggles to establish the NNL and the Giants, to his tragic death from complications of syphilis, this work pays overdue tribute to an authentic American baseball icon.