Behind every great movement of God stands a few generous men and women called Gospel Patrons. This book tells three of their stories from history and invites us to believe God, step out, and serve the purposes of God in our generation too. For bulk orders and more resources, please visit: gospelpatrons.org "I read this book from cover to cover. I couldn't put it down. I'm praying for thousands of similar Gospel Patrons for our generation." -Todd Harper, President of Generous Giving "This is a great read! I love the way these stories paint a picture of stewarding relationship, affluence, and influence to lay up treasure in heaven." -David Wills, President of National Christian Foundation "Gospel Patrons is one of the most important books I have seen this year! It's 100 years overdue and these untold stories urgently need to be told today." -George Verwer, Founder of Operation Mobilization "As I read Gospel Patrons, I found myself weeping for joy. May the Lord powerfully use this vision around the globe!" -Howard Dayton, Founder of Compass--Finances God's Way

This book visits the fact that, in the pre-modern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage -- not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a society-wide system of obligation and reward that itself crystallized a whole culture’s assumptions about order and degree. The works studied in this book -- ranging from Shakespeare’s 2 Henry VI, written early in the 1590s, to Milton’s Masque Performed at Ludlow Castle, written in 1634 -- are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal -- and idealized -- patrons of the medieval world and remained so for early modern English recusants. As a result, their legends and iconographies provided early modern Protestant authors with the perfect tool for thinking about the urgent and complex question of who owed allegiance to whom in a rapidly changing world.

In the first comprehensive treatment of Classic Maya patron deity veneration, Joanne P. Baron demonstrates the central importance of patron deity cults in political relationships between both rulers and their subjects and among different Maya kingdoms. Weaving together evidence from inscriptions, images, and artifacts, Patron Gods and Patron Lords provides new insights into how the Classic Maya polity was organized and maintained. Using semiotic theory, Baron draws on three bodies of evidence: ethnographies and manuscripts from Postclassic, Colonial, and modern Maya communities that connect patron saints to pre-Columbian patron gods; hieroglyphic texts from the Classic period that discuss patron deity veneration; and excavations from four patron deity temples at the site of La Corona, Guatemala. She shows how the Classic Maya used patron deity effigies, temples, and acts of devotion to negotiate group membership, social entitlements, and obligations between individuals and communities. She also explores the wider role of these processes in politics, arguing that rituals and discourses related to patron deities ultimately formulated Maya rulership as a locally oriented institution, which limited the ability of powerful kingdoms to create wider religious communities. Applying a new theoretical approach for the archaeological study of ideology and power dynamics, Patron Gods and Patron Lords reveals an overlooked aspect of the belief system of Maya communities.

Potters and Patrons in Edo Period Japan: Takatori Ware and the Kuroda Domain traces the development of one of Japan's best-documented ceramic types, from its beginnings around 1600 until the abolition of the domain system in 1871. Using historical records, archaeological material from early kilns and consumer sites, and the results of comparative chemical analysis, this study explores the operation of Takatori as the official ceramic workshop of the Kuroda, lords of one of the largest domains in Japan. Spanning cultural, aesthetic, economic and practical aspects, this book presents Takatori ware as an ideal archetype with which to compare developments in elite ceramics in other parts of Japan throughout the Edo period. In addition to its scholarly examination of the operation of a domain-sponsored ceramics workshop over more than 250 years, the book includes illustrations of examples from each of the seven Takatori workshop locations, including beautiful pieces that have never before appeared in print.

An enduring myth of Georgian architecture is that it was purely the pursuit of male architects and their wealthy male patrons. History states that it was men who owned grand estates and houses, who commissioned famous architects, and who embarked upon elaborate architectural schemes. Hidden Patrons dismantles this myth - revealing instead that women were at the heart of the architectural patronage of the day, exerting far more influence and agency than has previously been recognised. Architectural drawing and design, discourse, and patronage were interests shared by many women in the eighteenth century. Far from being the preserve of elite men, architecture was a passion shared by both sexes, intellectually and practically, as long as they possessed sufficient wealth and autonomy. In an accessible, readable account, Hidden Patrons uncovers the role of women as important patrons and designers of architecture and interiors in eighteenth-century Britain and Ireland. Exploring country houses, Georgian townhouses, villas, estates, and gardens, it analyses female patronage from across the architectural spectrum, and examines the work of a range of pioneering women from grand duchesses to businesswomen to lowly courtesans. Re-examining well-known Georgian masterpieces alongside lesser-known architectural gems, Hidden Patrons unearths unseen archival material to provide a fascinating new view of the role of women in the architecture of the Georgian era.

Patrons of Enlightenment emphasizes the dependency of thinkers upon patrons and compares the patron-client relationships in the French, English, and Scottish republics of letters.