Contributors to this insightful volume on topics in Chinese history from the past 1,400 years highlight the complexity at hand inside and outside modern China, while exploring issues related to political and social dynamics, economic structures, modernization, identity building, and Chinese interaction with the outside world. The articles presented here provide new insight on events as broad-ranging as the interreligious court debates of the Tang, the Jiaqing reform of the Qing, the Chinese display at the 1893 World’s Fair in Chicago, China’s rise, and its current Internet regulation, making this highly interdisciplinary collection an important contribution to current scholarship on the nation of China.

The matter of saṃgha-state relations is of central importance to both the political and the religious history of China. The volume The Middle Kingdom and the Dharma Wheel brings together, for the first time, articles relating to this field covering a time span from the early Tang until the Qing dynasty. In order to portray also the remarkable thematic diversity of the field, each of the articles not only refers to a different time but also discusses a different aspect of the subject. Contributors include: Chris Atwood, Chen Jinhua, Max Deeg, Barend ter Haar, Thomas Jülch, Albert Welter and Zhang Dewei.

Winner, 2023 Toshihide Numata Book Award, Numata Center for Buddhist Studies at the University of California, Berkeley Since the early days of Buddhism in China, monastics and laity alike have expressed a profound concern with the past. In voluminous historical works, they attempted to determine as precisely as possible the dates of events in the Buddha’s life, seeking to iron out discrepancies in varying accounts and pinpoint when he delivered which sermons. Buddhist writers chronicled the history of the Dharma in China as well, compiling biographies of eminent monks and nuns and detailing the rise and decline in the religion’s fortunes under various rulers. They searched for evidence of karma in the historical record and drew on prophecy to explain the past. John Kieschnick provides an innovative, expansive account of how Chinese Buddhists have sought to understand their history through a Buddhist lens. Exploring a series of themes in mainstream Buddhist historiographical works from the fifth to the twentieth century, he looks not so much for what they reveal about the people and events they describe as for what they tell us about their compilers’ understanding of history. Kieschnick examines how Buddhist doctrines influenced the search for the underlying principles driving history, the significance of genealogy in Buddhist writing, and the transformation of Buddhist historiography in the twentieth century. This book casts new light on the intellectual history of Chinese Buddhism and on Buddhists’ understanding of the past.

The truth of Chan Buddhism--better known as "Zen"--is regularly said to be beyond language, and yet Chan authors--medieval and modern--produced an enormous quantity of literature over the centuries. To make sense of this well-known paradox, Patriarchs on Paper explores several genres of Chan literature that appeared during the Tang and Song dynasties (c. 600-1300), including genealogies, biographies, dialogues, poems, monastic handbooks, and koans. Working through this diverse body of literature, Alan Cole details how Chan authors developed several strategies to evoke images of a perfect Buddhism in which wonderfully simple masters transmitted Buddhism's final truth to one another, suddenly and easily, and, of course, independent of literature and the complexities of the Buddhist monastic system. Chan literature, then, reveled in staging delightful images of a Buddhism free of Buddhism, tempting the reader, over and over, with the possibility of finding behind the thick façade of real Buddhism--with all its rules, texts, doctrines, and institutional solidity--an ethereal world of pure spirit. Patriarchs on Paper charts the emergence of this kind of "fantasy Buddhism" and details how it interacted with more traditional forms of Chinese Buddhism in order to show how Chan's illustrious ancestors were created in literature in order to further a wide range of real-world agendas.

While the Neo-Confucian critique of Buddhism is fairly well-known, little attention has been given to the Buddhist reactions to this harangue. The fact is, however, that over a dozen apologetic essays have been written by Buddhists in China, Korea, and Japan in response to the Neo-Confucians. Buddhist Apologetics in East Asia offers an introduction to this Buddhist literary genre. It centers on full translations of two dominant apologetic works—the Hufa lun (護法論), written by a Buddhist politician in twelfth-century China, and the Yusŏk chirŭi non (儒釋質疑論), authored by an anonymous monk in fifteenth-century Korea. Put together, these two texts demonstrate the wide variety of polemical strategies and the cross-national intertextuality of East Asian Buddhist apologetics.

