What do you see from your window? This #OwnVoices picture book from Brazil offers a firsthand view of what children growing up in the favelas of Rio de Janeiro see every day. A vibrant and diverse celebration of urban community living, brought to life by unique, colorful illustrations that juxtapose brick buildings with lush jungle plants.

Drawing on extensive interviews with ninety-four women prisoners, Megan Sweeney examines how incarcerated women use available reading materials to come to terms with their pasts, negotiate their present experiences, and reach toward different futures. Foregrounding the voices of African American women, Sweeney analyzes how prisoners read three popular genres: narratives of victimization, urban crime fiction, and self-help books. She outlines the history of reading and education in U.S. prisons, highlighting how the increasing dehumanization of prisoners has resulted in diminished prison libraries and restricted opportunities for reading. Although penal officials have sometimes endorsed reading as a means to control prisoners, Sweeney illuminates the resourceful ways in which prisoners educate and empower themselves through reading. Given the scarcity of counseling and education in prisons, women use books to make meaning from their experiences, to gain guidance and support, to experiment with new ways of being, and to maintain connections with the world.

Alfred Hitchcock's Rear Window comes to mind when looking at Gail Albert Halaban's book of photographers of city dwellers peering into their neighbours' windows, Out My Window. The photographs are views across streets, alleyways and airshafts, peering through windows to reveal intimate portraits. These beautiful voyeuristic pictures capture both the intimacy and remoteness of living in proximity to so many strangers. Out My Window can be seen as an exploration of the contradictory impulses of metropolitan life: the desire to connect and the desire to be left alone.

"Raquel Margarita Raquel Álvarez is hard-working, stays on the straight and narrow, and focuses on her future. She's got one goal--make that two goals: become a psychologist...and get Ares Hildago to look at her. Ares is the hot, rich, local playboy, and Raquel's been obsessed with him since she was eight-years-old--even though they've never spoken...After a chance encounter reveals her crush, Raquel decides it's time to stop hiding and make Ares notice her."--Page 4 of cover.

A joyous glimpse into different cultures Children living in different parts of the world see very different things when they gaze out of their windows. One child looks out over a boulevard lined with palm trees, another sees a train whistling past snow-capped mountains, and another waves to her father as he tends to their garden. But while their lives may seem different, there’s something important that they all share. This beautiful book will spark readers’ curiosity and imagina­tion with its celebration of global diversity.

Jews, Muslims, Christians, believers, nonbelievers, residents, tourists, and so many others have ocked for millennia to the cultural richness of Jerusalem. It is one of the world's greatest crossroads, hosting the variety that is humanity. From her stunning viewpoint, Michal Safdie invites you to see what she sees every day. Perched up on a hill in the Old City of Jerusalem, along the fragile bor- der between the Jewish and Muslim Quarters, is the home of Michal Ronnen Safdie. Facing east, it overlooks the Western Wall precinct, the Dome of the Rock, and the Al-Aqsa Mosque. To the north unfolds the Muslim Quarter with Mount Scopus in the skyline; to the west, the Church of the Holy Sepulcher and the Christian Quarter. Directly under her window is a narrow alley, through which thousands of people pass every day. The alley is a conduit. It is a passage for those entering the Old City through Dung Gate on the south side-mostly Palestinians making their way to their workplaces, schools, markets. It is the route of Christians to the Holy Sepulcher and of Muslim pil- grims during Ramadan, and other holidays, on their way to the Haram al-Sharif (Temple Mount). It is also the path connecting Jews residing in the Jewish Quarter and in the western part of the city, to the Wailing Wall (Western Wall). The view from the window o ers two contrasting perspectives. Across toward the Western Wall precinct: vast ceremonial spaces, and the sil- houette of the Old City quarters. Directly below, in the alley and terraces: a great variety of people seeking the sacred as well as the morning and evening cycles of life's routines. The photographs capture personal moments alongside large-scale public events in the city of Jerusalem, where belief and ritual significantly shape day-to-day life.

From the award-winning author of The Boy at the Back of the Class comes a middle grade novel about the power of hope to sustain even when tragedy strikes. Ten-year-old Aniyah and her little brother Noah find themselves living in foster care after the sudden disappearance of their mum. With her life in disarray, Aniyah knows just one thing for sure: her mum isn't gone forever. Aniyah believes that the people with the brightest hearts never truly disappear. They become stars. When scientists discover a new star acting strangely, Aniyah knows it's really her mum. To make sure everyone else knows, too, she embarks on the adventure of a lifetime--one that involves breaking into the Royal Observatory of London, and meeting the biggest star in Hollywood. This is an honest yet empathetic exploration of how people respond to difficult circumstances, told through the innocent voice of a ten-year-old girl.

This special edition commemorates the 30th anniversary of this classic multicultural picture book. Jo is ill and has to stay in bed for the day, but her mum promises to bring her home a surprise to make her feel better. All day long Jo looks out of the window waiting for her mum to return, and in the meantime sees all her friends from the neighbourhood, including the postman, the window cleaner and Mrs Ali from next door. But when will Mum be back with her surprise for Jo?

I need a window to look at the world without; for only then can I look at the world within. A room without a window is rather like a prison cell, and the soul is inclined to shrivel up in a confined space. ... Car horns, children calling to each other as they return from school, a boy selling candyfloss, several crows chasing a hawk! Never a dull moment. And the magic mountain looks on, absorbing everything.