Longlisted for the 2022 National Book Award A Washington Post, Chicago Review of Books, Kirkus, and Christian Science Monitor Best Book of the Month “Inventive, funny and moving.” —The New York Times Book Review Translated from the German by Damion Searls Winner of the German Book Prize, Saša Stanišic’s inventive and surprising novel asks: what makes us who we are? In August, 1992, a boy and his mother flee the war in Yugoslavia and arrive in Germany. Six months later, the boy’s father joins them, bringing a brown suitcase, insomnia, and a scar on his thigh. Saša Stanišic’s Where You Come From is a novel about this family, whose world is uprooted and remade by war: their history, their life before the conflict, and the years that followed their escape as they created a new life in a new country. Blending autofiction, fable, and choose-your-own-adventure, Where You Come From is set in a village where only thirteen people remain, in lost and made-up memories, in coincidences, in choices, and in a dragons’ den. Translated by Damion Searls, it’s a novel about homelands, both remembered and imagined, lost and found. A book that playfully twists form and genre with wit and heart to explore questions that lie inside all of us: about language and shame, about arrival and making it just in time, about luck and death, about what role our origins and memories play in our lives.

A collection of myths from many cultures.

Why do contemporary writers use myths from ancient Greece and Rome, Pharaonic Egypt, the Viking north, Africa's west coast, and Hebrew and Christian traditions? What do these stories from premodern cultures have to offer us? The Metamorphoses of Myth in Fiction since 1960 examines how myth has shaped writings by Kathy Acker, Margaret Atwood, William S. Burroughs, A. S. Byatt, Neil Gaiman, Norman Mailer, Toni Morrison, Thomas Pynchon, Kurt Vonnegut, Jeanette Winterson, and others, and contrasts such canonical texts with fantasy, speculative fiction, post-singularity fiction, pornography, horror, and graphic narratives. These artistic practices produce a feeling of meaning that doesn't need to be defined in scientific or materialist terms. Myth provides a sense of rightness, a recognition of matching a pattern, a feeling of something missing, a feeling of connection. It not only allows poetic density but also manipulates our moral judgments, or at least stimulates us to exercise them. Working across genres, populations, and critical perspectives, Kathryn Hume elicits an understanding of the current uses of mythology in fiction.

Only five ancient Greek novels have survived to the present, says Cueva, and the genre is relegated to the fringe of the literary canon. He explores one aspect of this small selection: the interrelation of the function of myth and fictional literature, and the development of this relationship. He argues that the utilization of myth increased as the

Analyzing the thematic and formal characteristics of six contemporary Brazilian novels, this study explores the use of myth and its ideological implications. The writers examined are Maria Alice Barroso, Clarice Lispector, Jorge Amado, Carlos Heitor Cony, Adonias Filho, and Autran Dourado.

The present book Transformation of Shiva from Myth to Man is an effort to decode the symbols related to the Shiva of Devdutt Pattanaik and Amish Tripathi in the light of mythological stance and present the most humane side of him. He is studied as a myth, as a man, a family man and God of transformation. His blue throat, Somras as Evil, Number Three, God of Destruction and Ash Bearer, Snake or Nagas, Aum, Ardhnarishwar, snow-clad mountain, all these core symbols that enwrap persona of Shiva are elucidated. Its an effort to demystify the myth of this ancient lord and awake young generation about enriched and the most valued Indian culture.

Representation of myth in the novel, as a poetic, narrative and aesthetic device, is one of the most illuminating issues in the area of ancient religion, for such narratives investigate in various ways fundamental problems that concern all human beings. This volume brings together twenty contributions (six of them to a Roundtable organized by Anton Bierl on myth), originally presented at the Fourth International Conference on the Ancient novel (ICAN IV) held in Lisbon in July 2008. Employing an interdisciplinary approach and putting together different methodological tools (intertextual, psychological, and anthropological), each offers a illuminating investigation of mythical discourse as presented in the text or texts under discussion. The collection as a whole demonstrates the exemplary and transgressive significance of myth and its metaphorical meaning in a genre that to some extent can be considered a modernized and secular form of myth that focuses on the quintessential question of love.

This book studies culture in terms of myths and how they function to construct the identity of communities. It focuses on myth formation in the fiction of Chinua Achebe and Amitav Ghosh, two major twentieth century authors from Nigeria and India respectively. The book analyses how these two authors use myth in their works to study the cultural mores of the societies they represent. Achebe represents the Igbo community of Nigeria and Amitav Ghosh represents various communities in India in both the pre-colonial and postcolonial phases, ranging from Bihar to Sundarbans in south Bengal. The book focuses on the area of myth studies in the postcolonial area of study, delving into a comparative study between the two authors and how they contribute to myth studies through their fiction.

This volume provides more sustained critical attention on the use of myth and fairy tales in contemporary fiction, both stand-alone tales and those which are embedded in the wider frame of a novel or novella. In this light, the book examines contemporary retellings of myths and fairy tales in a productive dialogue with tradition as an extended appreciation of this productive creative and theoretical dialogue. The individual chapters evince a robust variety of conceptions and approaches, all thoroughly observant of the nature and workings of the relationship between story and genre, and theoretically informed by innovative critical approaches. Hence, the volume demonstrates the undeniable importance of myth and fairy tales in contemporary fiction, suggesting questions for future consideration, and hopefully pointing towards new texts and new critical inquiries.

Taking its cue from Robert A. Segal’s work, Explaining, Interpreting, and Theorizing Religion and Myth: Contributions in Honor of Robert A. Segal offers a set of essays by renowned scholars addressing the persisting question of how to approach religion and myth as academic categories.