The fateful meeting of Freud and Horace Frink, and the ensuing scandal that nearly destroyed psychoanalysis In 1909, while on a fundraising lecture tour in America, Sigmund Freud met Horace Frink, an early disciple of his theories of psychoanalysis, whose traumatic childhood and complicated personal life later cast a shadow over Freud's professional career--and came close to destroying his reputation. This little-known and ultimately tragic true story of two divorces, three deaths, and a ménage à quatre, as well as the questionable motives behind Freud's involvement in it, is the subject of a groundbreaking collaboration between artist and animator Lionel Richerand and the prizewinning philosopher, biographer, and novelist Pierre Péju.

Killing Freud takes the reader on a journey through the 20th century, tracing the work and influence of one of its greatest icons, Sigmund Freud. A devastating critique, Killing Freud ranges across the strange case of Anna O, the hysteria of Josef Breuer, the love of dogs, the Freud industry, the role of gossip and fiction, bad manners, pop psychology and French philosophy, figure skating on thin ice, and contemporary therapy culture. A map to the Freudian minefield and a masterful negotiation of high theory and low culture, Killing Freud is a witty and fearless revaluation of psychoanalysis and its real place in 20th century history. It will appeal to anyone curious about the life of the mind after the death of Freud.

This edited collection brings together the perspectives of a broad spectrum of experts who reflect on Freud’s Seduction Theory, psychoanalysis, and the reality of child abuse through the work of Jeffrey Masson. Jeffrey Masson’s The Assault on Truth: Freud’s Suppression of the Seduction Theory (1984) is arguably the most controversial book on psychoanalysis in the last century. It provoked a furore from mainstream psychoanalysis, yet was well-received by the emerging international trauma field and became a bestseller. Four decades on, a group of international scholars and professionals revisit Masson’s original work and reflect on the lessons that can be taken from the saga. Was the reaction of Masson’s peers tied to the fact that he had accused Freud of being less than heroic, or was it that he confronted psychoanalysis with a very uncomfortable truth? This book examines how The Assault on Truth came to be written, why it sparked such an extreme reaction, and the issues Masson was grappling with. Complete with an extended Foreword by John Briere, a luminary of the modern trauma field, this book will be essential reading for practitioners, students, and researchers involved in contemporary psychoanalysis, psychotherapy, psychology and especially trauma care, women’s mental health, child safety and the study of memory.

Winner of the 2021 ABAPsa Book Prize Award! What would the story of analysis look like if it were told through the eyes of the analysand? How would the patient write and present the analytic experience? How would the narrative as written by the analysand differ from the analytic narrative commonly offered by the analyst? What do the actual analytic narratives written by Freud’s patients look like? This book aims to confront these intriguing questions with an innovative reading of memoirs by Freud’s patients. These patients—including Sergei Pankejeff, known as the Wolf Man; the poet H. D.; and the American psychoanalyst Abram Kardiner—all came to Vienna specially to meet Freud and embark with him on the intimate and thrilling journey of deciphering the unconscious and unravelling the secrets of the psyche. A broad psychoanalytic and literary-historical reading of their memoirs is offered in this new entry to the popular Routledge History of Psychoanalysis Series, with the purpose of presenting the analysands' narratives as they themselves recounted them. This makes it possible to re-examine the links among psychoanalysis, literature, and translation and sheds new light on the complex challenge of coming to know oneself through the encounter with otherness. This book is unique in its focus on multiple memoirs by patients of Freud and presents a fresh, even startling, close-up look at psychoanalysis as a clinical practice and as a rigorous discourse and offers a new vision of Freud’s strengths and, at times, defects. It will be of considerable interest to scholars of psychoanalysis and intellectual history, as well as those with a wider interest in literature and memoir.

This is Volume XI in a series of twenty-eight on Psychoanalysis. Originally published in 1918, this study gives illustrations of the varied and significant modes of action of men's unconscious motives whilst looking at their morbid fears and compulsions.

From August 29 to September 21, 1909, Sigmund Freud visited the United States, where he gave five lectures at Clark University in Worcester, Massachusetts. This volume brings together a stunning gallery of leading historians of psychoanalysis and of American culture to consider the broad history of psychoanalysis in America and to reflect on what has happened to Freud’s legacy in the United States in the century since his visit. There has been a flood of recent scholarship on Freud’s life and on the European and world history of psychoanalysis, but historians have produced relatively little on the proliferation of psychoanalytic thinking in the United States, where Freud’s work had monumental intellectual and social impact. The essays in After Freud Left provide readers with insights and perspectives to help them understand the uniqueness of Americans’ psychoanalytic thinking, as well as the forms in which the legacy of Freud remains active in the United States in the twenty-first century. After Freud Left will be essential reading for anyone interested in twentieth-century American history, general intellectual and cultural history, and psychology and psychiatry.