This book presents for the first time in English a complete translation of the Expository Commentary to the Daode jing, written by the Daoist monk Cheng Xuanying in the 7th century CE. This commentary is a quintessential text of Tang dynasty Daoist philosophy and of Chongxuanxue or Twofold Mystery teachings. Cheng Xuanying proposes a reading of the ancient Daode jing that aligns the text with Daoist practices and beliefs and integrates Buddhist concepts and techniques into the exegesis of the Daode jing. Building on the philosophical tradition of Xuanxue authors like Wang Bi, Cheng read the Daode jing in light of Daoist religion. Cheng presents Laozi, the presumed author of the Daode jing, as a bodhisattva-like sage and savior, who wrote the Daode jing to compassionately guide human beings to salvation. Salvation is interpreted as a metaphysical form of immortality, reached by overcoming the dichotomy of being and non-being, and thus also life and death. Cheng's philosophical outlook ties together the ancient text of the Daode jing and contemporary developments in Daoist thought which occurred under the influence of an intense interaction with Buddhist ideas. The commentary is a vivid testimony of the integration of Buddhist thought into an exegesis of the ancient classic of the Daode jing, and thereby also into Chinese philosophy. Friederike Assandri frames this new translation with an extensive introduction, providing crucial context for a new reading of the Daode jing. It includes a biography of Cheng Xuanying, a discussion of the historical and political context of Daoism in early medieval China in the capital Chang'an, and a discussion of Cheng's philosophy in relation to the interaction of Daoism and Buddhism. This commentary is essential reading for students and scholars interested in the history of Chinese philosophy, Daoist thought, and the reception of Buddhism in China.

This handbook addresses the methodological problems and theoretical challenges that arise in attempting to understand and represent humour in specific historical contexts across cultural history. It explores problems involved in applying modern theories of humour to historically-distant contexts of humour and points to the importance of recognising the divergent assumptions made by different academic disciplines when approaching the topic. It explores problems of terminology, identification, classification, subjectivity of viewpoint, and the coherence of the object of study. It addresses specific theories, together with the needs of specific historical case-studies, as well as some of the challenges of presenting historical humour to contemporary audiences through translation and curation. In this way, the handbook aims to encourage a fresh exploration of methodological problems involved in studying the various significances both of the history of humour and of humour in history.

What makes a Chinese poem “Chinese”? Some call modern Chinese poetry insufficiently Chinese, saying it is so influenced by foreign texts that it has lost the essence of Chinese culture as known in premodern poetry. Yet that argument overlooks how premodern regulated verse was itself created in imitation of foreign poetics. Looking at Bian Zhilin and Yang Lian in the twentieth century alongside medieval Chinese poets such as Wang Wei, Du Fu, and Li Shangyin, The Organization of Distance applies the notions of foreignization and nativization to Chinese poetry to argue that the impression of poetic Chineseness has long been a product of translation, from forces both abroad and in the past.

Disruptions as Opportunities: Governing Chinese Society with Interactive Authoritarianism addresses the long-standing puzzle of why China outlived other one-party authoritarian regimes with particular attention to how the state manages an emerging civil society. Drawing upon over 1,200 survey responses conducted in 126 villages in the Sichuan province, as well as 70 interviews conducted with Civil Society Organization (CSO) leaders and government officials, participant observation, and online research, the book proposes a new theory of interactive authoritarianism to explain how an adaptive authoritarian state manages nascent civil society. Sun argues that when new phenomena and forces are introduced into Chinese society, the Chinese state adopts a three-stage interactive approach toward societal actors: toleration, differentiation, and legalization without institutionalization. Sun looks to three disruptions—earthquakes, internet censorship, and social-media-based guerrilla resistance to the ride-sharing industry—to test his theory about the three-stage interactive authoritarian approach and argues that the Chinese government evolves and consolidates its power in moments of crisis.

China has become accessible to the west in the last twenty years in a way that was not possible in the previous thirty. The number of westerners travelling to China to study, for business or for tourism has increased dramatically and there has been a corresponding increase in interest in Chinese culture, society and economy and increasing coverage of contemporary China in the media. Our understanding of China’s history has also been evolving. The study of history in the People’s Republic of China during the Mao Zedong period was strictly regulated and primary sources were rarely available to westerners or even to most Chinese historians. Now that the Chinese archives are open to researchers, there is a growing body of academic expertise on history in China that is open to western analysis and historical methods. This has in many ways changed the way that Chinese history, particularly the modern period, is viewed. The Encyclopedia of Chinese History covers the entire span of Chinese history from the period known primarily through archaeology to the present day. Treating Chinese history in the broadest sense, the Encyclopedia includes coverage of the frontier regions of Manchuria, Mongolia, Xinjiang and Tibet that have played such an important role in the history of China Proper and will also include material on Taiwan, and on the Chinese diaspora. In A-Z format with entries written by experts in the field of Chinese Studies, the Encyclopedia will be an invaluable resource for students of Chinese history, politics and culture.