The medieval court historian Jean Froissart is famous today for writing the ‘Chronicles’, a voluminous and detailed account of the fourteenth century, which concerns the “honourable adventures and feats of arms” of the Hundred Years’ War. As a scholar, Froissart lived among the nobility of several European courts and he travelled widely. His ‘Chronicles’ remains the most important document of feudal times in Europe and the best contemporary exposition of chivalric and courtly ideals. Delphi’s Medieval Library provides eReaders with rare and precious works of the Middle Ages, with noted English translations and the original texts. This eBook presents Froissart’s ‘Chronicles’, with multiple translations, illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Froissart's life and works * Features the two translations of the ‘Chronicles’, as well as the original French text * Concise introduction to Froissart’s work * Excellent formatting of the texts * Easily locate the chapters you want to read with individual contents tables * Lord Berners’ celebrated translation (edited by G. C. Macaulay), widely regarded as one of the greatest translations of the English language * Includes Thomas Johnes’ comprehensive 1848 translation, first time in digital print * Features two bonus biographies — discover Froissart’s medieval world CONTENTS: The Translations The Chronicles: Lord Berners’ Translation, 1535 The Chronicles: Thomas Johnes’ Translation, 1848 The Original Text Contents of the French Text The Biographies Jean Froissart (1911) by Walter Besant Jean Froissart (1913) by Louis René Bréhier

Even as a canon, he lived in princely style, with a retinue of two knights and forty squires, and he wrote at the request of John of Hainault, the uncle of queen Philippa. He was thus able to draw directly on the verbal accounts of the Crécy campaign given to him by soldiers from Hainault who had fought on both sides; and his description of warfare in Scotland is the most realistic account of what it was like to be on campaign that survives from this period.

A comparative study of how the societies of late medieval England and France reacted to the long period of conflict between them from political, military, social and economic perspectives.

This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.

This anthology brings together medieval documents and narratives illustrative of the political, social, economic, and cultural history of England during the Middle Ages. Authors and subjects included are both secular and clerical, male and female, mighty and low. Along with classic texts, such as the Domesday Book and Magna Carta, the collection also contains materials on less frequently addressed topics, such as the persecution of Jews, and the writings of a number of women, such as Margery of Kempe and Queen Isabella of Angoul?me.