Élisabeth Roudinesco’s bold reinterpretation of Sigmund Freud is a biography for the twenty-first century—a sympathetic yet impartial appraisal of a genius admired but misunderstood in his time and ours. Alert to tensions in his character and thought, she views Freud less as a scientific thinker than as an interpreter of civilization and culture.

Portraits of the thirty-eight known patients Sigmund Freud treated clinically—some well-known, many obscure—reveal a darker, more complex picture of the famed psychoanalyst. Everyone knows the characters described by Freud in his case histories: “Dora,” the “Rat Man,” the “Wolf Man.” But what do we know of the people, the lives behind these famous pseudonyms: Ida Bauer, Ernst Lanzer, Sergius Pankejeff? Do we know the circumstances that led them to Freud’s consulting room, or how they fared—how they really fared—following their treatments? And what of those patients about whom Freud wrote nothing, or very little: Pauline Silberstein, who threw herself from the fourth floor of her analyst’s building; Elfriede Hirschfeld, Freud’s “grand-patient” and “chief tormentor;” the fashionable architect Karl Mayreder; the psychotic millionaire Carl Liebmann; and so many others? In an absorbing sequence of portraits, Mikkel Borch-Jacobsen offers the stories of these men and women—some comic, many tragic, all of them deeply moving. In total, thirty-eight lives tell us as much about Freud’s clinical practice as his celebrated case studies, revealing a darker and more complex Freud than is usually portrayed: the doctor as his patients, their friends, and their families saw him.

Was Sigmund Freud a "Freudian"? If "Freudian" means an uninvolved, neutral interpreter of transference and resistance, the answer, according to this fascinating new book, is no, he was not. Based on existing full-length accounts by patients who were treated by Freud in the 1920s and '30s, this volume reveals an unexpected Freud - one who is quite different from the current stereotype. Presented together for the first time, these vivid, intimate biographies of the analytic process provide an illuminating close-up of Sigmund Freud at work. Through the words of his own patients, the reader is introduced to an organized, persistent, personally engaged, and expressive clinician who relied on free association, rather than transference and resistance analysis, to move the treatment. The authors examine these cases, along with those of the well-known Rat Man and Wolf Man, to see how Freud organized the treatment dyad in terms of its primary task and the division of labor between himself and his patient. They then compare their findings with Freud's papers on technique and with the dominant ideals of mainstream, contemporary psychoanalysis. Contrary to the capricious Freud of in-house clinical lore, the starched Freud of Strachey's Standard Edition, and the blank screen of traditional orthodoxy, Lohser and Newton demonstrate that Freud was explicit about defining the primary task (making the unconscious conscious), directively instituted free association as the means to accomplish the task, and actively monitored his patient's compliance with it. The authors also demonstrate the implications of Freud's actual approach for the nature of the analytic relationship. Since Freud relied on free association, rather than transference and resistance analysis, he could be more spontaneous and personal. In contrast, by making transference analysis the engine of the treatment, the contemporary clinician ends up subordinating the entirety of his or her behavior to protecting the transference; neutrality, unilaterality, and extreme abstinence are inevitable consequences. This may be a good way to do psychoanalysis, but it turns out not to be Freudian. Opening an important debate about the nature of Freudian practice as Sigmund Freud himself practiced it, Lohser and Newton contend that the cases presented in this volume clearly demonstrate that the dominant image of the Freudian analyst is not, in fact, classical, but rather a neo-orthodox stereotype.

From the master of Freud debunkers, the book that definitively puts an end to the myth of psychoanalysis and its creator Since the 1970s, Sigmund Freud’s scientific reputation has been in an accelerating tailspin—but nonetheless the idea persists that some of his contributions were visionary discoveries of lasting value. Now, drawing on rarely consulted archives, Frederick Crews has assembled a great volume of evidence that reveals a surprising new Freud: a man who blundered tragicomically in his dealings with patients, who in fact never cured anyone, who promoted cocaine as a miracle drug capable of curing a wide range of diseases, and who advanced his career through falsifying case histories and betraying the mentors who had helped him to rise. The legend has persisted, Crews shows, thanks to Freud’s fictive self-invention as a master detective of the psyche, and later through a campaign of censorship and falsification conducted by his followers. A monumental biographical study and a slashing critique, Freud: The Making of an Illusion will stand as the last word on one of the most significant and contested figures of the twentieth century.